El último viva

Tracy plays Irish-American Frank Skeffington, an old hand re-seeking political office for one last time, with dreams of helping the slums along, and, along with his cronies, leading the victory parade on St Patrick's Day. Will he make it? 'The Last Hurrah' is a tour-de-force, with John Ford's sharp direction, and several old timers making an appearance, such as Basil Rathbone as one of Tracy's more vehement opponents. Tracy of course is as excellent as ever, and there are some nice scenes between him and Jeffrey Hunter (playing his nephew).

Whether showcasing the camaraderie between Skeffington and his supporters, or giving the viewer a masterclass in acting, 'The Last Hurrah' cannot really be faulted. Even if the last half-hour of the film is a bit cloying, Tracy's last line is on target and raises a smile as the end card comes up.

Incidentally, this film was made in 1958, a time when black and white films mixed with those in colour to no-one's detriment. It would be interesting to see if a similar subject would come across as well today, in colour. It makes one long for the return of black and white for some genres.

"The Last Hurrah" is about the end of a political career and also the end of an era in American local government. I first saw the film when I was ready to launch a career in public administration, and I didn't like the sympathy Spencer Tracy gave the role of big city boss. Over the subsequent years, I have enjoyed the film more each time. Now, I thoroughly enjoy and am amused by the way Frank Skeffington manipulates the powerful to champion the underdog.

The film is more drama and comedy than history. Yet, men like James Michael Curley, Richard J. Daley, and David L. Lawrence combined ambition for power with a desire to achieve municipal progress as they saw it. They used their understanding of human nature and the ignorance of the body politic effectively. Skeffington shows how. Today, their successors use other methods for similar purpose.

Never have I seen a film which is so terrible on the one hand, yet so watchable on the other. I was bothered to no end, but I was actually touched at the film's end. This fierce split in my opinion is easy to explain, however. The script of The Last Hurrah is one of the worst ever written. That's shocking considering the man who wrote it and the man who directed it, Frank S. Nugent and John Ford respectively, created many great movies together, including The Searchers and Mister Roberts. I say that the script is awful because of two main reasons, and they are huge reasons:

1) It is very unfocused. What is its point? Is it an in-depth political expose, a character study, or a melodrama? These categories are not mutually exclusive, but you wouldn't know that by watching The Last Hurrah. It goes from one of them to the next without ever mixing two. Shouldn't the role and relationship of Adam, the mayor's nephew, be more clearly defined? 2) all supporting characters, every single one of them, is a sit-com level caricature from Ditto to Junior (and especially Ditto and Junior). There are clear good guys, and clear bad guys. They might as well all be wearing black or white ten gallon hats so that we can discern who is who more quickly.

Really, there is only one pro, but, to be sure, this pro makes the movie totally worth watching: Spencer Tracy. Man, is he great in this film. His character, Frank Skeffington, is really not much less of a caricature than the rest of them, but Tracy imbues him with so much life and personality that he becomes very endearing. To judge only by the script, I should not have cared what was going on at all, yet Tracy made me care, deeply, at times. Up until tonight, I always bragged in a jokey manner that, despite my having seen over 1,200 films, films from every decade, every genre, every period of America films, not to mention a plethora of foreign ones, I had never, ever seen a movie with Spencer Tracy. Maybe it wasn't so much a brag as it was an oddity. Now I can safely brag that I have seen him act, and that he was one of the greatest. I cannot afford to put him off any longer, one who so amazingly saved such a train wreck of a movie, The Last Hurrah. 7/10.

John Ford's version of the book, THE LAST HURRAH, is a behind the scenes look at one last election campaign for an aging mayor (Skeffington) of a town whose name is never mentioned in the film. In many ways, the film is a bit cynical as it showed the way that politicians wheel and deal and manipulate--but in this case, always for a good cause. While Skeffington is definitely not above using these questionable tactics, at the same time, he is shown as fundamentally decent and very, very sentimental--with a true love for his constituents. This is a very difficult balancing act for the film--combining gritty realism with sentimentality, but it manages to do so.

In many ways, this is highly reminiscent of the real life Ford, as he was by many accounts a highly manipulative son of a,.....well, you know what I was going to say. Yet, at the same time, sentimentality abounds in his films like no other film maker. You can see it here in his liberal use of old and almost forgotten supporting stars--such as Eddie Brophy, Frank McHugh and Jane Darwell.

Overall, the film is very interesting and manipulative (in a good way), as you find yourself pulling for Skeffington and feeling his pain as well--even though he is a fictional character AND a politician! The film is well worth seeing and the film is extremely well-acted and directed.

Last Hurrah, The (1958)

** 1/2 (out of 4)

Spencer Tracy plays a Mayor who is running for office for perhaps the last time and he invites his nephew (Jeffrey Hunter) along to see how a campaign is run. I must admit that I was pretty letdown with this film considering the talent involved. When you have Ford directing actors such as Tracy and Hunter then I expected a lot more than what was actually delivered. The supporting cast contains brilliant actors such as John Carradine, Basil Rathbone, Dianne Foster, Pat O'Brien, Wallace Ford, Donald Crisp, Ricardo Cortez and Frank McHugh. There are signs a greatness throughout this film but they're often followed up with overly talky scenes that just drag on for no reason at all. Ford is trying to make all sorts of points about the political game but when he speaks these points he just keeps on and on. There's a scene inside a funeral that has political motivations behind it and this scene is the perfect example of a message being beaten to death and dragged down into boredom. There are several great sequences including one where Tracy blackmails Rathbone into doing some good for the city and there's another great scene when Tracy busts in on some bank managers who are using race to work against him. Tracy is good in his role but I don't think this is among his best performances. Hunter delivers a nice performance as well but I found his role to be rather underwritten. I think Carradine steals the film as the racist newspaper editor who holds a grudge against Tracy. All in all, this is an interesting movie but I don't think it takes off the way it should have and considering the talent involved, the movie should have been much better.