El ejecutivo de publicidad Marshall Briggs se encuentra con que su trabajo entra en conflicto con su vida amorosa con la modelo de moda Janice Blake.El ejecutivo de publicidad Marshall Briggs se encuentra con que su trabajo entra en conflicto con su vida amorosa con la modelo de moda Janice Blake.El ejecutivo de publicidad Marshall Briggs se encuentra con que su trabajo entra en conflicto con su vida amorosa con la modelo de moda Janice Blake.
- Dirección
- Guionista
- Elenco
Stephen Dunne
- Bob Sanders
- (as Steve Dunne)
Stanley Adams
- Cabbie
- (sin créditos)
Suzanne Alexander
- Camera Girl
- (sin créditos)
Suzanne Ames
- Luxenburg Girl
- (sin créditos)
Paul Bradley
- Nightclub Patron
- (sin créditos)
Tex Brodus
- Office Worker
- (sin créditos)
Kay Buckley
- Camera Girl
- (sin créditos)
Jeanne Carmen
- Camera Girl
- (sin créditos)
Harry Cheshire
- Texan at Phone Booth
- (sin créditos)
Jonathan Daly
- Young Law Clerk
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This is probably more fun now than it was when it came out.
It's a bit of black and white nostalgia now. Then, it was a showpiece for George Gobel, improbably married to sexbomb Diana Dors -- I guess that was the "joke."
Jessie Royce Landis is fun, as always, and the supporting cast supports very well.
It's by no means awful. It's kind of a man's fantasy about being a wimp who's adored by a gorgeous girl -- not unlike the better and better known "Seven Year Itch."
It's a bit of black and white nostalgia now. Then, it was a showpiece for George Gobel, improbably married to sexbomb Diana Dors -- I guess that was the "joke."
Jessie Royce Landis is fun, as always, and the supporting cast supports very well.
It's by no means awful. It's kind of a man's fantasy about being a wimp who's adored by a gorgeous girl -- not unlike the better and better known "Seven Year Itch."
One of those frustrating comedies in which misunderstandings arise because the characters fail to talk to one another. Stand-up comic George Gobel is an ad exec married to Diana Dors (before weight gain turned her into a plump parody of the sex-bomb she once was), who used to be the model for his agency's leading client. A few bright spots - but not many - and Gobel and Dors come across as a second-rate Ewell and Monroe.
I Married a Woman was made in 1958 at the height of George Gobel's career. George is playing his usual henpecked character from television with an overbearing boss, an interfering mother-in-law, a dissatisfied advertising client and a few other things that make his life an adventure. But if you were married to the statuesque Diana Dors, somehow a lot of those problems would seem small. They don't for Mr. Gobel.
Gobel was a very big name in television at this time with a Saturday night variety show for NBC at 10:00 pm. I still remember from my youth the booming TV announcer for NBC announcing their fabulous Saturday night line up of COMO, CAESAR, GOBEL. It was sure superior to NBC's line up now.
Watching George Gobel for me is a piece of nostalgia. And looking at the shapely Diana Dors in a tight dress is reason enough itself to watch this film. Gobel's humor doesn't quite translate to the big screen however. You get the feeling you're watching one long skit from his old TV show.
One of the gags that doesn't quite work is have John Wayne make an unbilled appearance as Diana Dors's idea of a romantic leading man. Romantic? John Wayne? Wayne makes two appearances in the film. In a movie theater where Gobel and Dors are watching the Duke and Angie Dickinson mouthing some meaningless romantic dialog with the Duke looking quite debonair.
I have to believe that this was a gag meant for someone like Cary Grant or Tyrone Power who were great romantics on the screen. The Duke just looks ridiculous doing this. Maybe that in itself was a gag.
I'll let you be the judge if you see this film.
Gobel was a very big name in television at this time with a Saturday night variety show for NBC at 10:00 pm. I still remember from my youth the booming TV announcer for NBC announcing their fabulous Saturday night line up of COMO, CAESAR, GOBEL. It was sure superior to NBC's line up now.
Watching George Gobel for me is a piece of nostalgia. And looking at the shapely Diana Dors in a tight dress is reason enough itself to watch this film. Gobel's humor doesn't quite translate to the big screen however. You get the feeling you're watching one long skit from his old TV show.
One of the gags that doesn't quite work is have John Wayne make an unbilled appearance as Diana Dors's idea of a romantic leading man. Romantic? John Wayne? Wayne makes two appearances in the film. In a movie theater where Gobel and Dors are watching the Duke and Angie Dickinson mouthing some meaningless romantic dialog with the Duke looking quite debonair.
I have to believe that this was a gag meant for someone like Cary Grant or Tyrone Power who were great romantics on the screen. The Duke just looks ridiculous doing this. Maybe that in itself was a gag.
I'll let you be the judge if you see this film.
An American comedy; A story about a mild-mannered advertising executive who finds that his life has added complications after he marries the glamorous model from his beer commercial. The script was lame and unfunny, and the direction fails to make the distant signals of humour work, relying on narration to overfill the gaps. Diana Dors, as a pouting beauty trying to rescue her marriage, has to call on her charm and sparkle because, on paper, the film doesn't work well. Dors was matched with George Gobel, who failed to come up with the required robust persona that would make a tale about a neglected wife stick. Only John Wayne, who shows up in a cameo role, produces a genuine laugh. Angie Dickinson, similarly in a brief appearance, is creditable.
Diana dors is hot! But that's all! The writing is so bad, and the lead actor is so annoying, I can't dumb myself down to watch. I did watch the film, but I kept saying aloud, "this is so dumb!" The writing and characters are so weak and dumb. Had potential but I watched and it's so bad.
¿Sabías que…?
- TriviaThe fictional film which George Gobel and Diana Dors are watching in the cinema is a Technicolor film "Forever and Forever and Forever" starring John Wayne and Angie Dickinson.
- Citas
Marshall 'Mickey' Briggs: All right. I'll tell ya'. This morning, right after breakfast, I flew to Mexico and had a mad, gay whirl with a lady bullfighter. I gave her my old fraternity pin and she gave me the ears to her bull. Now, let's have dinner and get to that ballgame!
- Créditos curiososThe end of the film goes from black and white to colour, finishing with The End ? morphing into The End !
- ConexionesFeatured in Talkies: Memories of Diana Dors (2017)
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- How long is I Married a Woman?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Links und rechts vom Ehebett
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 25 minutos
- Color
- Relación de aspecto
- 2.00 : 1
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By what name was I Married a Woman (1958) officially released in India in English?
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