I Was Monty's Double

With some considerable dramatic license the story of one of the best intelligence operations of World War II is told in I Was Monty's Double. The film is based on the book by actor F.E. Clifton James who plays himself and Bernard Law Montgomery as he did for a fateful few weeks in World War II.

John Mills and Cecil Parker two officers from British Intelligence become James's handlers in the terminology we would use today. Mills while attending a service variety show sees James do a walk on as Field Marshal Montgomery and is struck by the audience reaction to him. The germ of an idea comes to Mills to have the actor play Montgomery for the widest audience possible, to give him a grand tour of the various fronts of the war. This in order to divert Nazi attention from the United Kingdom where the cross channel invasion is being prepared and Montgomery very much a part of the planning. In fact you can see some of his real role there in the TV mini-series Ike and in The Longest Day.

Of course James carried the masquerade off beautifully. My favorite scene is James at a press conference in Cairo with allied war correspondents where he's at first hesitant with this cynical bunch, but grows in confidence and wins them over with a speech that you might have seen the real Bernard Law Montgomery deliver during his lifetime.

Two others who give noteworthy performances in the film are Michael Hordern as the Governor General of Gibraltar and Marius Goring who is a German agent whom Mills, Parker and James deliberately give misinformation to in order to confirm how effective the plan is working.

The whole business in the end is pure fiction which I won't reveal, but that doesn't detract from making this a first rate account of an amazing adventure. One even Stephen Spielberg would envy.

When the British intelligence service is faced with the challenge of convincing the Germans that they intend to invade from North Africa they are stumped - the attack is clearly going to come across the channel into France, they know it and the Germans' know it. However, when Major Harvey visits a theatre he happens upon an actor who impersonates General Montgomery as part of the show. Within days Corporal Clifton-James is recruited to impersonate Monty in the Mediterranean in order to trick the enemy into thinking an attack is due from that direction.

I only found out about this film after hearing the Goon show's spoof `I was Monty's treble'; at that time I was vaguely aware of the history, but not of the details and not of this film. The film is based on the memoirs of the events from the point of Clifton-James himself and are reasonably factual, despite the fact that the film has an enjoyably comic tone to it for the majority. What it does do very well is to portray him as a real person; his reluctance to take the job, his nerves, his insecurity and so on - at no point is he a strong-jawed, guns-blazing hero, instead he is a man doing what he needed to do in wartime. This really helps the film and is actually complimented by the comic tone.

What helps it even more is the presence of Clifton-James as himself. His performance is very normal - by which I mean he never plays to the fact that he is a hero, he comes across as a very unassuming gentleman, as I find those who serve in the military in a low/medium rank for some time tend to be. In both his book and this film he could have made himself look more heroic and less reluctant but he never does. Mills is excellent in the supporting role and enjoys a more comic touch than many of his war films allow him. The support cast are just as good and it is fun to see so many well known faces including Cecil Parker, Sid James, Leslie Philips and John Le Mesurier sending up the profession of acting! Of course it is Clifton-James who is the draw even alongside these big names; he is a true hero - and it's impossible to forget that as you watch this, these are not fictional risks, he lived this for the greater good.

And it is this that made the film so fascinating to me. Many flag waving films will miss this point, but heroism is often not natural; it often comes forced onto people and is found in the most unlikely of places. In this film we see first hand how an ordinary man with no real confidence or ability is called and rises to the challenge, not because it is his dream or desire but because his country needs him and needs must. Although he plays it quite light here, I will always remember what he did and who he was - I shall be looking for his book on the internet once I finish writing here.

Overall this is a tremendously fun war movie. It lacks action until the end and focuses on Clifton-James as a person as he goes from put upon little actor in the military to one of the most important people in the Normandy landings. A fascinating story, a real inspiration and a funny film to boot - should be seen by as many people for as long as possible. Lest we forget.

It helped in this film to have the actual person that really did impersonate Montgomery. Clifton James give a good performance as both himself and Montgomery. An excellent Bryan Forbes script that is well delivered by Cecil Parker and John Mills.

This is a wonderful war film--mostly because it is NOT about fighting and shooting--we certainly have had a lot of that sort of film. I like films that show a different side--the seldom-known acts of heroism such as the film "Dam Busters" or "The Man Who Never Was". In "Hell, Heaven or Hoboken" (a badly renaming of "I Was Monty's Double"), you have the true story about a regular enlisted man and actor who was chosen to imitate General Montgomery--the leader of the British forces during WWII. The plan was to have the double go on a tour of North Africa around the same time as the Normandy invasion in Northern France--so that the Germans would assume the assault would come from the South as well as much later. This film is about the formation and execution of this ultra-top secret plan. It's filled with tension and is very, very watchable--much of it due to good writing, direction and excellent acting (it sure didn't hurt having John Mills and Cecil Parker along with the real-life double, M.E. Clifton-James in this leading role).

I say watch this interesting film--it's a dandy. However, I did have one problem with the film--albeit a minor one and one more for history buffs like myself. The film used a lot of stock footage--most of it reasonably good. However, some of it was way too grainy and scratchy and made the film look cheap in spots--such as the footage of Bf-109s and Spitfires scrambling. Also, SOME of this real-life story is NOT real-life--such as the very exciting finale involving Nazi commandos! Still, a lovely little film and there's an awful lot to like!

At the fag-end of the 50's, a generation of long-demobbed soldiers were still trying to cut it in uniform, in a spate of cheap black-and-white war films. More convincing than most was the unknown star of this true story, a minor Australian actor who had been rejected by the entertainment services, and was reluctantly pen-pushing in the pay office, when someone noticed that he was a dead ringer for Montgomery.

This was in the run-up to D-Day, when the allies were desperate to draw enemy attention away from Normandy as the obvious invasion zone. Might a Monty-lookalike be able to fool German intelligence by touring North Africa, as though preparing for a big Mediterranean landing instead?

The actor in question, M.E. Clifton James, is secretly employed as a driver on Monty's staff, in order to get close enough to study his speech and mannerisms. But he doubts his own ability to replicate the character and personality of the great man, not least because 'Jimmy' is a chain-smoking alcoholic. Eventually, jolly optimist John Mills persuades him to go through with it, and suddenly he's stepping off a plane in Gibraltar, under scrutiny from enemy agents (one of them brilliantly sinister, as played by Marius Goring), as well as certain officers who remember Monty from before the war.

Defying many attempts on his life, Jimmy overcomes his desperate shyness, and learns to take massed salutes from whole armies. Then all too soon, D-Day has come and gone, his one brief star-performance is over, and it's back to the humble pay office. Except... they felt it necessary to bolt-on a false ending, about which we can reveal nothing, except that it never happened.

As for the real-life outcome, we have to face the disappointing fact that it was only part of a much larger decoy operation, which did throw the enemy into some confusion, but reports of Jimmy's own effort reaching Hitler's desk seem to be wishful thinking.

The film displays some recognisable weaknesses of those low-budget productions. The over-long opening section is taken up with John Mills' various flirtations, whose only consequence for the story is that his humourless boss (Cecil Parker) decides to replace their seductive secretary with the ugly-beautiful Barbara Hicks, in some ways more arresting. And the way Mills and Parker chat freely in public about top secret plans will grate on the ear of anyone who has worked in intelligence. No war-film of its day was complete without the stuffed-shirt spoilsport Allan Cuthbertson, who duly pops-up here, as does the perennial plug-ugly sergeant Anthony Sagar. Jimmy's one meeting with Monty is awkwardly dodged; we simply cut away from him on the steps of the general's caravan, although split-screen techniques had long since enabled an actor to shake hands with his own double (try the 1937 'Prisoner of Zenda').

None of this really detracts from the joy of the film, principally the deeply-believable performance of a professional actor, acting himself acting Monty. Sympathy and charm shine through this modest man, who seems to have been shabbily treated after the war, when he was reduced to the dole. Hopefully this popular film brought a little benison for the five short years that remained to him.