La escuela del vicio

Mamie Van Doren as somebody's aunt could put a whole new slant on "visiting the relatives". Here her twin gunboats are aimed at no one in particular, and I expect she was added at the last minute to further hype this exploitation exercise. But then this was cutting edge material for 1958 teens-- sassing the teacher, hotrod chickie runs, and maybe a pull on a joint if you could find one. Yeah, this is reefer-madness for the pre-Vietnam Pepsi generation. Never mind that the movie is one-third Blackboard Jungle, one-third Rebel Without a Cause, and the rest sheer Hollywood hokum.

Producer Zugsmith may not have known Leonardo Da Vinci from Leonardo Da Caprio, but he knew how to crowd teens into drive-ins. Then too, lead actor Tamblyn may look more like a cheer-leader than a hoody delinquent, but at least he's not bored with the part. Fast-buck artists like Zugsmith knew how to market these exploitation quickies as timely warnings to parents and teens. But kids weren't fooled. They knew they could see forbidden topics like teens kissing on a bed under the uplifting guise of civic betterment. No, this drive-in special may never have made it into uptown movie houses, but as an artifact of its time, it's more fun than any 10 of that year's dreary A-productions.

Perhaps the coolest movie ever made! It's worth watching for the lingo alone, you sound me? And it's a movie with a lesson... "You flake around with the weed and you're gonna end up using hard stuff!" Yes, it's just that cheesey.

Hot-shot Tony Baker (Russ Tamblyn) is the new kid at Santo Bello High School and he makes everyone aware of his arrival. He muscles his way into the Wheelers & Dealers, run by J.I. Colridge (John Drew Barrymoore - Drew's dad) and not only tries to push him out of the picture, but also goes after his girl, Joan Staples (Diane Jergens).

Tony lets it be known that he's looking to "graze on some grass", but not just a few "sticks", he wants five pounds! Not only that but he also wants to score some coke, H, goofballs and caps. He is soon humbled when he finds he has to score 100 sticks from J.I. at the big race. While haggling for the weed Tony learns that J.I. is pushing for the mysterious Mr. A. (Jackie Coogan). Tony wants to meet Mr. A. so he can score a kilo of heroin. Eventually, a meeting is set up between Tony and Mr. A.

School teacher Miss Williams (Jan Sterling) takes a liking to Tony and sets out to save him from himself. Tony takes a liking to his teacher, but with different intentions.

The comedy (unintentionally) abounds in this 50s flick. Check out Barrymoore's hep-cat slang rendition of Columbus' voyage to America or the Beat Poetess' poetry reading or Michael Landon as a dorky student Tony mocks, or the slinky, Mamie VanDoren as Tony's drunken, slutty aunt or the cop explaining the difference between a real cigarette and marijuana.

I could go on for days about this movie, but instead, I'm going to stop writing and pop the tape in my VCR and watch it for the five billionth time. I suggest you do the same.

There's not much to be said about High School Confidential, a teen exploitation movie from the end of the fabulous ‘fifties, except that it's hard to think that it wasn't just as laughable upon release as it is today. But some comments on its cast members may be in order:

• Russ Tamblyn was a child star, then primarily a dancer. This `dramatic' role fell to him between his memorable assignments in Seven Brides for Seven Brothers and West Side Story. He's not at all bad here (in an badly written and implausible role), but was never able to establish himself as a serious actor, though he continued to work, showing up notably decades later in Twin Peaks.

• John Drew Barrymore had just taken up his middle name to distance himself from his legendary father; in earlier roles (The Big Night, While the City Sleeps), he was billed as John Barrymore, Jr. Here he brings off an eerily precise impersonation of Elvis Presley, speaking both in hillbilly accent and in basso-profundo register. (Alas, he does not sing.) It's clear he inherited the family talent, which he was to squander, because he also inherited the predisposition to chemical experimentation.

• Jan Sterling seemed destined for a bigger career than she ended up with. The high points of her filmography – Billy's Wilder's The Big Carnival/Ace In The Hole being the most impressive of them – were behind her, and she was taking secondary roles to the likes of latter-day Joan Crawford ( in Female on The Beach). Here, as a schoolteacher, she not only does a riff on Eve Arden's Our Miss Brooks character, she even looks like Arden.

• The late ‘fifties were the blazing noon of Mamie Van Doren's fling at playing third-string sexpot (after Marilyn Monroe and Jayne Mansfield). All Dagmars and platinum hair, she was rarely called upon to display what might have been a comic talent, visible here in fits and starts. Her role as a married nymphomaniac whose attempts at fulfilment – absent her husband – seemed doomed to disappointment is practically a clone of the part she played in The Beat Generation, a slightly more interesting vehicle that covers much of the same ground as High School Confidential.

High School Confidential remains notable from a view of drug trafficking and the process of addiction that had advanced not a whit since Reefer Madness in the ‘thirties. And of course its view of teen-aged life in the second Eisenhower administration bears not the slightest resemblance to any reality – then or now. That said, it's fun to watch.

This movie is deliciously dated.

The dialogue is outrageous - especially the scene in the classroom when one of the male students talks about Christopher Columbus going to that "deep pool" of the Alantic Ocean with his "non-stop studs" - which now, out of context, sounds more like a line from a gay porno flick instead of a 1950s b-movie (!).

Like many teen romps of the late 50s, the sound track is way cool, with Jerry Lee Lewis doing the opening theme song.

Lots of fun. Mamie Van Doren as always, is a treat. The cast includes a lot of people who were in a bunch of 50s flicks together - Jackie Coogan, Russ Tamblyn, Jan "Female on the Beach" Sterling, etc.

If you like this film, you'll also like Mamie in "Girls Town".

Believe or not but in this movie I just love to see over and over again the opening credits. And I am sure that everybody that sees this movie, will agree with me. Another outstanding thing is that if you think that rap music was invented and started in the 90's, you must check out this lady from the 50's. Now, the rest of the movie is a very serious drama. A drama that made me laugh throughout the movie like if it was a comedy. Could this be a funny drama? I don't know but if you give it a chance you'll know what I mean. And about the DVD, I was disappointed to read that it was in "full screen", but when I saw it I couldn't be more happy to see that it was a mistake and it was in widescreen as it should (too bad it was mono). And too bad that in those days the credits at the end were so short. It would've been great to see Jerry do the whole "high school confidential" again, or maybe "great balls of fire". I gave it a 10 for the credits, 8 for the rap song and 0 for the rest, My total is 6.