The Bride and the Beast

Well, all I can say is Ed Wood strikes again. Like Orgy of the Dead, this is another movie where he wrote the screenplay. And, as per usual, the results are exceedingly strange. This one is about a woman who falls in love with a gorilla called Spanky because it transpires that she was an ape in a previous life. Well of course, she was. This one sets the scene well initially with some deeply strange early sequences, with our leading lady looking in that dreamy way into her gorilla dreamboat's eyes. But then our heroes relocate to Africa to check out stock footage and oh my goodness, they check out a LOT of stock footage. So much in fact that the film grinds to a halt as we watch giraffes running away from Landrovers and tigers kicking about (oh yeah, there are tigers in this stock footage Africa my friends). Things do perk up by the end though when Spanky the monkey returns and we have more human-ape love action. Its often borderline unwatchable but its also exceptionally wrong-headed , so naturally its one to endure.

Laura Carson (Charlotte Austin) has just married big game hunter Dan Fuller (Lance Fuller.) On her wedding night she finds herself strangely attracted to Spanky, a gorilla gone bad that Dan keeps locked up in a basement cage. Before you can say "Ed Wood wrote this," there are gun shots, nightmares, hypnotism, and Dan's unhappy discover that bride Laura may be the reincarnation of a gorilla queen! Can you dig it? Now and then a bad movie becomes unintentionally hilarious, but most of the time bad movies are simply bad. BRIDE AND THE BEAST actually teeters between the two, and this is largely due to the two leads: even in the face of producer-director Adrian Weiss' obvious lack of talent, Austin and Fuller prove unexpectedly competent, and they actually manage to hold the worst of the dialogue at bay. What this means, however, is that BRIDE never self-destructs in the ludicrous way of such films as PLAN 9 FROM OUTER SPACE--and in consequence it isn't so much unintentionally hilarious as it is unintentionally amusing in a mild sort of way.

The film is full of absurdities. Dan Fuller's basement, where the ill-fated gorilla Spanky is caged, has a refrigerator, but illumination is provided by torch. Servant Taro (Johnny Roth, in what seems to be his only film role) is very obviously a white man in bad "native" make-up; he runs around saying "Bwana" a lot. There is a lot of canned wild animal footage, shots of Africa that look suspiciously like shots of South America, and men in bad gorilla costumes. And Ed Wood being Ed Wood, he just can't resist writing references to angora sweaters into the script.

The print is mediocre, but it is worth pointing out that it was probably never very good to begin with, and the DVD release comes with several bonuses of no interest. Fans of cult films, and especially die hard fans of Ed Wood, will enjoy it--and for their sake I give it three stars. But just about every one else should give it a miss.

GFT, Amazon Reviewer

i was pleasently surprised at the first half an hour of this film. i was expected the usual hand held cameras, dodgy acting, minimum scene listing etc. i came to the conclusion that this film must have been made later into Ed Woods career until i looked at the box and saw it predates Plan 9. granted the stock safari footage later in the film and the impression we get that Ed Wood forgot his own plot during the indian tiger's sequence, this film i would rate higher than the rest of his other works. underneath all that is bad you can genuinely see that he had a vision.

OK, don't laugh...I recommend this film to future actresses, directors and just plain viewers that want a good (unusual) time.

Bottom line, the movie is a stinker, like so many things Ed Wood was connected with in his life. The whole middle of the film uses terrible stock footage that has little to do with the rest of the film. Fully 30-45 minutes of the middle of the film could have been left out.

So, let's discuss the first 15-20 minutes and the last 10 minutes of the film--without giving away too much.

First of all, one thing different about this film from most Ed Wood films is that the two leads are real actors. Lance Fuller had done many movies with big names and Charlotte Austin had small roles in films such as "How to Marry a Millionaire" where she rubbed shoulders with the likes of Monroe, Bacall and Grable. And--looks-wise--Austin held her own. She was a very sophisticated and attractive looking girl.

But what makes this whole film work--for 25 minutes or so--is the fact that Austin plays the part straight. You really believe this beautiful, elegant model has a thing for gorillas.

The part that every budding actress or director should really see, though, is Austin's close-up, facials as she looks with growing lust at 'the beast.'

I'm a film buff myself, but I have NEVER seen any actress be able to convey so much with a few close ups as this woman did in the short sequence of her first gaze on the ape.

I know, I know...it sounds crazy, but you have to view it. Nothing in erotic films--for all the modern explicitness--touches what this film actress does with a few close ups.

It's a shame Miss Austin left movies shortly thereafter...she certainly had the looks and ability to have gone places in movies.

Check it out and see if you agree!

One of my sci-fi/horror/fantasy reviews written 50 years ago: Directed by Adrian Weiss; Screenplay by Ed Wood, from a story by Adrian Weiss; Produced by Weiss for Allied Artists release. Photography by Roland Price; Edited by George Merrick; Music by Les Baxter. Starring: Charlotte Austin, Lance Fuller, Johnny Roth and Steve Calvert.

Cheap and preposterous horror film in which an ape carries off the bride on her honeymoon and she appears to dig it. So badly done that no one will sympathize with the husband, only with fellow viewers. An interesting twist is that the bride was a gorilla in a previous incarnation.