CALIFICACIÓN DE IMDb
4.5/10
947
TU CALIFICACIÓN
Agrega una trama en tu idiomaScientists discover that a group of meteors are hurtling on a collison course with Earth, and if they hit, the planet will be destroyed.Scientists discover that a group of meteors are hurtling on a collison course with Earth, and if they hit, the planet will be destroyed.Scientists discover that a group of meteors are hurtling on a collison course with Earth, and if they hit, the planet will be destroyed.
- Dirección
- Guionistas
- Elenco
Madeleine Fischer
- Katy Dandridge
- (as Madeline Fischer)
Dario Michaelis
- Peter Leduq
- (as Darrio Michaelis)
Gérard Landry
- Randowsky
- (as Sam Galter)
Jean-Jacques Delbo
- Sergei Boetnikov
- (as Jean Jacques Delbo)
Annie Berval
- Lab Assistant
- (sin créditos)
S. Louis Casta
- Doctor
- (sin créditos)
Livio Lorenzon
- British General
- (sin créditos)
Peter Meersman
- General van Dorff
- (sin créditos)
Shane Rimmer
- John McLaren
- (English version)
- (voz)
- (sin créditos)
Giacomo Rossi Stuart
- Stuart
- (sin créditos)
Gianni Solaro
- French General
- (sin créditos)
Massimo Zeppieri
- Dennis McLaren
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This little Italian oddity offers the drama of a world-wide disaster and the themes of international cooperation which were better capitalized by the Star Trek franchise and several similar disaster films of more recent vintage.
The film is somewhat unique for its unusually jerky pace, clever low budget effects, odd use of stock footage, and strange cinematography. The Day the Sky Exploded begins as if it is going to be a space-flight adventure, but instead treats the space flight in a realistic, almost mundane manner, before proceeding to reveal the real plot - concerning the meteors. The astronaut (nicely played by Hubschmidt) is forced to eject from the nuclear powered rocket and the rocket flies off to .... where? before you know it, a cluster of meteors, probably blown off of some planet or perhaps the moon, is threatening to destroy the earth.
Some of the 'scientists' allude to unknown religious beliefs and seem to think that some great big meanie out there has it in for us because we've ventured off our planet in a serious way for the first time (like the perspective offered by Star Trek First Contact inverted). The plot begins with the rocket launch and a great feeling of optimism and then proceeds into panic, and then a feeling of inevitable doom, as nobody seems able to come up with an adequate solution.
There are also some amusing but really unnecessary romantic elements and some decent character development which help to round the film out in a general way. The acting is generally good, but there are a few really odd moments where people seem either too calm or absurdly evocative given the circumstances they are dealing with. There are also a couple of bad moments for the script, which may be a result of translation problems from the film's native language.
I have noticed a lot of people making fun of the special effects. Sure, the dozens of stock footage clips of rockets being launched is over-done, and yeah, some of the scenes showing people and cars moving around in the parking lot of an unidentified building are kind of funny, but I actually enjoyed the primitive but creatively filmed scenes of asteroids and explosions. They were, at the very least, more artistically designed than some of what appears in contemporary films with similarly low budgets.
The film is somewhat unique for its unusually jerky pace, clever low budget effects, odd use of stock footage, and strange cinematography. The Day the Sky Exploded begins as if it is going to be a space-flight adventure, but instead treats the space flight in a realistic, almost mundane manner, before proceeding to reveal the real plot - concerning the meteors. The astronaut (nicely played by Hubschmidt) is forced to eject from the nuclear powered rocket and the rocket flies off to .... where? before you know it, a cluster of meteors, probably blown off of some planet or perhaps the moon, is threatening to destroy the earth.
Some of the 'scientists' allude to unknown religious beliefs and seem to think that some great big meanie out there has it in for us because we've ventured off our planet in a serious way for the first time (like the perspective offered by Star Trek First Contact inverted). The plot begins with the rocket launch and a great feeling of optimism and then proceeds into panic, and then a feeling of inevitable doom, as nobody seems able to come up with an adequate solution.
There are also some amusing but really unnecessary romantic elements and some decent character development which help to round the film out in a general way. The acting is generally good, but there are a few really odd moments where people seem either too calm or absurdly evocative given the circumstances they are dealing with. There are also a couple of bad moments for the script, which may be a result of translation problems from the film's native language.
I have noticed a lot of people making fun of the special effects. Sure, the dozens of stock footage clips of rockets being launched is over-done, and yeah, some of the scenes showing people and cars moving around in the parking lot of an unidentified building are kind of funny, but I actually enjoyed the primitive but creatively filmed scenes of asteroids and explosions. They were, at the very least, more artistically designed than some of what appears in contemporary films with similarly low budgets.
I've only two films by Paulo Heusch, and both of them are very early, but gosh darnit if they don't display some of the aspects that make Italian trash cinema so entertaining then I'm a something's something! Bad dubbing, crazy logic, loads of stolen footage, insane plot, terrible acting and all that jazz (although there's no boobs or gore...that happened later), I would say this film has it all if it weren't for the fact that Paulo loves to concentrate on folks talking to each other on microphones rather than give us any action. I seriously had my attention wandering throughout this film, although it did give a few laughs.
The plot involves sending a pilot into orbit and then on to the moon in a process that takes up the first twenty minutes of the film, but eventually our ethnically diverse mix of scientists gets our guy up in space, but then things go wrong and he's force to detach his cockpit for Earth while sending his fuel filled rocket into an asteroid belt, which causes a load of asteroids to head for Earth, Armageddon style! Let's whittle it down a bit. You've got scientists all over Earth reporting what not to each other (including Glasgow!) while the Earth gets hotter and hotter, the animals go nuts, and society collapses. This is all demonstrated by stock footage, most of which has a single loop of dialogue where you can hear a woman scream "My Baby" over and over and over again, so look out for that.
You've also got a few side plots, one of which involves the astronaut and his family and the other involving a scientist trying to get into the pants of a frigid female scientist type person. Cue loads of crappy old school sexism.
I also loved that my copy was full of missing frames and got a laugh out of the bit where the frigid scientist bursts into a room with something important to say, only to have the film jump, the scientist disappear from the shot, and leave two male actors staring at each other for some reason.
No where near as funny as his later Werewolf in a Girl's Dormitory, this is still a nice early example of what makes these film so much fun.
The plot involves sending a pilot into orbit and then on to the moon in a process that takes up the first twenty minutes of the film, but eventually our ethnically diverse mix of scientists gets our guy up in space, but then things go wrong and he's force to detach his cockpit for Earth while sending his fuel filled rocket into an asteroid belt, which causes a load of asteroids to head for Earth, Armageddon style! Let's whittle it down a bit. You've got scientists all over Earth reporting what not to each other (including Glasgow!) while the Earth gets hotter and hotter, the animals go nuts, and society collapses. This is all demonstrated by stock footage, most of which has a single loop of dialogue where you can hear a woman scream "My Baby" over and over and over again, so look out for that.
You've also got a few side plots, one of which involves the astronaut and his family and the other involving a scientist trying to get into the pants of a frigid female scientist type person. Cue loads of crappy old school sexism.
I also loved that my copy was full of missing frames and got a laugh out of the bit where the frigid scientist bursts into a room with something important to say, only to have the film jump, the scientist disappear from the shot, and leave two male actors staring at each other for some reason.
No where near as funny as his later Werewolf in a Girl's Dormitory, this is still a nice early example of what makes these film so much fun.
This is significant as Italy's first science-fiction movie – two years after its first horror outing, Riccardo Freda's I VAMPIRI (1956); what connects these two films is the multi-faceted involvement behind the cameras of the late great Mario Bava. In fact, the latter was officially the film's cinematographer (curiously credited as Baja on the English titles!) but, as was his fashion, he helped out without credit in the special effects department and the direction as well – a fact also mentioned in Tim Lucas' Audio Commentary for the subsequently deleted Dark Sky DVD of Bava's KILL, BABY
KILL! (1966) and whose hearing prompted me to acquire this film sooner rather than later! Interestingly, the film's original Italian title LA MORTE VIENE DALLO SPAZIO translates to DEATH COMES FROM OUTER SPACE; this was picked up and slightly altered a few years later by another Spaghetti sci-fi entry i.e. Antonio Margheriti's LA MORTE VIENE DAL PIANETA AYTIN aka THE SNOW DEVILS (1967); besides, the film's English title was probably inspired by another contemporary sci-fi cheapie i.e. Fred F. Sears' THE NIGHT THE WORLD EXPLODED (1957)! The film under review emerges as a reasonably enjoyable and above-average entry but, probably stemming from a very limited budget, is bogged down by a talky script and much stock footage of rocket launchings and people rushing into underground shelters. The cast is also somewhat undernourished but does include Paul (Fritz Lang's Indian EPIC diptych [1958-59]) Hubschmid, Ivo (Bava's BLACK Sunday [1960]) Garrani and Giacomo (KILL, BABY
KILL!) Rossi Stuart essaying stock-types of lock-jawed astronaut, self-sacrificing professor and no-nonsense technician respectively. Equally predictable are the characters of the proud Russian expert, the astronaut's lonesome wife, the brainy female scientist, her lothario colleague and the crazed skeptic who reaches breaking-point as Armageddon looms. Nevertheless, despite – or, perhaps, because of – the lack of any really spectacular sequences (the rain of meteorites ostensibly about to annihilate mankind never pose that much of a threat since they are themselves destroyed just as they are entering the Earth's orbit!), one finds himself being charmed just the same by all these overly-familiar elements. Almost needless to say, hot on the heels of this movie came the Riccardo Freda/Mario Bava melange of sci-fi and monster movie – CALTIKI, THE IMMORTAL MONSTER (1959) – which was an altogether livelier effort...
«Death Comes From Space» is one of those films whose good intentions and effort to create stunning visual effects, contrary to their low budget, surpass its achievements. Earth is in danger once again, because of a meteor shower that diverted to the planet, when space travel goes wrong. The main plot involves the American astronaut who went to space and a female scientist (Swiss actors Paul Hubschmid and Madeleine Fischer, respectively), who have the mission of finding the solution to save everyone. In the middle of the story, a family sub-plot interferes, but the moments of destruction are stronger, as shown on the screen, thanks to footage of natural disasters and people in danger, combined with images created by cinematographer Mario Bava, famous for creating effects and atmospheres with little. A minor and certainly rare contribution of Italian cinema in the science fiction genre, but welcome.
It is hard to give a rating to old movies like this. This Italian/French film is a predecessor to modern fare like Meteor or Armegeddon.
No Bruce Willis, but Paul Hubschmid, the first Swiss film star. He is on a team of astronauts that included a Frenchman and a Russian and was selected for the first mission in space. Such international cooperation! Absolutely brilliant for the time. It will be even more amazing as the film goes on.
Don't look for great acting or fancy special effects. Stock footage is the norm and the dialog is corny, but there is a bright shining moment when they know they are all doomed and some scientist wigs out.
The solution to the falling meteor is the use of all the nation's atomic warheads. Like that would happen. You know the USA or Russia, probably both, would hold a few in reserve. I am sure the USA did, as I saw no missiles leaving silos.
It's interesting to see the first films of this type before CGI, which is why I am investing the week exploring them.
No Bruce Willis, but Paul Hubschmid, the first Swiss film star. He is on a team of astronauts that included a Frenchman and a Russian and was selected for the first mission in space. Such international cooperation! Absolutely brilliant for the time. It will be even more amazing as the film goes on.
Don't look for great acting or fancy special effects. Stock footage is the norm and the dialog is corny, but there is a bright shining moment when they know they are all doomed and some scientist wigs out.
The solution to the falling meteor is the use of all the nation's atomic warheads. Like that would happen. You know the USA or Russia, probably both, would hold a few in reserve. I am sure the USA did, as I saw no missiles leaving silos.
It's interesting to see the first films of this type before CGI, which is why I am investing the week exploring them.
¿Sabías que…?
- TriviaThe voice of the American astronaut is provided by Shane Rimmer, a Canadian actor better known for voicing Scott Tracey in Thunderbirds (1965).
- ErroresSouth America and Africa are very distorted on the large world map in the control room.
- Citas
Katy Dandridge: Something troubling you?
Peter Leduq: You!
Katy Dandridge: I?
Peter Leduq: That cool beauty ..
Katy Dandridge: Oh
Peter Leduq: It freezes my powers of concentration.
- Créditos curiososFor the English dubbed version, director of photography Mario Bava's name is given as "Mario Baja." His camera operator, Ubaldo Terzano, is listed as "Uraldo Terzano."
- ConexionesFeatured in Fright Night Late Show: The Phantom Planet (1969)
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- Tiempo de ejecución1 hora 22 minutos
- Color
- Mezcla de sonido
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