La frontera de dos razas

Fort Bowie is directed by Howard W. Koch and written by Maurice Tombragel. It stars Ben Johnson, Jan Harrison, Kent Taylor, Maureen Hingert, Peter Mamakos and Larry Chance. Music is by Les Baxter and cinematography by Carl E. Guthrie.

In the main Fort Bowie is a Cavalry and Indians "B" Western, one that's predictable even if it's not afraid to show then ugly side of Cavalry brutality. Plot is built around Johnson's Captain Thompson, who after witnessing Major Wharton's (J. Ian Douglas) cruel slaughter of surrendering Apaches, reports to Colonel Garett (Taylor) that an attack by the Apache is imminent. Garrett promptly requests that Thompson escort his wife away from harm. Easier said than done, for Mrs. Garrett is a femme fatale causing as much consternation as the Apache!

It's great seeing Johnson in the lead, he holds court and is the fulcrum of what makes Fort Bowie better than average. His character's nickname is "Tomahawk" due to his ability with said weapon, and it's not long before we get to see it in action. In fact it's notable that the first battle staged is fought with axes, swords and arrows on both sides, and it's a well constructed battle. Alison Garrett (Harrison) is trouble and the poison she lays down is the worst kind, and it's that that gives the film an extra narrative kick. Helps that Harrison is socko gorgeous, who in turn is supplemented by other beauties Hingert and Barbara Parry.

So while some of the cast do indeed look stunning, so to does the scenery, with location filming out of Kanab excellently photographed by Guthrie. It's a shame this wasn't afforded some Technicolor frontage. The vistas make for some striking scenes, as the Indians gather and descend the hills etc. Everything is building up to the big final battle at Fort Bowie, where as the romantic shenanigans reach their peaks, so does the culmination of the Cavalry and Indians toing and froing. It's exciting, the stunt people earning their corn, to round out a thoroughly enjoyable genre piece for the so inclined for such. 7/10

At a cavalry outpost, the colonel (Taylor) dispatches a captain (Johnson) on a suicide mission among the Apaches because of rivalry over his wife's (Harrison) affections.

The colonel loves wife Allison, but she loves the captain, I think. And, the captain loves her, at least some of the time. However, the rest of the time, he loves Chanzana, but Chanzana is half Apache, and I think she loves Apache leader Victorio. Oh well, I may be wrong about all this, but then the script can't seem to make up its mind either. So maybe you can sort it out.

Good thing there's lots of action to interrupt this frontier soap opera. In fact I don't know when I've heard more shooting. Seems like somebody's always wiping out somebody else. Boy, was I surprised when the major shoots all the Indians carrying that white flag of truce. Pretty rotten thing for our guys to do, which sets off all the shooting because now the Apaches want revenge.

But then it seems like the Indians like roasting our guys over an upside-down spit. That's pretty rotten too and not in any multi-cultural handbook I know of. Then too, that part reminds me of another good Apache movie, Ulzana's Raid (1971), where the Apaches also practice some strange culinary arts. Even stranger, however, is when the Indians defend the fort against attacking cavalry (I love that wagon-ramp trick). Now where has any Western fan seen that upside-down world before.

Anyway, it's an okay Western with some interesting sidelights and the great Ben Johnson. I'm just wondering why they went all the way to scenic Kanab, Utah to film, and then didn't didn't do it in Technicolor. Then again, maybe they spent their budget on all the big shoot- outs. But-- bottom line-- if you can untangle the big who-loves-whom puzzle in this movie, I'm sure there's a place for you at People magazine. Otherwise, you might want to catch up with this cowboys-and-Indians on an especially slow night.

The west started to grow up in the Fifties and Fort Bowie was not the kind of film that would have been a Saturday matinée feature for the Gene and Roy crowd a decade earlier. It deals with sexual attention and suggested infidelity stuff that was not covered by those Republic cowboys in this United Artists release.

A pair of biblical stories served as plot devices for Fort Bowie. Jan Harrison is the bored wife of commander Kent Taylor and one day in a fit of pique like Potiphar's wife after Ben Johnson rejects her advances says that she and Johnson got it on. Taylor reacts like King David and sends Johnson on a Uriah the Hittite like mission to try and talk to Larry Chance as Vittorio leader of the Apaches to surrender peacefully.

Quite understandably Vittorio is in no mood to talk peace with any white men. An eager for promotion officer played by J. Ian Douglas massacred a bunch of Apaches who came in under a flag of truce. By sheer luck and rescue from an unexpected source Johnson escapes.

The climax of the film is a slam bang see saw battle for Fort Bowie is the highlight of the film and western fans who crave action will have no cause for complaint.

Color might have added something, but Fort Bowie is a western fans dream.

I just finished watching Fort Bowie, and was pleasantly surprised at what a good movie it was. I had never seen it before and the review I had read said it was a low budget film, but the cuts must have come from the actors salary. Ben Johnson was super as was most of the rest of the cast. I also was thrilled to see Johnny Western in a fairly noticeable role. The action scenes were certainly big budget caliber. I recently saw the last western that Ben Johnson made and there was little change in his appearance, except for a bit of weight gain. To me his acting is as natural as John Waynes. Kent Smith did a creditable job in his role. As far as the other actors I wasn't familiar with any of them except the "old sarge", but the movie was far better than I was expecting.

This western actually belongs to the military - fort - westerns category; Indians, cavalry...No outlaws, no sheriff, no town tamer, no cattle baron vs rustlers.... This western belongs to specific category. It is short, sharp, powerful but unfortunately too predictable for a movie goer like me. The story line is excellent, the directing solid, action sequences terrific, impressive.... No, this is an awesome Howard Koch's film, at the image that this producer turned director offered during his career. With maybe the exception of two juvenile delinquency flicks. Some scenes are not for the sissies, as in many Indian wars topic westerns. Indian tortures....