Todo un hombre

I usually like turn of the century (1900), small town America movies. But this one had no zing to it, nor did it make you care about the characters. Who's fault was it? The director? The writer? The actors? I'm thinking the writing, but who knows what happened during production. There were some top actors in this movie too. Brandon de Wilde still had a big name from his earlier years but his acting was a little flat in this one, in my opinion. Lee Marvin was Lee Marvin with his strong, stony acting style so can't blame him. Gary Merrill did a decent job as the local newspaper editor but not as good as I've seen him in other movies. The actor who really made this movie any good at all was Paul Ford who played the cafe/restaurant owner. He was the only one who seemed to know how to carry a scene, and with pizazz. He has always been a great character actor. Another great character actor is Frank Cady who should have been given a larger part in this movie to help bring it along. I remember him as the store owner in Green Acres and more-so, I remember him as Doctor Williams on Ozzie and Harriet. He has always been a quiet yet competent actor. The female lead was someone named Mary Hosford, as in the credits it said she was being introduced, and I don't think she ever made another movie. She was OK but you didn't have any feelings for her part. One thing I liked was how the men stood and took off their hats when the flag went by in a parade. That was commonplace at one time, but I notice teenagers today often not bothering to take off their hats for the National Anthem at sports games. I don't think they are being ignorant, I think many ARE ignorant. Ignorant of what is proper, as no one ever taught them to respect the freedom represented by the US Flag. So, I'd say take a look at the movie if you don't have to go out of your way, and if you like the good old days and or horse or sulky racing. It's not a memorable movie, but worth seeing once I guess.

This movie shows us how "the boy from Shane",has matured, still a soft talking very polite youth. He is a runaway in this movie and is groomed by Lee Marvin, a hard taskmaster who has made a name for himself as the poor boy who made good in this story. He takes unfair advantage of Brandon, but in the process, really teaches the youth some valuable lessons about life and how to take care of himself. These are lessons we can all learn from, and Gary Merrill provides care, comfort, and guidance for Brandon as he overcomes the hard "teaching" of Marvin. The film is anchored by the fine acting of Paul Ford, as usual, a leader of the business community, but with a soft heart for the troubled. This is a great family film, free of Hollywoods blood, guts, sex, and profanity.

Nearly every scene of this featherweight film set in the early 20th century is directed at an andante tempo, its story concerning a youth named Byron (a lacklustre Brandon DeWilde), a runaway from an orphanage who finds a home in a quiet Missouri town named Delphi, thanks to the editor of the local paper, played warmly by Gary Merrill. Byron is not, however, a favourite of wealthy but harsh land owner Tobias Brown (Lee Marvin), who teaches the lad lessons of life the hard way; their conflict forms the kernel of a torpid work which does benefit from a strong performance by always reliable Paul Ford as proprietor of a small cafe but which is sunk by the flaccid direction and hackneyed dialogue.

Most of the other reviews make me cringe - not because they're so out there, but because they show how much individuality and gumption today's Americans have given up for a malevolent government safety net. Years ago, Associate Justice Clarence Thomas told a college graduating class (I forget whether it was at Ole Miss, or his alma mater University of the Holy Cross in Worcester Mass.) the one thing that has stuck in MY head, ever since..."the awful truth is, when you're in America, you're on your own." In the 1800s and even into the early 1900s, orphaned kids weren't given special dispensation for being orphans and such kids grew up damned quickly. The fact that so many succeeded in so many economic directions only spoke to the innate spirit of a man (or woman) when there was nothing to fall back on.

Most every review here does nothing but attempt to impose 21st-century social standards upon a world well over 100 years removed. I daresay someone from 1890 or 1900 would be nonplussed by the criticism of the world they considered normal by people today who've been coddled into complete infantilism. All one needs to do is to search the internet for a typical 8th-grade final junior high school graduation exam to see how much lowered today's standards have become...a 25-year-old today can't pass an exam a 13-year-old was expected to master 140 years ago. Biarn showed guts, spunk and quick wits to overcome the two deuces life dealt him. Thank the good Lord he wasn't the only one. Yes, it can be sappy at times but all in all this was a good watch.

The title role in The Missouri Traveler is played by young Brandon DeWilde, his last role essentially as a child star. Soon he'd be doing such adult stuff as Blue Denim, Hud, and In Harm's Way.

It's a nostalgic look at life at the turn of the last century in a small Missouri town where orphan kid Brandon DeWilde stops and decides to stay a while.

This is a nice easy to take film, moving along at a leisurely pace, but actually it has some serious issues. This is an orphan kid making his own way in the world, a world I might add without child labor laws. Young DeWilde is working for his keep, both as a sharecropper and as a horse trainer, well at least an assistant trainer.

Paul Ford gets a preparatory performance in this film for his later role as the mayor of River City in The Music Man. DeWilde has a couple of adult role models, the cynical Lee Marvin the guy who worked his way up to the top and the loquacious Gary Merrill who is the town newspaper editor. Both give DeWilde some good lessons about life.

In fact both Merrill and Marvin get into a knock down drag out fight that was copied, but lovingly from John Ford's The Quiet Man.

The Missouri Traveler was released through Buena Vista Productions in the beginning years of that company before it exclusively was the distributor for Walt Disney. It's a nice film, especially for family viewing with a lot of good lessons in it.