CALIFICACIÓN DE IMDb
6.3/10
209
TU CALIFICACIÓN
Agrega una trama en tu idiomaGannon is an imprisoned racketeer kingpin who tries to manipulate his young cell mate into staging a riot and prison break, but the cell mate tries to back out when he realizes other inmates... Leer todoGannon is an imprisoned racketeer kingpin who tries to manipulate his young cell mate into staging a riot and prison break, but the cell mate tries to back out when he realizes other inmates may be killed in the process.Gannon is an imprisoned racketeer kingpin who tries to manipulate his young cell mate into staging a riot and prison break, but the cell mate tries to back out when he realizes other inmates may be killed in the process.
- Dirección
- Guionistas
- Elenco
Arline Hunter
- Girl
- (as Arlene Hunter)
Benjie Bancroft
- Guard
- (sin créditos)
Robert Bice
- Guard
- (sin créditos)
Noble 'Kid' Chissell
- Convict
- (sin créditos)
John Close
- Guard
- (sin créditos)
John Craven
- Guard
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Another prison revolt/escape movie, this time it's Allied Artists that tries for that Warner Bros. stock story. Gene Evans plays the new boss-like inmate with a 20-year sentence that he's not about to tolerate. He rouses everyone he meets with the idea of breaking out. But Evan's character is more slippery than you think, giving the film its only strength, story-wise. He's got tricks up his sleeve, and a cold, cold heart that's revealed at the end. Evans is solid, as is Robert Blake who struggles with a Mexican accent but gets a lot of dialogue and handles it well. The standout is Timothy Carey, playing the half-smart tough guy inmate used like all the others by Evans. Carey is convincingly creepy and menacing... aw heck, he's just plain weird throughout.
Not a bad little movie, but it does take a while to get going, and the titled "revolt" doesn't occur until late in the proceedings, and shows the budget limitations (the staging is mostly awful, too) and ends fairly quickly. Doesn't hold a candle to the energetic old Warner Bros. prison thrillers.
Not a bad little movie, but it does take a while to get going, and the titled "revolt" doesn't occur until late in the proceedings, and shows the budget limitations (the staging is mostly awful, too) and ends fairly quickly. Doesn't hold a candle to the energetic old Warner Bros. prison thrillers.
Apart from the 'women in prison' exploitation films of the early 1970s, prison films usually are among the better movies you can find. Now I am not saying they all are great movies...but finding a bad prison film isn't easy. So, I wasn't very surprised that "Revolt in the Big House" turned out to be very watchable and well made.
When the story begins, tough guy Lou Gannon (Gene Evans) has arrived at prison. He apparently was a very famous criminal but getting the goods on him wasn't easy...and he FINALLY has run out of luck. Once there, he meets up with an old friend, 'Bugsy' (Timothy Carey) and the pair work on a plan for a big escape. This involves coming up with a plan to smuggle guns into the prison...and you'll have to watch the film to see what's next.
The acting, script and direction are all good here. In fact, I can't think of any big problems with the film and a score of 8 is awfully good for such a low budgeted picture. My one complaint is when one of the prisoners gets machined gunned....and not a single hole nor speck of blood is seen...nothing. Quite enjoyable overall.
When the story begins, tough guy Lou Gannon (Gene Evans) has arrived at prison. He apparently was a very famous criminal but getting the goods on him wasn't easy...and he FINALLY has run out of luck. Once there, he meets up with an old friend, 'Bugsy' (Timothy Carey) and the pair work on a plan for a big escape. This involves coming up with a plan to smuggle guns into the prison...and you'll have to watch the film to see what's next.
The acting, script and direction are all good here. In fact, I can't think of any big problems with the film and a score of 8 is awfully good for such a low budgeted picture. My one complaint is when one of the prisoners gets machined gunned....and not a single hole nor speck of blood is seen...nothing. Quite enjoyable overall.
The plot of this film has been filmed a million times: a group of prisoners start a revolt in order to make an escape attempt. What makes this worth seeing over dozens of other "B" films is the good cast. Gene Evans is excellent as Lou Barlow who tricks good kid Rudy (Robert Blake) into helping him escape. Tim Carey gives his usual good performance as the unhinged prisoner "Bugsy" who lovingly fondles guns. Glad my local video store had this one.
Robert Blake is a young man sent to prison. The guards are corrupt, the warden, played by Emile Mayer, is an uncaring bureaucrat, and Blake's cellmate is Gene Evans, who tries to get him to start a riot to cover Evans' prison break.
R.G. Springsteen was a ver competent B western director. He was so good he survived directing them after they were long dead. A few times he got to direct crime dramas, and he knew how to take people like Evans, who usually played henchmen in oaters, and bring him up to date.
The 1930s had prison dramas that were about the reforming power, about how thoughtful, caring authorities. The 1950s brought a new look, stories about the bad, bad men -- and women -- locked up there, and how they mistreated themselves, creatures of violence from which society must be guarded; perhaps there was a bit of paranoia about communism lurking in the subtext. Robert Blake is not there to be reformed. He is a vicious, dangerous creature in the eyes of the warden, who believes the guards who plant a knife on him. If he is to be reformed, he must do it himself. He must realize that the life of a criminal will kill him and the few decent men in prison and make the effort without help.
R.G. Springsteen was a ver competent B western director. He was so good he survived directing them after they were long dead. A few times he got to direct crime dramas, and he knew how to take people like Evans, who usually played henchmen in oaters, and bring him up to date.
The 1930s had prison dramas that were about the reforming power, about how thoughtful, caring authorities. The 1950s brought a new look, stories about the bad, bad men -- and women -- locked up there, and how they mistreated themselves, creatures of violence from which society must be guarded; perhaps there was a bit of paranoia about communism lurking in the subtext. Robert Blake is not there to be reformed. He is a vicious, dangerous creature in the eyes of the warden, who believes the guards who plant a knife on him. If he is to be reformed, he must do it himself. He must realize that the life of a criminal will kill him and the few decent men in prison and make the effort without help.
The joy of this movie is that it filled with generic (corny) lines and situations throughout, yet it is still a great yarn. Some friends and I discovered this flick accidentally on TV years ago in the 70's and it has enjoyed a surreptitious cult-like status ever since. With lines like, "I can't eat, I can't sleep, food turns sour in my belly," and characters with a name like Bugsy, and a very young Robert Blake spouting, "Oh, holy Toledo!" you just cannot go wrong watching this movie with some friends. I challenge anybody who sees this movie to try and not quote at least one of the many unforgettable lines for days and/or years after seeing Lou and the gangs travails inside the unforgiving walls of "the big house."
¿Sabías que…?
- TriviaRobert Blake's character is a former Hispanic gang member, which was rare in movies at this time, especially being the only protagonist of the inmates. Also, Robert Blake had played a lot of Spanish characters throughout his career leading to this point, including the little boy who sells Humphrey Bogart the winning lottery ticket in El tesoro de la Sierra Madre (1948). He played Native Americans as well, and later, a "part Cherokee" criminal in his most famous role, A sangre fría (1967). It wasn't until later that he would be cast primarily as what he actually was, an Italian American.
- ErroresWhen Robert Blake is facing outside his cell as the men are lined-up, his hands are down. When it cuts to outside the cell, looking in at Blake, both hands are holding the cell bars.
- ConexionesFeatured in Dusk to Dawn Drive-In Trash-o-Rama Show Vol. 7 (2002)
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Revolt in the Big House
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 19 minutos
- Color
- Relación de aspecto
- 1.85 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta
Principales brechas de datos
By what name was Motín entre rejas (1958) officially released in India in English?
Responda