Le beau Serge

In what is considered the first film of the French New Wave, Claude Chabrol gives us a hypnotic vision of opposites in the same style as Hitchcock's Shadow of a Doubt. Le Beau Serge follows the story of Francois, a young man who returns to his home town after twelve years, who finds that the town is dying. His landlady even tells him that everyone will be gone soon enough. In particular, he finds that a once-promising childhood friend, Serge, is trapped as an alcoholic in a loveless marriage.

The brilliance of the film lies not in its storytelling (it is quite slow at parts) nor its acting (most of the actors were non-professionals) but in its structure. Everything is seen in doubles. Francois and Serge are two sides to the same coin. Each has an elder counterpart. Each has a female relation which seems to switch off at times. Serge has both a wife and a mistress who is at one point Francois girlfriend; at the same time, Serge's wife becomes morally attached to Francois. In addition, scenes are doubled; two scenes in the cemetary, two implied sexual scenes in Glomaud's home, two turns by Francois and Michel at the beginning, the list goes on and on. Furthermore, entire shots are doubled with different couples in each. It is brilliant.

In addition, the film looks as if it were unpolished (which is a basic tenet of the New Wave), but it looks as if it was a director's first attempt. But that's not necessarily a bad thing.

The greatest detraction (apart from the sometimes overacting) is the musical score. It is extremely discordant with regards to the movie. Minimal scenes such as Serge exiting his house are accompanies by percussion that sounds as if it were a harbinger of doom. I don't know if Chabrol wanted this, but it becomes irritating and causes the viewer to laugh at the film.

As an added note, watch for the parallels of Francois and Serge with the town's children. The kids pop up everywhere.

Excellent film, does anyone else see similarities to Cat on a hot tin roof, and a number of southern Gothic references.....I read more than I probably should, sham loveless marriage , first child conceived by perve father, Francois and Serge maybe shared more than society would allow, Village priest, hmmm.Beautifully shot and so poetic, Chabrol's most sincere and honest.. just saying....Strong characters that have a grand noble purpose. Not at all apologetic and a testament to faith and hope in a futile, provincial and incestuous post war Europe. You feel their hunger and desperation. So revealing a film, yet it left so much unanswered. Post war French cinema is timeless and classic.

This film is considered to be the first film of the French New Wave film movement, preceding 400 Blows, Hiroshima Mon Amour and Breathless. I don't think you can put this film in the same category as those films. This film is a straight up conventional narrative about Francois who travels back to his hometown after 12 years, looking for a peaceful, restful place and recuperating from a lung infection, he finds that the people he once knew are all in dire straits. They are poor, provincial and cant seem to get out of their rut in this small town, the town Chabrol grew up in. Watching this film I didn't quite know in which way it was headed. The acting is superb and I really felt like I was in that small town with these people. Francois former friend turned alcoholic Serge turns in a convincing performance of drowning ambitions. This film was meticulously put together and the moving shots were intelligently fluid and effective. Unlike what other reviewers have said, this does not feel like a film from a first-timer. I have only seen Chabrol's last two films, Inspector Bellamy and A Girl Cut in Two and they were masterful in execution and i expected this one to be weaker but i was delightfully surprised. It holds up really well and I even think modern American audiences would enjoy this film about sacrifice and reformation.

Suffering from a bronchial infection, Jean-Claude Brialy, a young Parisian, seeks convalescence in his home village in the Creuse, where he hasn't set foot for 10 years. There he meets up with his former friend, Gerard Blain, who, despite a brilliant adolescence and a bright future, has ended up in a drunken stupor after his marriage. The first film by Claude Chabrol, who launched the New Wave with this bitter account of rural life, perfectly constructed, and served with the talent of Jean-Claude Brialy and Bernadette Laffont.

In France, François Baillou (Jean-Claude Brialy) returns to his village to spend the winter as part of his treatment of tuberculosis. On the arrival, François sees his former best friend Serge (Gérard Blain) and greets him, but Serge is drunk and does not recognize him.

François learns that Serge is a frustrated man since he had not gone to the Architecture University and has stayed in the village working as truck driver since he had to marry his pregnant girlfriend Yvonne (Michèle Méritz). When the baby was born, he was mongoloid and died. Now Serge is the drunkard of the village.

François meets the seventeen-year-old Marie (Bernadette Lafont), who is the slut of the village, and he feels attracted by the teenager. Meanwhile he tries to help his friend.

"Le Beau Serge" is the debut of the great French director Claude Chabrol that shows his talent to tell a simple and realistic drama. The performances are top-notch and the open conclusion is a trademark of Chabrol. It is weird to see a man treating tuberculosis smoking so many cigarettes along the story. My vote is seven.

Title (Brazil): "Nas Garras do Vício" ("In the Claw of the Addiction")

Note: On 21 November 2024, I saw this film again.