La fortaleza escondida

Such a fine film maker can hardly help but make a fine movie like this one. It seemed odd to me only in the fact that the plot seemed so UN-Japan like. The most interesting thinks to look for are the similarities to Sergio Leone films: A man who obviously was greatly influenced by Kurosawa. What Leone may not have known, is that those long shots of unmoving fighting men waiting to make a thrust or cut with a sword is very true to the actual way that Samurai fought. Cowboys on the other hand generally shot from behind trees and rocks. For an interesting comparison, watch "Hidden Fortress" followed by "The Good, The Bad, And the Ugly". It will be be an enlightening experience.

Those who think that Kurosawa could only direct dramatic films need to see The Hidden Fortress. It is an exiting, funny, and extremely entertaining adventure film. George Lucas cites The Hidden Fortress as the prime inspiration for the Star Wars films.

Two cowardly soldiers Tahei (Minoru Chiaki) and Matashichi (Kamatari Fujiwara) flee from a battle. The two then set up camp for the night, but soon they discover a bar of gold next to their camp. The two begin fighting over it, but before they can decide who gets it, a mysterious man called Rokurota (Toshiro Mifune) appears. He asks the two to help him transport a wagon full of gold and the Lady Yukihime (Misa Uehara) across enemy lines so that they can establish their kingdom again.

This film is a blast and is filled with plenty of action and humor. A departure from Kurosawa's usual dramatic films, but excellent cinema nonetheless.

Legendary director Akira Kurosawa has made a lot of great films, many of which have gone on to inspire whole areas of cinema. While Hidden Fortress doesn't represent his best, most influential or most important work; it's definitely an important movie in film history in it's own right, and besides that, it's a damn good movie to boot. I was most surprised at the amount of comic relief present in the movie. When watching a Kurosawa film, I always expect it to be a serious affair; so the comedy in this movie made for a surprise, which was, on the whole, a good surprise as like most things in Kurosawa's films; it works. The film has become most famous recently for the many parallels that it has with the masterpiece 'Star Wars', and it has become well documented that this film was a major influence on said movie, which is shown most clearly by the fact that a lot of the story is shown through the eyes of two bumbling people that aren't all that relevant to the central plot, and the style of editing; which George Lucas adopted many times in his epic trilogy.

The plot follows a princess who must be escorted across enemy lines by her general. Two greedy peasants join the escort on the promise of a reward of gold. Like Star Wars, the plot here is relatively simple; and it's the way that the story is portrayed, not the story itself, that makes this movie great. Despite it's simplicity, Kurosawa gives it the style of an epic; and it really feels like one. Kurosawa regular, Toshirô Mifune heads a great ensemble cast; all of which do well in their roles. Kurosawa had a great talent for pulling great performances out of everyone in his films, and he shows that talent excellently here. The cinematography is excellent, and the master director has managed to capture some truly stunning landscapes, which serve in adding beauty to the picture. This film is, of course, in black and white; and that is Kurosawa at his best in my opinion. While I loved 'Ran' and it's vibrant colours, black and white allows Kurosawa to blend atmosphere into his films, and they're always the better for it. On the whole, Kurosawa is a genius - and this is one of his best films.

It might not quite compare with Kurosawa's greatest movies, but "The Hidden Fortress" is good entertainment with an interesting story and characters. Toshiro Mifune is enjoyable to watch as always, and although most of the story is played for action and/or humor, it does have a couple of powerful scenes as well. The story of a defeated general trying to lead his princess past the enemy to safety is given plenty of twists and turns that give all of the characters some good moments.

Along with all of the action, there are some pretty good characters, with Mifune, as the general, a big part of holding everything together in his interactions with all of the others. The rather spoiled princess learns quite a bit about life, and the two greedy farmers learn - and often quickly forget - some lessons of their own. There are also some good scenes with an enemy general. Most of it works well, and it's an entertaining movie.

I'm not sure that it is helpful knowing that George Lucas found inspiration for his `Star Wars' films in Kurosawa's historical epic, `The Hidden Fortress' (1958). Oh, there are a number of matters of content that seem quite similar. Though Kurosawa's story takes place in sixteenth century Japan and Lucas sets his in space in the future, the basic struggles are the same-the restoration of power to a princess and her clan. Some would compare Toshiro Mifune's General Rokurota Makabe to Harrison Ford's Hans Solo in `Star Wars' (1977), though there may be more commonality shared with Mark Hamill's Luke Skywalker. And the two peasant farmers, pawns in the turmoil of sixteenth century Japanese civil wars, are easily identified as precursors of the `Star Wars' droids, R2-D2 and C3PO.

However, when all is said and done, the comparisons are only superficial. It may be more constructive to note some aspects of humor and character that are utilized in general. Kurosawa has always been willing to develop exaggerated characters. The peasant farmers, with their quick shifts between cowardice, bickering , and thievery are good examples of this. Certainly the first two of these traits were incorporated in the character of C3PO (the mechanical humanoid), but R2-D2 shows none of these characteristics. There is, however, an overall sense of humor that permeates both `The Hidden Fortress' and the `Star Wars' films-as well as a strong sense of nobility in the central characters, Rokurota and Skywalker.

That said, `The Hidden Fortress' seems to me to have clearly been made by a superior filmmaker. Both are good at telling the story. The `Star Wars' films rely heavily on special effects, to the extent, I think, that these are the central features of the films. `The Hidden Fortress,' while a relatively light weight work for Kurosawa, involves much more subtle character development achieved by means of acting skill revealed through visual composition and unenhanced camera work.

This was Kurosawa's first use of Tohoscope, a Japanese widescreen process. And he uses the screen frequently to develop character. Over and over again he uses the wide screen to develop and reveal character. The peasant farmers are certainly more complex than the droids, though they are simplistically exaggerated. Kurosawa chose to explore the situation of these piteous beings, buffeted about in the feudal wars of sixteenth century Japan, in visually reinforced wide screen long shots in those final scenes on the plains.

The code of the samurai is central to an understanding of `The Seven Samurai' (1954), `Yojimbo' (1961), and `Sanjuro' (1962), and even `Rashomon' (1954). These are all great films centered around the samurai class in Japan's past. From the ninth century, samurai warriors followed a strict code of ethical behavior known as `bushido,' which remained orally transmitted for generations. Briefly it is a way of life in which the warrior's honor and purpose are tied closely to the needs of his master. In this respect, he was to be selfless. His was not to understand or concern himself with politics-only to defend with honor the family or clan he served. For such a man the ideal was to be without fear-to always move forward in his employer's interest-without fear of death-only fear of dishonor. Toshiro Mifune's character in `The Hidden Fortress' is a military general, but his devotion to the creed and to his princess can be explained relative to this code. His daring, too, extends from that. So, too, his reputation reflects that of an accomplished samurai. An especially strong scene in this regard is the duel scene in which Rokurota's skill and bravery are what are prized and respected by his opponent.

Above all, The Hidden Fortress remains a great adventure permeated with humor and nobility. While the force in the `Star Wars' sense is never mentioned, it remains a tacit part of Rokurota's nobility.