The Space Children

Leave it to the director of several excellent 1950s sci-fi flicks to take a no-budget plot and turn it into one of the best and most intelligent Cold War melodramas of the period. CHILDREN concerns a brain-like alien blob that teleports to Earth with the purpose of stopping the American military from launching a nuclear weapon into orbit. To do so, it enlists the aid of several children residing on base. For reasons best known to the script writers, the blob keeps growing in size, until it is the size of a tank. The acting is at least of TV quality, the production solid. No big names in the cast, but pay attention to the actress playing little Edie. This actress dropped out of Hollywood early on, which is a shame since one can see her potential here. For old-time TV buffs, watch for Uncle Fester, the Professor (minus Maryann) and the McCain kid.

Last year I watched TCMs documentary WATCH THE SKIES. Seeing the clips from this movie, I vaguely remembered seeing it but wasn't quite sure. Since Steven Spielberg gushed about it I thought I would search for a copy. I finally found a copy and watched it with my twin brother and a childhood friend of mine. Having seen it, I realize that I did see this movie. My brother and friend also remembered it and we agree that it was probably in the very early sixties. I was at most six years old at the time. When your six you don't concern yourself with the BIG MESSAGE. What I really liked was monsters and aliens. This movie does not feature any exciting encounters with either. I guess the reason I liked it at the time was because kids were the main stars of the picture. They really don't do much, in fact nobody really does much in this picture, but that really doesn't matter. Seeing it again as an adult, I am tempted to roast this movie for it's lack of production values, obvious low budget, lack of action and highly unrealistic storyline. I agree with another reviewer, what is an unemployed drunk doing at a top secret missile facility. Why are children allowed to run all over the place? But why bother? It doesn't really matter. There is a message here no matter how clumsily conveyed. The movie has good nostalgia value and that is probably the real reason I like it.

I have yet to see this movie un-mstied but would love to as I think it's a pretty damn good movie. This is one of the rare cases of mst3k being way off the mark in choosing this movie. Don't get me wrong, I loved the episode and their were some great riffs but I couldn't help but think that this movie was not nearly as bad as Mike, Crow and Tom (or any of these reviewers here) made it out to be. I will admit thought that on first watching it I did feel that the kids were being somewhat (but not completely) controlled by the alien but on repeated viewings it does appear that that is certainly not the case. I really need to see the unedited, un-mstied version, this is a b-movie classic in my humble opinion.

Somewhere on the California coast, midway between San Francisco and Los Angeles, a small group of scientists, engineers and technicians working in a secured base are preparing to test-launch a six-stage rocket carrying a satellite with a nuclear warhead: The Thunderer. The satellite is designed to be an immediate-response strike against enemy aggression, anywhere in the world. It is supposed that other nations are preparing similar satellites and weapons....

Unbeknownst to the powers that be, other minds have reason to want to see the project fail, and utilize an unsuspected resource to carry out their plans...

This small but effective little sci-fi tale is long on atmosphere, novel in viewpoint and execution, and well worth a couple of viewings for fans of the '50's sci-fi genre.

More than a few familiar cast members, and an impressive band of juvenile performers, under Jack Arnold's sure and spare directorial hand, give this a fresh and simple feel, and don't spend a lot of time hammering home its message (rare for the immediate post-Sputnik years).

While not Arnold's best film, IMHO (I find it a bit preachy and badly hampered by the rubbery silliness of the Big Alien Brain), this is still a memorable film. Though set in a beachfront area it happens mostly at night, using Arnold's typically haunting black-and-white compositions to set an appropriate tone of strangeness and isolation. The children, alienated from their preoccupied and overworked parents, are almost adopted by the space creature, which takes them under its protection (a drunken and abusive father is disposed of soon after the brain's arrival) even as it enlists them in its pacifist mission. At first fairly typical kids, they quickly develop an air of gravity and wisdom that remains after the alien departs, suggesting a lasting, even evolutionary effect. The film's title is perfect: the kids do become Space Children, more in tune with alien than human thought.