Agrega una trama en tu idiomaSach is hired as the companion for a poodle on an ocean voyage from New York to London. What he doesn't know is that the people who hired him are actually diamond smugglers, and there is a c... Leer todoSach is hired as the companion for a poodle on an ocean voyage from New York to London. What he doesn't know is that the people who hired him are actually diamond smugglers, and there is a cache of diamonds hidden in the poodle's coat.Sach is hired as the companion for a poodle on an ocean voyage from New York to London. What he doesn't know is that the people who hired him are actually diamond smugglers, and there is a cache of diamonds hidden in the poodle's coat.
- Dirección
- Guionistas
- Elenco
Frank Baker
- Official
- (sin créditos)
Harry Baum
- Ship Passenger
- (sin créditos)
Ashley Cowan
- Bellboy
- (sin créditos)
Leslie Denison
- Inspector White
- (sin créditos)
Dick Elliott
- Mike Clancy
- (sin créditos)
Ralph Gamble
- Randall
- (sin créditos)
William Keene
- Deck Steward
- (sin créditos)
Pamela Light
- Girl With French Heels
- (sin créditos)
Owen McGiveney
- Dr. Rufus B. Smedley
- (sin créditos)
Patrick O'Moore
- Reggie
- (sin créditos)
Opiniones destacadas
In the Money (1958)
** (out of 4)
This film marked the forty-eighth and final film in the Bowery Boys series and the quality of the movie was a tad higher than it had any right to be. In the film Sach (Huntz Hall) is paid big cash to take a poodle on a ship and over to England. Something seems fishy so Duke (Stanley Clements) and the gang go on board with him and soon realize that the idiot is being used by some crooked diamond smugglers. It's rather amazing that any series could last for forty-eight movies so on one hand you really do have to tip your hat but then again it's not like they had enough decent stories to carry so many films. With that said, this final entry is not unlike most others as we have the dimwitted Sach getting involved with crooks and we know that in the end he'll find his way out and everyone will live happily ever after. In terms of laughs this film doesn't offer too many but what keeps it from being boring is the fact that the cast are in high gear and really deliver nice performances. I do wonder what was going on with Hall who knew this was going to be the final film in the series. He had pretty much been playing this character from the mid 30s on so perhaps his emotions just got the best of him and he decided to go all out. To be fair, there were only a few films where he was lacking in terms of energy. I thought he managed to do a fine job with the part here, although he did seem to tone down some of the characters dumber characteristics. Thankfully the performance is full of energy and this here really helps keep the film moving because there aren't many laughs in its 61-minute running time. Clements and the boys don't get much to do, although their bit pretending to be English stowaways was pretty good. Once again Bill Elliott appears briefly as the shop owner, although he's not given much to do either. For the most part the story itself is pretty far-fetched and lame but this could be said about countless films in the series. Needless to say, if you're not a fan of the movies then you're probably going to be hitting the stop button early on but fans should be mildly entertained and it's somewhat refreshing when you watch these in order that you've finally arrived at the end. There's no question that the series was on its final legs but at the same time it's rather hard saying goodbye to the boys.
** (out of 4)
This film marked the forty-eighth and final film in the Bowery Boys series and the quality of the movie was a tad higher than it had any right to be. In the film Sach (Huntz Hall) is paid big cash to take a poodle on a ship and over to England. Something seems fishy so Duke (Stanley Clements) and the gang go on board with him and soon realize that the idiot is being used by some crooked diamond smugglers. It's rather amazing that any series could last for forty-eight movies so on one hand you really do have to tip your hat but then again it's not like they had enough decent stories to carry so many films. With that said, this final entry is not unlike most others as we have the dimwitted Sach getting involved with crooks and we know that in the end he'll find his way out and everyone will live happily ever after. In terms of laughs this film doesn't offer too many but what keeps it from being boring is the fact that the cast are in high gear and really deliver nice performances. I do wonder what was going on with Hall who knew this was going to be the final film in the series. He had pretty much been playing this character from the mid 30s on so perhaps his emotions just got the best of him and he decided to go all out. To be fair, there were only a few films where he was lacking in terms of energy. I thought he managed to do a fine job with the part here, although he did seem to tone down some of the characters dumber characteristics. Thankfully the performance is full of energy and this here really helps keep the film moving because there aren't many laughs in its 61-minute running time. Clements and the boys don't get much to do, although their bit pretending to be English stowaways was pretty good. Once again Bill Elliott appears briefly as the shop owner, although he's not given much to do either. For the most part the story itself is pretty far-fetched and lame but this could be said about countless films in the series. Needless to say, if you're not a fan of the movies then you're probably going to be hitting the stop button early on but fans should be mildly entertained and it's somewhat refreshing when you watch these in order that you've finally arrived at the end. There's no question that the series was on its final legs but at the same time it's rather hard saying goodbye to the boys.
The last block of the Bowery in the Bowery Boys series was reached with In The Money. With Huntz Hall having completed his contractual obligation, the series was canceled. Quite frankly it was never the same after Leo Gorcey quit and Bernard Gorcey died.
Still this was a better film than most of the ones with Stanley Clements trying to take Leo Gorcey's place. In The Money finds poor Sach being hired by Leonard Penn for a rather exorbitant salary to escort a dog on an ocean liner to the United Kingdom. Only Huntz Hall would be dumb enough to think that getting a few thousand dollars for this task that something more than fear of dog-nappers was up.
Clements and the rest figure that much out and stow away on the ocean liner with what I will say is a rather clever gimmick. Scotland Yard Inspector Paul Cavanaugh is also eying Penn and his companions John Dodsworth and Patricia Donahue. But the crooks just tell Sach that Cavanaugh is one of those dog-nappers to be avoided. And the poor dummy believes them.
One thing that was a regular item running through the Bowery Boys series is Huntz Hall always getting vamped by a beautiful bad girl. The last of them and one of the best is Patricia Donahue, mainly because she doesn't at first come on sultry. But for such dumbbell Huntz Hall did all right in the screen babe department.
In The Money also illustrates another favorite premise of mine that plot situations can be both dramatic and comedic. If the bad guys were smuggling narcotics instead of jewels, Huntz Hall would have been a drug mule. The same situation could become quite deadly then.
Anyway In The Money was hardly the worst of the series and not the worst of the post Gorcey films.
Still this was a better film than most of the ones with Stanley Clements trying to take Leo Gorcey's place. In The Money finds poor Sach being hired by Leonard Penn for a rather exorbitant salary to escort a dog on an ocean liner to the United Kingdom. Only Huntz Hall would be dumb enough to think that getting a few thousand dollars for this task that something more than fear of dog-nappers was up.
Clements and the rest figure that much out and stow away on the ocean liner with what I will say is a rather clever gimmick. Scotland Yard Inspector Paul Cavanaugh is also eying Penn and his companions John Dodsworth and Patricia Donahue. But the crooks just tell Sach that Cavanaugh is one of those dog-nappers to be avoided. And the poor dummy believes them.
One thing that was a regular item running through the Bowery Boys series is Huntz Hall always getting vamped by a beautiful bad girl. The last of them and one of the best is Patricia Donahue, mainly because she doesn't at first come on sultry. But for such dumbbell Huntz Hall did all right in the screen babe department.
In The Money also illustrates another favorite premise of mine that plot situations can be both dramatic and comedic. If the bad guys were smuggling narcotics instead of jewels, Huntz Hall would have been a drug mule. The same situation could become quite deadly then.
Anyway In The Money was hardly the worst of the series and not the worst of the post Gorcey films.
Lunching on the sandwich he delivered to a travel agency, messenger Huntz Hall (as Horace Debussy "Sach" Jones) impressed some crooks with is dimwittedness. They hire Mr. Hall as bodyguard for a poodle named "Gloria" and book them passage to London, England. Hall hoped "Gloria" was blonde Patricia Donahue (as Babs), but she's no dog. Hall doesn't know it, but Ms. Donahue is part of a smuggling scheme. "Gloria" has been shaved and strapped with fake fur containing stolen diamonds. In order to protect Hall from danger, fellow "Bowery Boys" Stanley Clements (as Stanislaus "Duke" Coveleskie), David Gorcey (as Chuck) and Eddie LeRoy (as Blinky) decide to stowaway on the ship.
"In the Money" was, thankfully, the last film in "The Bowery Boys" series. These films ran from 1946-1958, with highlights including "Bowery Buckaroos" (1947) and "Hold That Baby!" (1949). There were some good films released during the 1950s, but the decline was most noticeable in "Jungle Gents" (1954) and "Crashing Las Vegas" (1956). "The Bowery Boys" was a legally necessary spin-off from "The East Side Kids" (1940-1945), which is nicely represented by "Bowery Blitzkrieg" (1941). Before that, they were most well known as "The Dead End Kids", which boasted many spin-offs and sequels. Comparing "Dead End" (1937) to "In the Money" shows just how exhausted the ideas had become.
**** In the Money (2/16/58) William Beaudine ~ Huntz Hall, Stanley Clements, Patricia Donahue, David Gorcey
"In the Money" was, thankfully, the last film in "The Bowery Boys" series. These films ran from 1946-1958, with highlights including "Bowery Buckaroos" (1947) and "Hold That Baby!" (1949). There were some good films released during the 1950s, but the decline was most noticeable in "Jungle Gents" (1954) and "Crashing Las Vegas" (1956). "The Bowery Boys" was a legally necessary spin-off from "The East Side Kids" (1940-1945), which is nicely represented by "Bowery Blitzkrieg" (1941). Before that, they were most well known as "The Dead End Kids", which boasted many spin-offs and sequels. Comparing "Dead End" (1937) to "In the Money" shows just how exhausted the ideas had become.
**** In the Money (2/16/58) William Beaudine ~ Huntz Hall, Stanley Clements, Patricia Donahue, David Gorcey
Sach unknowingly dog-sits a diamond studded poodle for a gang of smugglers during a trans-Atlantic voyage.
It's amazing the series lasted as long as it did, surviving well into the TV era with material now common to the little black box. Hall really deserves more credit than he's gotten for his raw comic abilities, on display here in highly energetic form since he knows he has to carry the film. Sure, his style was childish and over the top, but compare that style with Jerry Lewis's nitwit kid from the same era. Yet, Lewis is celebrated in many quarters as some kind of genius, while Hall is largely forgotten. Still, I don't see that much difference in absurd styles, except Lewis was backed by big studio Paramount, while the Bowery Boys depended on poverty row outfits like Allied Artists.
I agree with others-- the series was never the same without Leo Gorcey, a fine comedic talent in his own right and sturdy counterpoint to Hall's goofy shenanigans. As a result, Hall was left to carry on as best he could with budgets not much bigger than a take-out at MacDonalds, which is very much the case here, where everything occurs indoors, even the voyage. Worse, the action appears limited to the same room and hallway that merely get rearranged from one set-up to the next. No wonder it's the gang's swan song. Too bad they couldn't have gone out on a higher note. Nonetheless, their career from Dead End (1937) to this final entry (1958) spans 20 of the most turbulent years in the nation's history and a whole series of changing popular tastes. A pretty good record of longevity, I think, for a gang of likable losers.
It's amazing the series lasted as long as it did, surviving well into the TV era with material now common to the little black box. Hall really deserves more credit than he's gotten for his raw comic abilities, on display here in highly energetic form since he knows he has to carry the film. Sure, his style was childish and over the top, but compare that style with Jerry Lewis's nitwit kid from the same era. Yet, Lewis is celebrated in many quarters as some kind of genius, while Hall is largely forgotten. Still, I don't see that much difference in absurd styles, except Lewis was backed by big studio Paramount, while the Bowery Boys depended on poverty row outfits like Allied Artists.
I agree with others-- the series was never the same without Leo Gorcey, a fine comedic talent in his own right and sturdy counterpoint to Hall's goofy shenanigans. As a result, Hall was left to carry on as best he could with budgets not much bigger than a take-out at MacDonalds, which is very much the case here, where everything occurs indoors, even the voyage. Worse, the action appears limited to the same room and hallway that merely get rearranged from one set-up to the next. No wonder it's the gang's swan song. Too bad they couldn't have gone out on a higher note. Nonetheless, their career from Dead End (1937) to this final entry (1958) spans 20 of the most turbulent years in the nation's history and a whole series of changing popular tastes. A pretty good record of longevity, I think, for a gang of likable losers.
Huntz hall and david gorcey are in the very last chapter of the bowery boys. Sadly, as dad gorcey had died a couple years before in a freak car accident, leo gorcey (usually played slip) was not part of this, and had left the franchise a couple years back. In this one, sach ends up sailing on a cruise ship, as a courier to smuggle in some diamonds for the bad guys. Co-stars the delicious pat donahue, who was pretty new to hollywood. The storyline is the best part of this, but without slip, most of the jokes just fall flat. I can see why it was the last bowery boys film they ever made. Directed by bill beaudine, who had directed tons of the bowery boys films. Keep an eye out for mike the shop keeper... he was the mayor in andy griffith. It's just barely okay. A real shortie...at just 61 minutes.
¿Sabías que…?
- TriviaThe last of 48 Bowery Boys movies released from 1946 to 1958.
- ErroresWhen the ship's officer marches the boys off after their discovery as "stowaways", the camera pushes in and a moving shadow of the camera is visible on the wall to the left.
- ConexionesFollows Live Wires (1946)
- Bandas sonoras(Hail, Hail,) The Gang's All Here
(uncredited)
Music by Theodore Morse (as Theodore F. Morse) (1904) and Arthur Sullivan
Lyrics by Dolly Morse
Played during the opening credits
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Bowery Boys No. 48
- Locaciones de filmación
- Chelsea Piers, Hudson River Park, Tribeca, Manhattan, Nueva York, Nueva York, Estados Unidos(ship docked in NYC - stock footage)
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 1 minuto
- Color
- Relación de aspecto
- 1.85 : 1
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