Invisible Avenger

If not a "made-for-TV-movie," this film may have been intended as a pilot film for a TV series that never got made. When I saw it in a theater more than 30 years ago, that was my impression.

The Shadow is of course a grand old multi-media figure. A generation of kids grew up on the Shadow radio show and comic books, millions of other readers bought the pulp magazine or Shadow books, anywhere from the early 1930's to the 1960's. And of course there was the Alec Baldwin film -- also, not a bad effort. But they just couldn't decide whether to play it as a real adventure story or as parody. Like other attempts in the same era (The Phantom, Doc Savage) that's a prescription for failure.

To me, the best screen "Shadow" of all time was the late Victor Jory, but probably that's because I saw the Jory version when I was a little kid and didn't have very tough critical standards.

I'm still hoping for a Shadow movie with a first rate production from a good, solid script. In the meanwhile, watching earlier efforts like "The Invisible Avenger" aka "Bourbon Street Shadows" just gives me the old "glass-half-empty-glass-half-full" sensation.

Dick Lupoff

The title of this garrulous and uninvolving retread set largely in New Orleans of the radio character popularized in the thirties by Orson Welles may be vaguely familiar to some from its presence as a rather mysterious footnote to the illustrious filmography of the Oscar-winning cameraman James Wong Howe. Howe directed one feature film, 'Go, Man, Go!' (1954), with the Harlem Globetrotters, and between his Oscars for 'The Rose Tattoo' (1955) and 'Hud' (1963) directed a few TV episodes, of which this may have been his first. Assembled from two unsold pilot episodes for a TV series (of which only one was directed by Howe, hence the joint credit) which were spliced together under the intriguing title 'Invisible Avenger' and released as a feature film, it thus finds itself by default among Howe's film credits.

The drab photography, however, belies Howe's contribution; and as an avowed stickler for realism I hope he wasn't responsible for the multiple set-ups employed on the public execution shown being screened on American television. Apart from the "Daddy O" jazz talk and the topical storyline about revolutionaries plotting against a Latin American dictatorship, it feels more like a Republic serial from the forties. Using his radio name of Lamont Cranston, the Shadow hangs out with a mystic sidekick named Jogendra who's taught him how to think himself invisible (hence the title), but rather than simply prowling about invisible he usually waits until he gets caught so he can then confound his captors by disappearing; sometimes for effect he casts a shadow only, and he only ever emits his trademark diabolical cackle when invisible.

Although billed third and cutting a striking figure as a hard-boiled nightclub hostess, Helen Westcott's role proves surprisingly irrelevant to the action.

Personally I am a radio drama fan who enjoys learning about the old time radio series's and I have come across a little information I would like to share about this movie.

1) The film was made in the attempt to make a series based upon the radio series. The movie was originally intended to be a pilot episode of a "Shadow" television series.

2) Someone made a comment about Margo Lane being needed. However, the creation of the Shadow as a character predates the creation of Margo Lane. The Shadow was originally a mysterious host of the "Street and Smith Dectective Story" program. Soon, however, the creators of the series realized that the mysterious host was more famous than the series. Thus, a series of novels came out identifying the Shadow as having the ability to steal identities of other people. He did not seem to have an identity of his own. Originally, Margo Lane first met him when he was pretending to be Lamont Cranston (originally, she meets the real Lamonte Cranston and mistakes the Shadow for him. Also, the identity of Lamonte Cranston was originally an identity that the Shadow stole).

I have not personally seen the movie "Invisable Avenger". I just wanted to clear some things about the Shadow up.

A Shadow movie thats rarely ever listed as a Shadow movie. Richard Derr plays Lamont Cranston, a man with the power to cloud men's minds and become the Shadow. Cranston is on the trail of the people responsible for the disappearance of a friend in New Orleans.

I really like this film. Its not completely faithful to the Shadow myth, but then again what film ever was? (Come to think of it even the stories and radio show changed things as they went along) It certainly plays better than the Rod LaRocque nightmares where the Shadow is some beefy guy in a cape and hat trying to solve some awfully plotted crimes. And it better than the Kane Richmond Shadow movies which are okay, but have the Shadow able to be seen by people. (it's not fair to compare the Alec Baldwin film or the serials since they are different animals)

Derr makes a good Cranston, although one wonders about the relationship with his teacher. Its fast paced and breezy with a good jazz score. It looks as cheap, due no doubt to the budget, but that somehow give it a grittiness it shouldn't have. The film also shows signs of the films troubled production, intended to be one thing it ended up another. There are also two directors listed. Still its a great film to put on at 2am and watch.

What the film really needs are bumpers for The Late Late Late Show and cheesy commercials to go with it for a perfect viewing experience. If you like films from the heyday of late night TV before cable, vcr's and infomercials then this is the movie for you.

Proposed series looks cheap santa cruz ovrethrow of disctator films in NO despite thrilling movie, a low speed show sibling irvalry

"Invisible Avenger" was a pilot for a proposed series from Republic Studios that was never okayed by the networks as a weekly series. So, to recoup some of the production costs, the studio released it in theaters as a film. In some ways, the show looked pretty good, filming on location in New Orleans. But in most, it just seemed cheap and surprisingly dull. After all, the Shadow is a pretty cool character....just not in this incarnation.

The story is about the fictional country of Santa Cruz. It's ruled by a dictator and the opposition is hiding out in the States. Lamont Cranston (the Shadow) makes it his responsibility to protect the man and do what he can to help bring freedom to the people of Santa Cruz. However, a little bit of sibling rivalry is tossed into the mix...and you wonder how Cranston will manage to stay alive!

The biggest problem is the lack of energy in the film. For a TV show of the 50s, you might expect this....but not from a film released in theaters. I am pretty sure audiences left this one a bit bored and disappointed.