La mujer que no quería morir

Her acting in this movie has to be one of the greatest performances that she has ever done on film.The proof of the pudding shows the results. I saw the ACADEMY AWARDS for that year, after seeing the movie there was no doubt in my mind that she did indeed deserve the OSCAR.

Barbara Graham (Susan Hayward) is an aged lying grifter prostitute. She's been in and out of jail. She willingly perjures herself for two cohorts and gets a year in prison. She is released to probation and joins two con-men. She tries for a family but her husband turns into a drug addict. The cops follow her and arrests her, Emmett Perkins and John R. Santo. She's arrested for passing bad cheques among many charges. The men throw her under the bus and claim she's the murderer. She becomes a media sensation and maintains her innocence throughout.

Hayward is terrific as a ballsy broad. She's not an innocent naive character although the movie portray her as innocent of the murder. The media sensation adds another layer to the movie. It is a bit hard to root for the character but Hayward makes the movie work. She gets to do some juicy acting as she prepares to be executed.

Susan Hayward's powerful performance as Barbara Graham has been much written about, and it is the single best part of this film. But there are so many other perfectly pitched performances surrounding her as well, mostly by actors relatively unknown even to film buffs, or early turns by actors whose faces, if not names, did find a national audience--Virginia Vincent as Peg (she played the mother in The Hills Have Eyes), Gas chamber guard Dabbs Greer (the Rev. on Little House on the Prairie and Picket Fences), and especially Raymond Bailey who plays the San Quentin warden. His understated forthrightness and humaneness are a far cry from his later manic turn as Mr Drysdale on The Beverly Hillbillies (with the addition of a toupee). Robert Wise handles the execution preparations with a clinicism that turns the stomach more than any posturing would do, bringing the horror of impending death home. And following the clock's second with a moving camera closeup, instead of just cutting to the clock on the wall, done so many times, is craftsmanship of the highest order.

This movie is in black & white, has a jazzy score and a great central performance by Susan Hayward. She has many great lines of dialogue, most of which are spit out, and she plays the part for all its worth. The last half hour is completely engrossing. See it and then you'll remember it forever.

Capital Punishment was, is, and probably always will be immensely controversial. "I Want to Live" offers an argument against the practice, approaching the issue with a fervently emotional message.

Susan Hayward (perhaps the finest work of her career) portrays the real-life convicted murderess Barbara Graham with urgency, strength, and sensitivity. We follow the story of Graham as she gets in trouble with the law repeatedly. Eventually, she is involved with a couple of thugs; a woman is murdered, and the three are accused. Which one actually killed the woman is uncertain. The movie provides information from Graham's trial (after she is implicated by the other two), but cleverly skirts the issue of guilt, and leaves the viewer to come to one's own opinion about this.

Whatever your view on capital punishment is, and whether or not you believe Graham was the actual killer should not skew your opinion of the movie; artistically, it's a gem. It is guaranteed to get you thinking about the issue of capital punishment, and some of the questions that are inherent in the arguments for and against it.

The final sequence of the movie is poignant and eloquent in depicting the preparations for a gas chamber execution. These images are haunting and will stay with you long after you see the movie.

This movie is artistic and masterfully done; but one must set aside preconceived opinions on the issue (pro OR con) to fully appreciate it.