Opiniones de usuarios

Never Love a Stranger (1958)

You might be most impressed by the early appearance of Steve McQueen, who shows a spark and intensity that makes him rise above the rest of the cast, who are really rather good in all. It says something about star power, which isn't all smoke and mirrors. You might also get a kick that the leading male (McQueen is secondary) is played by John Drew Barrymore, son of the famous John and father of the famous Drew. Sadly, this man of the generation in the middle was troubled and had a mixture of leading roles, never achieving greatness or fame.

If the plot is a familiar one about two slum kids in New York growing up into opposite roles, one a thug, the other the area's district attorney (there are several of these films), there is another theme that makes the movie singular. That is the issue of being Jewish, and at times downright anti-Semitism, though handled with kid gloves. The fighting between Catholic boys and the one Jewish kid (McQueen) is standard clan rivalry, with a religious twist. But when the other character, raised in a Catholic orphanage, discovers he is actually Jewish, his first reaction is rebellion. And the movie carries this theme throughout, adding a good if forced second level to work with.

I'm not sure it matters, but it's interesting, at least, that McQueen and Barrymore are both not Jewish as far as I know (McQueen in particular doesn't fit the stereotypes, but that's probably okay by itself), nor was the director, Robert Stevens the American (as opposed to the more famous Robert Stevens the Brit). Even more interesting, the book the movie draws from was written by Harold Robbins, whose parents were Jewish immigrants, but when he was a child he claimed (falsely) to have been raised in a Roman Catholic orphanage. For whatever reason, then, the theme is handled with a kind of detachment that makes it odd, and not nearly as affecting as, say, some of the European films that really attack the issue of "passing" for Goy when the Nazi rampage was on (Louis Malle's "Au revoir les enfants" possibly the best). The Barrymore character never does quite accept of address his heritage.

Now to be clear, the movie lacks a directorial touch to keep it alive and pertinent. It's a decent if uninspired effort, but the exceptions will make it worth a close look for some.

I watched this to see John Drew Barrymore, whom I had never seen as an actor. The film also stars Steve McQueen, Lita Milan, and Robert Bray.

The premise is somewhat iffy. An orphan, Frankie Kane, raised in a Catholic orphanage, is found to be Jewish, so he has to be sent somewhere else. Someone asked on IMDb if this was true about the Catholic church. I have no idea. It seems to me if they could make someone a Christian, they would.

Okay, that aside, Frankie has Jewish friends, Martin Cabell (McQueen) and his sister Julie. Frankie protected Martin from some antiSemite teens, and Martin wants Frankie to teach him how to fight. Frankie also falls for Julie.

With the threat of being sent away, Frankie leaves town. He has had some contact with a gangster, Silk Fennell (Bray) before leaving. When he returns to town a hopeless bum seven years later, Bray brings him into the business. Bray is also by then involved with Julie, and she's singing in a nightclub.

Martin by now is a special prosecutor who is supposed to bring down the mob, and he wants Frankie to turn himself in. Problems ensue.

I think Frankie could have run away for another reason besides being Jewish - and I don't understand making the Cabells Jewish. It just made no sense to have that part of the story.

John Drew Barrymore, Drew's dad, John's son, was a good-looking man who reminded me of the actor Mark Goddard. He's pretty good in this. Unfortunately, he came to a bad end, and, thanks to him, his father came to a worse one.

Barrymore Sr. Had wanted to be cremated but at that time, Catholics couldn't be cremated. That law changed in 1963. Long story short, John Drew and a relative dug up Barrymore's body - after 38 years - and the leakage of body fluids nearly killed both of them. The fluids had formed a glue and attached it to the floor of the crypt, making it difficult to move, and the fluids continued leaking. John insisted on looking inside before his father was cremated and was completely freaked out.

Steve McQueen give an authoritative performance. R. G. Armstrong, a familiar face, is also in the film.

Not good - but it was written by Harold Robbins, and had I known that, I would have skipped it.

"Never Love A Stranger" is a badly directed movie with very poor dialogue, and an off-screen narrator pompously intoning meaningless platitudes.. The basic story is borrowed from several better films, and consequently has few surprises for the audience. However the film is of interest for other reasons.

The first major turning point in the story is based on an extraordinarily racist idea. A mother had died giving birth to a baby who is brought up in a Catholic orphanage. When the child is in his teens, it is discovered that his mother was Jewish. Although the boy has been raised from birth as a Christian, it is decided that he should be removed from the orphanage because it is felt that his parentage prevents him from being a Christian! Can any student of the Catholic Church in America confirm or deny that this kind of racist nonsense ever occurred?

Steve McQueen gives an early career performance, and already it is strikingly obvious that he has a rapport with the movie camera. Interestingly, so too has John Drew Barrymore, which raises the question of why did his movie career not prosper. Lita Milan has a strong and interesting face that is not conventionally beautiful. Thanks to Lee Garmes' lighting and to her heavy eye shadow, she seems better looking than she really is. R. G. Armstong comes in late in the movie, playing a hired assassin. Wearing glasses and city clothes, he is almost unrecognisable from the westerners he played in Sam Peckinpah's movies. Only his eyes remind the audience that they have seen him somewhere before.

The IMDb states incorrectly that Dorothy Collins is not given a screen credit, Yes she is, and so too is lyricist Lawrence Elow.

It is regrettable that "Never Love A Stranger" is such a weak movie. Buried beneath the shoddy dialogue and implausible characterisation is a workable story, struggling to emerge.

Co.produced from his first novel by Harold Robbins, plainly patterned after 'The Public Enemy' and 'Angels with Dirty Faces' and ambitious enough to hire top cameraman Lee Garmes and commission a romantic musical score from Raymond Scott (with a moralising commentary of the sort later parodied by Russ Meyer). It's failure obviously decided Robbins to stick thereafter to glossy trash (a decision that swiftly made his fortune).

As a leading man John Drew Barrymore as a Jewish gangster proves a chip off the old block, while fourth-billed Steve McQueen as a Jewish lawyer (described by the late David Shipman as resembling "a Botticelli angel crossed with a chimp") already demonstrates the star quality that soon took him to the top and kept him there until his untimely death.

As Barrymore's mother Dolores Vitina is unrecognisable as the sexy green alien (billed as 'Vitina Marcus') she later played in 'Lost in Space', while R.G.Armstrong is allowed more nuance than one initially anticipates as a hired gun.

"Never Love A Stranger" was taken from an early Harold Robbins book and gave Steve McQueen his first significant role in films. Unfortunately, it is sub-standard in all respects and I would only recommend it to fanatic McQueen fans intent on seeing any and all of his film appearances. The budget must have been minuscule, since the production looks like it would have been cheap even for 50's television. The lighting, sets, and sound are all inferior. The writing is laughably bad and the direction has no sense of pace and certainly no dramatic depth. The lead is John Drew Barrymore, son of the Great Profile and father of Drew. He's not awful, and does what he can with the role, but he and all the other actors are weighed down by the dreadful script and direction. McQueen does not do much better. He is miscast, playing a nice Jewish boy...yes, Steve McQueen plays a nice Jewish boy, you read that right. Not only that, but he begins the film having to be taught how to box and defend himself by Barrymore. Then he grows up to be the noble, honorable district attorney out to get his gangster childhood friend. More astute future casting directors would eventually discover that McQueen's true forte was as the tough rebel and loner, not the goody two-shoes. Moreover, he is given no chance to shine, no scenes to dominate. Its all Barrymore's picture and McQueen is strictly there in support. Lita Milan is also in the picture as Barrymore's girl, and she's awful too.

I came to own and watch this film because the score was written by musician and inventor Raymond Scott. The acting is very wooden. but fans of Steve McQueen might get a kick out of seeing him in an early role, not to mention the Buddy Holly glasses!

I found "Never Love a Stranger" on YouTube and decided to watch it as it is the first credited movie appearance by Steve McQueen. He doesn't star in the film, but he is an important character in the story.

When the movie begins, a woman dies in a rooming house...leaving a brand new baby behind. With no other options, the boy is sent to be raised in a Catholic orphanage. While he's there, Frankie (John Drew Barrymore) makes friends with a Jewish teen, Marty (McQueen), and his family. He also makes friends with the local mob boss...a guy who likes what he sees in Frankie.

Some time later, the folks at the orphanage discover that Frankie's dead mother was Jewish...and they make arrangements to send him to a Jewish orphanage. Frankie doesn't want to go and disappears for seven years.

In the interim, Marty goes to law school and obtains a job with the District Attorney's office. When Frankie returns, he goes back into business with the mob boss...and soon is able to wrangle his way to the top of the mob empire! As a result, Marty is given a new job by the DA....to get Frankie and make sure he goes to prison! This is made all the tougher as they were friends AND Marty's sister, Julie, is in love with Frankie. What's next? See the film.

While this is generally a very good film, I think all the narration could have been removed and the film could have been a bit better. It's just too schmaltzy and unnecessary. Apart from that, it was an entertaining crime film....not noir, as it lacked the camerawork, glib dialog and violence you'd expect in noir.

When John Drew Barrymore was making films in the 50s he opted for a more modern style than his father John Barrymore ever tried. The elder Barrymore's classical style of acting was quite passé and would never have been accepted. Sad to say that young Barrymore tried and failed to be a James Dean type rebel. For Never Love A Stranger that's especially interesting because supporting Barrymore was an actor who would become the ideal image of cool.

With elements taken from Manhattan Melodrama and Little Caesar, Never Love A Stranger is an old fashioned type film that probably was an anachronism in the 50s let alone now. Young Barrymore plays a slum kid who suffers an identity crisis when he discovers his Jewish roots after having been raised in a Catholic orphanage.

He goes away but comes back one mean and tough punk who becomes kingpin of the rackets, taking over from Robert Bray who gave him his start. And as it turns out his childhood friend, Steve McQueen becomes the special prosecutor with the mission of bringing Barrymore down.

Steve McQueen might have made this film slightly better had he been cast in the lead. But frankly this film was a turgid mess and I doubt that would have helped.

This film is painfully inept and should be avoided by all except lovers of camp. It's the oft-told story of the boyhood friends--where one goes straight and the other becomes a crook. For a vastly better version of the story, watch "Manhattan Melodrama." In "Never Love a Stranger," the dialogue is incredibly wooden and the plot contrivances both silly and obvious. Really, I don't know why I watched to the end except that I was hoping for a good courtroom scene, but none ever materialized.

It's a Harold Robbins story and production, and it's a very interesting story. A mother gives birth to an orphan and dies, the orphan is taken to a catholic orphanage and brought up a catholic. 16 years later he runs away for personal reasons. Before that he has made friends with Steve McQueen and his sister, who becomes his love, but his employer is a gangster, which brings complications and ultimately turns him into a hard knuckles gangster too. Of course it doesn't pay in the long run, but what about his relationships with his best friends, Steve McQueen who turns into his chief prosecutor and his sister, who never let him down? It's a great and fascinating set-up and story, and although it is not quite convincing as a noir, the interesting story remains a lasting curiosity, as the catholic-jewish orphan actually goes through all the worst dregs of life to finally reach - what? That is the question.

I can understand those who award this film full ten points, and those who discard it with a 1. But John Drew Barrymore makes a good job, and Steve McQueen in his first full length movie is already here the reliable character he always was. Even one of the gangsters turn human in the end, but it's too late to stop the tragedy... Raymond Scott's music also contributes to the effort of making it a convincing noir, and almost succeeds...John Drew Barrymore's charming smile doesn't help him much, but he makes the best of it, in this bitter story of a bitter destiny......

The film while not exactly a clunker could have been a lot better.

it has that late 50's b/w gangster feel to it like "Studs Lonigan" a couple of years later. A young Steve McQueen cast as a Jewish kid who becomes an attorney does what he can in a supporting role. The person who did have me riveted throughout was John Drew Barrymore who is pretty good in this although his character gets more absurd as the film goes on. Barrymore was a striking looking actor & had talent enough to have a much better career than he actually ended up having.

His lifestyle choices ruined all that, Lita Milan who plays Barymore's girlfriend retired from films all together shortly after & married the Prime minister of the Dominican Republic or something.

I thought this was a great movie. The different paths that it takes you down and places it takes you too. If you like gangsters, crime, love and hate this is the movie to see.

It had a different ending then I was expecting, but that is what make the movie good you had no idea how the movie was going to end.

I would watch the movie again if given the chance.