La cucaracha

I love this movie i had see few times in television is about the Mexican revolution but honestly the reason i like the movie is because Maria Felix and Dolores del Rio are together for the first and only time in their life , Maria more beautiful and younger than del Rio but both were huge movie stars Dolores very well know in united states and Maria very well know in the rest of the planet but not in USA, la Felix was beautiful , elegant and unique a real legend she never let herself go down not even in the last years of her life when she was almost 90 years old she still WAS Maria Felix , i love this woman she was maybe the most fantastic movie star of the 20 century, Dolores was a beautiful and a nice well educated lady she came from a very rich background but was not as fascinate as MARIA FELIX

Emilio Fernández, a colonel in Pancho Villa's army, comes into a Mexican town to scoop up as many men as he can to attack a heavily fortified city in what seems like a suicidal attack.

María Félix is the titular soldier/groupie/party girl who tries to get Fernández's attention, but he's having none of it and orders all the women following the soldiers to leave.

The suicidal attack turns out to be a ruse that buys Villa enough time to attack the city from another direction. Fernández is hailed a hero, and he now wants to get close to Félix, but she's not having it. After some slapping and stripping, they fall in love. Everything seems fine until former lover Pedro Armendáriz shows up demanding satisfaction. Fernández dispatches him, but thinks that maybe Félix is too much for him and polite and proper war widow Dolores del Rio might make a better match.

The Mexican Revolution is the backdrop for a really fiery love triangle melodrama. This is pretty heated stuff and lots of fun.

Quite a good war drama but the love triangle was somewhat weak and its not as ironic or funny as it could have been. Straightfoward, with good performances (specially by Maria Felix) but not an overall great work as one would expect from an Ismael Rodriguez film with such an astounding cast. Very strong ending too.

Capably directed by Ismael Rodriguez, this piece brings together some of the key figures of Mexico's 'Golden Age' all of whom had collaborated on some of the greatest films from that era. Wearing his actor's sombrero on this occasion is one of his country's finest directors Emilio Fernández whilst cinematographer Gabriel Figueroa proves just as effective in colour and Raúl Lavista provides a powerful score. Actor Pedro Armendáriz impresses in a relatively minor role and together for the first time are the two undisputed Prima Donnas of Mexican Cinema, earthy Maria Félix and aristocratic Dolores del Rio. Needless to say the press built up a so-called rivalry between the two which did not in reality exist and indeed they became bosom buddies. Both these charismatic performers represent two sides of the same coin for although del Rio's sensuality is less overt than that of her co-star, not for nothing had Orson Welles described her as the most exciting woman he had ever known. She had been pursued for years by Fernández whose advances she rejected which had made their working relationship untenable but here they are, ironically, playing lovers. The personal life of Félix was far from uneventful as she was twice widowed and thrice divorced. She would go on to portray legendary Soldadera Juana Gallo although far too glamorous for the role whilst del Rio confessed she hoped this would be the last movie about the Mexican Revolution she would make.

Although not a classic of its type it is nonetheless visually impressive and features the strong, impassioned performances that for the most part are alas sorely lacking in today's one-dimensional Cinema.

Having the acting of María Félix, Indio Fernández and Dolores del Río, one may expect to see a superb Mexican film, but unfortunately this is not the case. Acting of Félix was far to be good and plot of the film was mediocre in general. The first scenes of the film were simply artificial, it looks like a film made by an amateur. For example, the brief acting of Pedro Armendáriz was incoherent and a forced step to provide more meaningless emotion to the film. The positive sides of the film were the acting of Dolores del Río, so then old but beautiful and attractive, as well as the one of Indio Fernández, who performed very well the role of the officer Zeta and also as the 'macho' of both Mexican female stars. It also showed how divided were the revolutionary movement in Mexico, some in favor of Pancho Villa and others favoring Porfirio Díaz.