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Pull My Daisy

  • 1959
  • 30min
CALIFICACIÓN DE IMDb
6.4/10
854
TU CALIFICACIÓN
Pull My Daisy (1959)
Corto

Agrega una trama en tu idiomaA married couple vainly hopes that their irreverent beat poet friends will behave themselves when the bishop comes to visit.A married couple vainly hopes that their irreverent beat poet friends will behave themselves when the bishop comes to visit.A married couple vainly hopes that their irreverent beat poet friends will behave themselves when the bishop comes to visit.

  • Dirección
    • Robert Frank
    • Alfred Leslie
  • Guionista
    • Jack Kerouac
  • Elenco
    • Jack Kerouac
    • Allen Ginsberg
    • Gregory Corso
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.4/10
    854
    TU CALIFICACIÓN
    • Dirección
      • Robert Frank
      • Alfred Leslie
    • Guionista
      • Jack Kerouac
    • Elenco
      • Jack Kerouac
      • Allen Ginsberg
      • Gregory Corso
    • 15Opiniones de los usuarios
    • 7Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado en total

    Fotos28

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    + 22
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    Elenco principal12

    Editar
    Jack Kerouac
    Jack Kerouac
    • Narrator
    Allen Ginsberg
    Allen Ginsberg
    • Allen
    • (as Alan Ginsberg)
    Gregory Corso
    • Gregory
    Larry Rivers
    • Milo
    Peter Orlovsky
    Peter Orlovsky
    • Peter
    Delphine Seyrig
    Delphine Seyrig
    • Milo's Wife
    • (as Beltiane)
    David Amram
    • Mezz McGillicuddy
    Richard Bellamy
    • Bishop
    • (as Mooney Pebbles)
    Alice Neel
    • Bishop's Mother
    Sally Gross
    • Bishop's Sister
    Denise Parker
    • Girl in Bed
    Pablo Frank
    • Pablo
    • Dirección
      • Robert Frank
      • Alfred Leslie
    • Guionista
      • Jack Kerouac
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios15

    6.4854
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    10

    Opiniones destacadas

    8tmv9

    "The Beat Generation"

    One of the more quintessential displays of the era of Beat poetry and Bop music. Set in a NYC apartment, the movie is narrated by Jack Keoruac and portrays the life of an artistic 'family'. From painter, poet, and musician, the movie moves quickly without any particular place to go. It strikes at the heart of the movement and should be avoided by anybody who cannot stand the sometimes 'zoned' out babble of this generation. Enjoyable and short, the film fits a small genre of the American experience.
    Mr Roboto

    On the Road--Again

    Various "Beat Generation" luminaries hang out in a New York apartment. I usually couldn't care less about the Beats, but this short film is fairly absorbing, thanks mostly to Jack Kerouac's vibrant narration. It makes me nostalgic for the '50s, and I wasn't even around back then.
    3drjukebox

    Desolation rebels

    I, too was taken in by Kerouac's writing when I was adolescent. Free sex with willing babes, philosophy, drugs, travel, adventure, freedom to the max - what could be wrong with that? Why women would be interested in his lifestyle was less apparent to me. He could obviously talk for days and nights. Which together with his ability to remember conversations word for word for a long time makes me think of someone with a light touch of autism. Also the distance to others that is apparent in his writing. In the end he came across as a troubled and melancholy soul. This film gives us a rare view of the environment he spent part of the fifties in together with his chummy beatniks, where a myth was born (and is still being fed by some). You also get his voice over which runs the length of the film and is much like his writing. Endless associations and playful word games, stream of consciousness as they call it. One of the things that now puts me off is the negative depiction of women, in this film and in beat culture overall - unless they are the kind who are easily subordinated and available. Delphine Seyrig as the mother who actually feeds her son and takes him to school is the bad guy here. As is the Bishop's mother with her unamused expression - here you have them both, the mother and the wife from a beat perspective. Seyrig later went on to direct "Scum manifesto", no doubt fed up with a--holes like these jerks who never did the dishes. The talented David Amram wrote the score and plays some horn. He has called Kerouac a genius and one of the greatest of communicators, and I wouldn't mind having spent time with Jack. But I would rather have spent that time say, with Henry Miller, who was more joy than sorrow, and a better writer. Having said his, I too can feel nostalgia when I think of the beat era. I once went to a reading by Ginsberg and Orlovsky and was moved to tears and laughter like the rest of the audience. But, if you want the real story rather than the myth, read Carolyn Casady's "Off the Road" for starters. Btw, this film can be seen at google video.
    7SwollenThumb

    The Innocence Of The Beats

    A humorous almost innocent short film starring the Beat poets, alas not Kerouac but the narration which he wrote and speaks is beautiful and funny. In my innocence I was amazed to see the group passing around pot (*I know it was tobacco!) on camera. Thankfully this time capsule is available for viewing online (Open Culture) together with a clip of the poets visiting an East Side bar, filmed at the same time.
    woesong

    Roman à clef

    The background drama is interesting, I think, and not well known. Like Subterraneans, this story was transplanted from one coast to another.

    The Cassadys lived in the scenic foothills of the Santa Cruz Mountains, and the neighborhood was gentrifying in the years they were there. Many of the cultural contrasts in Beat epics were actually suggested by the various Beats and Pranksters playing off against the ritzy neighbors in Monte Sereno. There really was a bishop and his wife visiting in the Cassady home one evening while Ginsberg and Corso were there.

    Milo is a stand-in for Neal Cassady, of course, and the resentment and struggles against wife Carolyn are not made up neither. The rhythm of the commentary over the action is exceptional. I don't know where I have seen the like.

    Más como esto

    ¿Qué he hecho YO para merecer esto!!
    7.1
    ¿Qué he hecho YO para merecer esto!!
    Big Sur
    5.7
    Big Sur
    Sombras
    7.2
    Sombras
    All We Imagine as Light
    7.1
    All We Imagine as Light
    Me and My Brother
    6.6
    Me and My Brother
    The Connection
    7.0
    The Connection
    Extraña Forma De Vida
    6.2
    Extraña Forma De Vida
    Howl
    6.6
    Howl
    Harry Smith at the Breslin Hotel
    5.6
    Harry Smith at the Breslin Hotel
    Last Supper
    7.1
    Last Supper
    Wavelength
    5.3
    Wavelength
    The Flower Thief
    6.7
    The Flower Thief

    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Debut of actress Delphine Seyrig.
    • Conexiones
      Featured in The Fifties (1997)
    • Bandas sonoras
      The Crazy Daisy
      Written by David Amram, Allen Ginsberg and Jack Kerouac

      Performed by Anita Ellis

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 11 de noviembre de 1959 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Погадай на ромашке
    • Locaciones de filmación
      • Nueva York, Nueva York, Estados Unidos
    • Productora
      • G-String Enterprises
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      30 minutos
    • Color
      • Black and White
    • Mezcla de sonido
      • Mono

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