Separate Tables

I enjoyed this movie immensely. I went back and watched parts of it over because it was done so well.

The actors show the greatness and degradation of human nature under the duress of great personal obstacles and non-ideal circumstances.

Burt Lancaster is both bold and vulnerable, directly honest and compassionately understanding.

One person exhibits unsurpassed understanding with unselfish love. To me, this is a love story on many levels; manipulative love, selfish, lonely love, the love of people's opinion, love battling fear and finally... well, you need to watch it and see.

This film came highly recommended to me by my parents, so I was anxious to watch it. Again, I realized that my impression of Burt Lancaster is completely different from what he actually is as an actor. His portrayal of an alcoholic man who gets a visit from his ex-wife (Hayworth) at the hotel he resides is again different from the boisterous, oafish guy that I always believed him to be when I was younger. Also at the hotel are a varied group of characters – including an oppressive woman who lords over her timid spinster daughter (Kerr) and a retired Army officer with some secrets, (Niven) who are all taken care of by the distant, yet sincere proprietress, Pat Cooper (the amazing Wendy Hiller). The film encompasses all of their separate plot lines, and interweaves them gradually until the climatic ending. There was no action in this film, just wonderful, straight melodrama and some great writing and acting. A year later, Lancaster and Hecht, the producers behind this film, went on to produce `Sweet Smell of Success', which is infinitely more searing and dark, but it was interesting to see the precursor to that film. I recommend this film for anyone who appreciates solid classic melodramas.

--Shelly

One would not expect such a very proper British movie (with bull in a china shop Burt Lancaster) to end up feeling just right, but it did. There are not many characters in a drama such as the one created by Terrence Ratigan and played so superbly by Wendy Hiller (somewhere in her career between the Salvation Army woman and the Princess Dragomira) who is romantic, realistic and does the right thing....as do nearly all the characters in the final scene. Quite right.

"Separate Tables" (1958) is a movie that I'd been wanting to see for many years, and it was worth the wait. A "Grand Hotel"-type of story that takes place at a quaint English inn by the sea, it features any number of interesting characters, marvelously depicted by a host of great talents. Thus, we get a love triangle between Burt Lancaster, his ex-wife Rita Hayworth (40 years old in this film and still looking very pulchritudinous) and the charming hotel owner Wendy Hiller, who really did earn her Best Supporting Actress Oscar here. We meet the repressed mess of a spinster played by Deborah Kerr, as well as her impossibly overbearing mother (Gladys Cooper, doing here what she did to Bette Davis in 1942's "Now, Voyager"). We get to know retired Army major David Niven, and learn his dark secrets. (Niven, too, earned his Oscar for this fine portrayal; he also costarred with Kerr in another 1958 film, "Bonjour Tristesse.") And finally, we encounter a pair of young lovers, Rod Taylor and the yummy Audrey Dalton, who can't decide if they should marry or not. Many dramatic encounters abound (some of them sexually frank for 1958), and Hayworth's mature and adult performance might come as the pleasantest surprise of the bunch. Personally, I would say that big Burt picks the wrong gal to go off with at the film's conclusion, but I suppose that this is a matter of personal taste. The bottom line here is that this classic film is a wonderful treat for viewers who appreciate good screen writing and who relish deliciously served acting by a bunch of real pros. And this nice, crisp-looking DVD only adds to the pleasure. So do yourself a favor and check into the Beauregard Hotel!

Though Deborah Kerr and David Niven are often singled out for their performances, it's really the sensitive, restrained, and vulnerable performance by Rita Hayworth and her relationship with the intense Burt Lancaster that will make you want to come back to this film again and again.

Kerr is worlds away from her elegant performance in "An Affair to Remember." Her Sybil is dominated by her mother (excellently played by Gladys Cooper), repressed, plain, and rather odd. David Niven plays Major Pollock, a war-story windbag with some disturbing secrets. Niven won the best actor Oscar for his performance. However, on the second viewing of this film, his and Kerr's acting seemed showy and became a little irritating. I'm not so sure they stand the test of time.

The less shrill moments with Wendy Hiller (also excellent), Lancaster, and the lovely, involving Hayworth were a welcome respite. Hayworth, more than anyone else, will break your heart in this film. She makes you care about what happens with her character, Ann. Perhaps their roles weren't as tied to an era as Niven's and Kerr's, but Hiller's, Lancaster's, and Hayworth's acting styles certainly seem more natural and real.

Cathleen Nesbitt also turns in a warm and lovely performance as Lady Matheson.

I definitely recommend this movie!