Un veterano de la Guerra Civil se gana la vida como cazarrecompensas en el salvaje oeste en la década de 1870.Un veterano de la Guerra Civil se gana la vida como cazarrecompensas en el salvaje oeste en la década de 1870.Un veterano de la Guerra Civil se gana la vida como cazarrecompensas en el salvaje oeste en la década de 1870.
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This show has been a favorite of mine from the time it first aired in the late fifties. As another reviewer astutely pointed out, TV westerns of the day were rife with 'gimmick' weapons such as "The Rifleman"'s "rifle", or maybe "Yancy Derringer's", umm, "Derringer". In "Wanted Dead Or Alive", the gimmick weapon-du-jour was Josh Randall's sawed-off Winchester. These "weapons" were never meant to portray reality (well, "Yancy Derringer's" Derringer may be an exception). Rather, they were meant to catch the attention of those rabid "baby boomer" kids whose parents were fortunate enough to own a television. Realistic or not, these weapons were "cool" to every "boomer" kid, and the networks were keenly aware of that fact. As such, the networks may have felt compelled to "out-weapon" one another from time to time. Few who were born after, including most all of the reviewers here who have focused on the technical inaccuracies, ambiguities, and anachronisms of Josh Randall's weapon, have meaningful first-hand insight into what any of this was about.
"MeTV" has been airing re-runs of "Wanted Dead Or Alive" for several months now. I watch it every day. To me, it has been like renewing the acquaintance of a long-lost friend. Steve McQueen's portrayal of the "benevolent bounty hunter" is so convincing, and the story lines so compelling, that you come away believing that bounty hunters were the ultimate "good guys". And as those of us "boomer kids" fondly remember, the "good guys" always won.
Steve McQueen's first big exposure in either film or television was, of course, "The Blob", the filming of which was completed long before WDOA went into production. According to IMDb, it was McQueen's performance in "The Blob" that caught the attention of Four-Star executive Dick Powell. This, in turn, resulted in McQueen's casting as Josh Randall. As I recall, it was some time after "Wanted Dead Or Alive" first aired on television that "The Blob" finally went into theatrical release. By that time, McQueen was already a "star" (at least to us "boomer" kids), and we went to the theater, not just to see "The Blob", but also to see "Josh Randall" as a "teenager". Talk about an anachronism!!
"MeTV" has been airing re-runs of "Wanted Dead Or Alive" for several months now. I watch it every day. To me, it has been like renewing the acquaintance of a long-lost friend. Steve McQueen's portrayal of the "benevolent bounty hunter" is so convincing, and the story lines so compelling, that you come away believing that bounty hunters were the ultimate "good guys". And as those of us "boomer kids" fondly remember, the "good guys" always won.
Steve McQueen's first big exposure in either film or television was, of course, "The Blob", the filming of which was completed long before WDOA went into production. According to IMDb, it was McQueen's performance in "The Blob" that caught the attention of Four-Star executive Dick Powell. This, in turn, resulted in McQueen's casting as Josh Randall. As I recall, it was some time after "Wanted Dead Or Alive" first aired on television that "The Blob" finally went into theatrical release. By that time, McQueen was already a "star" (at least to us "boomer" kids), and we went to the theater, not just to see "The Blob", but also to see "Josh Randall" as a "teenager". Talk about an anachronism!!
I usually write long reviews, but having just read the other 23 reviews that are here, I am going to keep this very brief. I am in my 70s and am giving the classic TV Westerns one more go-round, before hanging it up. What impressed me about this series, and I mean really impressed me, is the quality of the writing. It is sometimes spare, but it matters. I also think that, for a 22-minute show, the direction was unusually good. There were times that I had to remind myself that John Ford wasn't directing. Look carefully, and you'll see what I mean. The series brought the best out of a lot of pedestrian actors. Lastly, I agree with everyone that McQueen was a very cool guy, but what he was doing required attention to the director and a performance that is reminiscent of the best method actors (Brando, Steiger, others). I am glad I gave this series another look. It is more enjoyable now than it was when I was a kid.
Long before he became a "superstar",Steve McQueen broke ground in this rarely seen TV western from the 1950's. Here,he plays the cool as nails and reliable Josh Randall,a bounty hunter who goes after the bad guys and gets his reward for bringing them in. Coolest western I've ever seen!!! Catch McQueen at his best! Its worth seeing!
It seems to me that Steve McQueen's Wanted: Dead or Alive is a standout from many of the other Westerns of the great Western era, despite the intense competition of Rifleman, Have Gun Will Travel, Rawhide, and all the rest, because of McQueen himself and many great stories shown throughout its three years, credited to the talents of the superb writers mentioned by other reviewers. I think too much emphasis is put on the technical aspects of the sawed-off Winchester. Most viewers thought--and think--it is a cool gun because of the looks and the noise it makes, and don't care enough to analyze its workings. It's a TV prop, for heaven's sake. McQueen used it effectively enough to impress his viewers. My only criticism is that he tended to blow away everybody he aimed at, when he could have been a little more discriminating.
But again, the reason I watch the show--on the Westerns channel, by the way--is for the stories. There are some really different stories, that make you think, some with twist endings, some really original tales on this show. I especially like the ones with kids in them, that I can share with the little kids in my family--the Christmas story; the one about the little boy (Richard Eyer) who is the outlaw's adopted son; and also the karate story with actor Robert Kino. The importance of story is what we're missing in many of today's TV and movie offerings, and that is why I like many of the older classic TV shows.
I was not expecting such high quality when I first starting watching this show, as I was new to it (I was a year old when it was released, so never saw it firsthand) but am now a fan of the very young Steve McQueen as well as the older McQueen whose movies I remember later in my life. It's wonderful that so many of these shows are being rebroadcast!
But again, the reason I watch the show--on the Westerns channel, by the way--is for the stories. There are some really different stories, that make you think, some with twist endings, some really original tales on this show. I especially like the ones with kids in them, that I can share with the little kids in my family--the Christmas story; the one about the little boy (Richard Eyer) who is the outlaw's adopted son; and also the karate story with actor Robert Kino. The importance of story is what we're missing in many of today's TV and movie offerings, and that is why I like many of the older classic TV shows.
I was not expecting such high quality when I first starting watching this show, as I was new to it (I was a year old when it was released, so never saw it firsthand) but am now a fan of the very young Steve McQueen as well as the older McQueen whose movies I remember later in my life. It's wonderful that so many of these shows are being rebroadcast!
Wanted: Dead or Alive has always been my favourite TV western. I first watched it as a seven year old in the mid '60s, even then it was in reruns.
Right from the start the show had the coolest lead-in ever with the camera focused squarely on Josh Randall's 'hogleg' as he slowly walks up to a wanted poster and rips it away from the board. There was something 'mighty' intriguing about the lone bounty hunter who brought in many more bad guys alive than dead. And then there was that sawed-off Winchester '86 and those large 45-70 caliber cartridges. I never did figure out how Josh could load so fast. It couldn't have taken more than three rounds in its magazine, but Josh could easily get off four or five rounds in rapid succession. What about Josh's horse? He/she seemed to prefer to walk sideways but could back up as well as Trigger. Great memories, no doubt. I've viewed countless westerns over the years and I am firmly convinced that absolutely no one but Steve McQueen could have played TV's purest bounty hunter. Todays version is colourized and I think that's fantastic. Even my kids will sit and watch from time to time.
Right from the start the show had the coolest lead-in ever with the camera focused squarely on Josh Randall's 'hogleg' as he slowly walks up to a wanted poster and rips it away from the board. There was something 'mighty' intriguing about the lone bounty hunter who brought in many more bad guys alive than dead. And then there was that sawed-off Winchester '86 and those large 45-70 caliber cartridges. I never did figure out how Josh could load so fast. It couldn't have taken more than three rounds in its magazine, but Josh could easily get off four or five rounds in rapid succession. What about Josh's horse? He/she seemed to prefer to walk sideways but could back up as well as Trigger. Great memories, no doubt. I've viewed countless westerns over the years and I am firmly convinced that absolutely no one but Steve McQueen could have played TV's purest bounty hunter. Todays version is colourized and I think that's fantastic. Even my kids will sit and watch from time to time.
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- TriviaAfter getting offered the chance to star in Los siete magníficos (1960), McQueen found out that the only way he could do the film, which was being shot simultaneously with "Wanted: Dead or Alive", was to fake an accident or illness and get a medical leave from the series. According to his first wife, Neile, McQueen accomplished this feat by "faking" a car crash in which he merely crashed his car into a tree, receiving minor cuts, muscle pulls, and bruises, and getting his medical leave. The series' production went on temporary hiatus while McQueen filmed "The Magnificent Seven".
- Versiones alternativasAlso available in a computer colorized version.
- ConexionesFeatured in La Une est à vous: Episode #1.16 (1973)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Wanted: Dead or Alive
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 30min
- Color
- Relación de aspecto
- 1.33 : 1
- 4:3
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