Horizontes de grandeza

I'm always appalled at how little William Wyler I've seen. I adore The Best Years of Our Lives and Roman Holiday, but Ben-Hur is underwhelming. Now with The Big Country winning my heart, he really deserves better. I'm a sucker for a good subversive Western. The myth of the American frontier in cinema is fascinating to me and any film that develops the ideas inherently has my attention. The Big Country is credited as the first pacifist Western as Gregory Peck refuses to fight until the last moment or acknowledge the seriousness of any conflict. He's an unconventional hero. One who teeters a line of cowardice. But this just makes him all the more endearing as a three dimensional character. Granted, the film has its caricature characters on the side, but the script has such a dry wit. Burt Ives won an Oscar for his role and coming in an hour into the film, there wasn't much spotlight left to share, but he certainly has his moments. It's a grand epic in visuals and length that I easily sunk into. It's a big country alright. Also boasts one of the best scores I've ever heard. Can't believe it's not considered a greater classic.

8/10

The Big Country was passed over by the professional critics as being empty, ernest, and not enough sweep to be called a true epic. Well, I remember seeing The Big Country and was properly swept off my feet by the grand scale of the Big Country, the death feud between Burl Ives and Charles Bickford, the shaky and doomed romance between Gregory Peck and the spoiled Carroll Baker and the quiet understanding between Peck and the lovely Jean Simmons, but most of all, the thing that propelled me to see The Big Country over and over was the magnificant score by Jerome Moross. Sure, I could site many scores that have aided films to glory, Max Steiner for The Letter, Maurice Jarre for Lawrence of Arabia, Miklos Roza for an excellent score for a weak epic Land of the Pharaohs, and Hans Zimmer for an excellent score for a great epic Gladiator but I still say that for a western you can't get any better than the magnificant score for The Big Country. The sweep and majesty and the quiet moments of Jerome Moross's music sets the tone for this truly underated movie. United Artist released the music on LP and I wore mine out along with my neighbors complaints, I now own an excellent CD produced by SILVA SCREEN which I can't wear out. All in all see The Big Country on your big screen in Widescreen and give yourself a real treat. Who needs Giant?

As a rule, I don't like westerns. This isn't because I'm a city slicker (though now, I do live in a city). I grew up in rural Eastern Oregon where "real" cowboys still herd their cattle through the center of town in John Day, Oregon. My stepfather owned a 10,170 acre cattle ranch. After being raised among "real" cowboys, the Hollywood versions tend to leave me flat. The Big Country was an exception.

Jim McKay (Gregory Peck) introduced us to a different kind of man, far different than most stereotypical men of the Wild West. If I were to compare McKay's character to any other film character, it would be Ghandi. He's a man who doesn't feel obliged to seek the approval of others ... a man who believes that violence doesn't need to be used to solve problems. His secret ride of Old Thunder, making Ramon (Alfonso Bedoya) swear to keep quiet regardless of the outcome, set the tone for McKay's character. His later secret fight with Steve Leech (Charleton Heston), making him swear to keep quiet regardless of the outcome, cemented that tone. This was a REAL man whose opinion of himself was not dependent upon anyone else's opinion ... in stark contrast to anyone else in the film outside of Julie Maragon (Jean Simmons). As Ramon said, "Such a man is very rare."

Outside of McKay, my #2 favorite character in the film was Rufus Hannassey (Burl Ives). I found nothing about him distasteful considering he was a character whose back was against the wall ... whose livelihood was threatened. The things he did make perfect sense in such a situation. His only flaw was his obvious poor parenthood. He really blew it with Buck (Chuck Connors) and Buck's siblings were of the same ilk.

I'm so glad that MGM/UA finally released the widescreen version in 2001. This is a film that deserves such a presence. It may not be playing in theaters anymore but seeing it in any other display size takes so much away from it. I've seen the pan/scan version before and will never go back.

One note. The full listing of writing credits for the film adaptation is lacking. "Ambush In Blanco Canyon," originally serialized in a magazine, was later novelized into "The Big Country" by Donald Hamilton ... and Hamilton also worked on the adaptation as well as Leon Uris ("Topaz," "Exodus," "Gunfight At the OK Corral," etc.).

This epic film was not lacking for anything. It had the best writers, the best actors, the best musical score, and the best scenery of any other film of its time ... western or otherwise. And the film remains one of my favorite films of all time.

I love movies, and this is as close to perfect, as it gets. First of all can, you imagine a movie with such a cast. Heston, Peck, Ives, Bickford, Connor, Baker, and Jean Simmons ( one of my favorite actors ). Throw in the scenery, the incredible musical score, and a plot with romance, and minimal violence, and you have a classic. On a home widescreen with the volume high, I am sure even compared to todays movies it is entertaining and ageless. As a footnote, I saw this movie years ago and it stuck in my mind. One day while listening to CBC radio on a call in request segment someone called in and asked for the theme from Big Country. It stirred me to track down a copy of the movie. I also like the story about Heston thinking of turning it down ( An Actor's Life ) since his part was secondary. His agent said are you nuts to turn down Willy Wyler. This movie led Wyler to cast him in Ben Hur.

There are many things to enjoy in 'The Big Country'. The landscape itself is a character that seems overwhelming. There are many panoramic shots of it, sweeping out to a misty horizon. All beautifully photographed. This big country seems to glow and the film gets an appropriate music score, sweeping and colourful. It must be one of the most perfect film scores written.

In this breathtaking landscape the story of the characters unfold with their prides, jealousies, fears, loves, pretensions, hopes, disappointments. The actors are first rate and convey lots of feeling not just in dialogue but in looks. It is worth seeing more than once to catch the emotional nuances. This is a film with space in lots of senses and it gives the cast time to flesh out their characters. In all the splendid acting I have a particular admiration for Chuck Connors in a performance of a lifetime. His Buck Hennassey is a coward and a bully yet you can't help feeling sorry for him in the end.

There is also the political undertones, the oft quoted Cold War parallels, embodied in the confrontation between Bickford and Ives of mutually assured destruction, that was an ever present issue in the late fifties. Bickford and Ives have narrow self interested vision that portends destruction, while the Peck character has a wider view of co-operation and fairness. (In an illuminating exchange at the engagement party a guest asks Peck if he has seen anything bigger than the 'big country' and Peck replies to the guest's astonishment that he has, a couple of oceans!) It is the outsider who sees clearest.

William Wyler was a great director and made a great film to be enjoyed on many levels. It is an aural and visual treat but the film also has believable characters performed by a superior cast. And I can't stop humming that theme tune....