Randall, el justiciero

Wanted: Dead or Alive has always been my favourite TV western. I first watched it as a seven year old in the mid '60s, even then it was in reruns.

Right from the start the show had the coolest lead-in ever with the camera focused squarely on Josh Randall's 'hogleg' as he slowly walks up to a wanted poster and rips it away from the board. There was something 'mighty' intriguing about the lone bounty hunter who brought in many more bad guys alive than dead. And then there was that sawed-off Winchester '86 and those large 45-70 caliber cartridges. I never did figure out how Josh could load so fast. It couldn't have taken more than three rounds in its magazine, but Josh could easily get off four or five rounds in rapid succession. What about Josh's horse? He/she seemed to prefer to walk sideways but could back up as well as Trigger. Great memories, no doubt. I've viewed countless westerns over the years and I am firmly convinced that absolutely no one but Steve McQueen could have played TV's purest bounty hunter. Todays version is colourized and I think that's fantastic. Even my kids will sit and watch from time to time.

"Wanted: Dead or Alive" was one of the "greatest" if not the "best" of the Four Star produced television Westerns to come out of the late- 1950's and continued into the early-1960's that made an unknown actor by the name of Steve McQueen into a bonafide star. This was his first and only attempt to star in a weekly series before he went on to become a huge theatrical star in his own right. His first big exposure in either film or television. Long before "Wanted:Dead or Alive" went into production,Steve McQueen was already making headway as a huge star in the 1958 theatrical release "The Blob"(which was released in theaters by Paramount Pictures on September 12, 1958)that became a runaway box office hit. But it was McQueen's performance in "The Blob" that caught the attention of Founder and Executive of Four Star Television Dick Powell. It was here that Steve McQueen made his television appearance as bounty hunter Josh Randall in an episode of another Four Star produced series "Trackdown" starring Robert Culp titled "The Bounty Hunter"(Season 1, Episode 21 of the series)that aired on March 7, 1958. His performance was the greenlight for the spin-off to the series "Trackdown" titled "Wanted:Dead or Alive" that premiered on CBS' Saturday night schedule in prime-time on September 6, 1958. It was sometime after "Wanted" premiered on television that his movie debut in "The Blob" was released in theaters a week after his television series premiered. By that time McQueen was already a star and with his success as bounty hunter Josh Randall on "Wanted:Dead or Alive" the series became one of the biggest hits of the late-1950's and a huge ratings boost for the CBS Television Network.Out of the eight television Westerns that premiered in 1958(which included "Northwest Passage"-one of the earliest short-lived series that was produced in color,and the ones that were in classic black and white included "The Texan","Bronco", "Bat Masterson","Cimarron City","The Rough Riders",and "Yancy Derringer" not to mention the premiere of another successful Four Star produced Western "The Rifleman" which became a huge colossal hit for ABC)only "Wanted" had a premise,and it worked.

"Wanted:Dead or Alive" for the three seasons that it aired on CBS, was placed on it's Saturday night time slot in prime-time between the courtroom drama "Perry Mason",and "The Gale Storm Show",and it faced strong competition against NBC's "The Perry Como Show In Color",and also the variety series "Jubilee USA" over at ABC. "Wanted:Dead or Alive" aired from September 6, 1958 until March 29, 1961 producing 94 episodes all in classic black and white and was produced by Malcolm Enterprises in association with Four Star Television and the CBS Television Network. Steve McQueen was the only actor that starred in all 94 episodes but during the show's second season McQueen's Josh Randall had a sidekick or assistant bounty hunter named Jason Nichols(Wright King) that appeared in 11 episodes from 1959-1960. Some of the best writers were in hand for some great episodes of this series ranging from D.D. and Mary Beauchamp, Don Brinkley, Calvin Clements, Christopher Knopf, Fred Freiberger, to Richard Matheson, Dan Ullman, Frank Gilroy, David Lang, Richard H. Landau, Tom Gries, Cy Chermak, Samuel A. Peeples, John Robinson, to Wells Root, George Slavin,and Tony Barrett to Ed Adamson contribute to some of the stories. Great directors ranging from Thomas Carr, George Blair, to future film director Richard Donner. Others included Harry Harris, to Murray Golden, Gene Reynolds, Don McDougall and actor-director-producer R.G. Springsteen just to name a few.

The guest stars that appeared on in this series were some of Hollywood's best ranging from future "Bonanza" television stars Michael Landon and Pernell Roberts,to future box office superstars Warren Oates, James Coburn, and Martin Landau. Others were Fay Spain, Mala Powers, Nick Adams, Cloris Leachman, Paul Burke, Constance Ford, Susan Oliver, Mara Corday, to Frank Silvera, Dyan Cannon, Royal Dano, Denver Pyle, Clu Gulager, along with Mary Tyler Moore, Vic Perrin, J. Pat O'Malley, Lee Van Cleef, Claude Akins, Jay Silverheels, John Carradine, Stafford Repp, Ed Nelson, Gerald Mohr, John Lupton, Wayne Rogers, Harold J. Stone, Beverly Garland, to Howard Morris, Stephen Talbot, Jay North, Jay C. Flippen, Regis Toomey and R.G. Armstrong(who directed and star in several episodes).

The best episodes from the series ranged from "Desert Seed"(Season 2, Episode 11), "Three For One"(Season 3, Episode 13), "The Prison Trail" (Season 2,Episode 31), "The Voice of Silence"(Season 3, Episode 20), "The Sheriff of Red Rock"(Season 1,Episode 13), "Eight Cent Reward:The Christmas Story"(Season 1, Episode 16), "Twelve Hours to Crazy Horse" (Season 2,Episode 12), "The Bounty"(Season 1,Episode 3) and from the premiere episode that started it all "The Martin Poster"(Season 1, Episode 1). Others included "Bounty on Josh"(Season 3, Episode 17), "The Bad Gun"(Season 2, Episode 8), "The Hostage"(Season 2,Episode 6), "The Choice"(Season 3, Episode 12), "The Trial"(Season 3, Episode 1),to "Death Divided By Three"(Season 2, Episode 29), "The Empty Cell" (Season 2, Episode 7),to the comedial "The Twain Shall Meet"(Season 3, Episode 5).

The phenomenal success of the "Wanted:Dead or Alive" television series propelled Steve McQueen's career as a bonafide Hollywood superstar. And it showcased his great talent in such great theatrical films as "The Magnificent Seven","Baby,The Rain Must Fall", "Soldier In The Rain","Nevada Smith","Love With The Proper Stranger","The Reivers", "Junior Bonner", "The Getaway","The Cincinnati Kid",not to mention the movie that cemented his status as a top box office star "Bullitt"(who became one of the top ten highest grossing pictures of 1968). Not to mention his Oscar nominated performance in "The Sand Pebbles"(Oscar nominated for Best Actor in 1966),and also for his work in "Papillion" (Oscar nominated for Best Actor in 1973). And to also mentioned his work opposite Paul Newman in Irwin Allen's "The Towering Inferno",and the movie that would be his last theatrical feature was 1980's "The Hunter"....the lists goes on and on.

It seems to me that Steve McQueen's Wanted: Dead or Alive is a standout from many of the other Westerns of the great Western era, despite the intense competition of Rifleman, Have Gun Will Travel, Rawhide, and all the rest, because of McQueen himself and many great stories shown throughout its three years, credited to the talents of the superb writers mentioned by other reviewers. I think too much emphasis is put on the technical aspects of the sawed-off Winchester. Most viewers thought--and think--it is a cool gun because of the looks and the noise it makes, and don't care enough to analyze its workings. It's a TV prop, for heaven's sake. McQueen used it effectively enough to impress his viewers. My only criticism is that he tended to blow away everybody he aimed at, when he could have been a little more discriminating.

But again, the reason I watch the show--on the Westerns channel, by the way--is for the stories. There are some really different stories, that make you think, some with twist endings, some really original tales on this show. I especially like the ones with kids in them, that I can share with the little kids in my family--the Christmas story; the one about the little boy (Richard Eyer) who is the outlaw's adopted son; and also the karate story with actor Robert Kino. The importance of story is what we're missing in many of today's TV and movie offerings, and that is why I like many of the older classic TV shows.

I was not expecting such high quality when I first starting watching this show, as I was new to it (I was a year old when it was released, so never saw it firsthand) but am now a fan of the very young Steve McQueen as well as the older McQueen whose movies I remember later in my life. It's wonderful that so many of these shows are being rebroadcast!

Wanted, Dead or Alive was a star vehicle in the truest sense of the term. It was a western calculated to exhibit the talent and charisma of its star, Steve McQueen. It lasted for three seasons before McQueen decided to devote full time to the big screen.

McQueen was after some of the most dangerous fellows in the old west, plenty who could shoot a lot better than he. His character Josh Randall needed an equalizer.

In John Wayne's classic western El Dorado, you remember that Duke discovers that James Caan can't hit the broad side of a mountain with a regular six shooter. Before going to El Dorado to aid Robert Mitchum, they stop off and see a gunsmith who fixes Caan up with a Josh Randall special. After that Caan's of considerable help to Wayne and Mitchum.

Of course the sawed off shotgun was also an evil weapon in the wrong hands. Take note of the Dan Duryea western, The Bounty Killer, a very Freudian piece where Duryea becomes hated and feared as a bounty hunter until an innocent bystander gets shot with it.

But with McQueen you knew the weapon was on the side of law and order. As for his Josh Randall character, you can see a bit of him in all the people Steve McQueen brought to the screen like Virgil Hilts, Nevada Smith, all the way to his last two films, Tom Horn and Pappa Thorsen.

Wanted, Dead or Alive was most folks first exposure to a screen legend. I wish that westerns like that were made today.

I'm just old enough to remember when Wanted Dead or Alive was first run, when I first went to the show to see The Magnificent Seven, and when I first realized Steve McQueen was on his way to being a "star".

I received the boxed set of the first season of this groundbreaking show this past Christmas and have been having great fun with it ever since. McQueen is the real star of the show, honing his craft for later career moves, with the truly offbeat story lines and resolutions coming in a close second.

Forget that it's 1877, he was in the Union Army in 1864, which would make him 8-10 years older than his real age at the time. Forget that his sawed off Winchester 1892 didn't exist in this time frame, that it fired short pistol ammunition like .44-40 and possibly .45 Colt, that it couldn't possibly accept the long .30-30 cartridges on his belt that weren't developed until the Winchester 1894 came along. In the first episode he has to bury a murdered doctor and he pulls a U.S. military shovel circa 1944 from under his saddle. While he puts 19th century cuffs on some prisoners, ties some with rope, on one occasion he puts old fashioned leg irons on a prisoner's hands, way too dangerous and way too stupid for a pro like Josh Randall. In a feat too fantastic to believe, an outlaw takes away his sawed off Winchester and removes the firing pin without the aid of tools and without so much as removing the bolt from the receiver. Of course there's also that sawed off rifle of his that sometimes has a D-ring on the lever and sometimes a teardrop ring, a gun barrel that changes from round to hexagon, and a gun barrel that always has a bigger bore than the .30 caliber slug in a .30-30 shell. And let's not forget that the outdoor scenes seldom match the geography of the story lines and that more times than not they use the same western street sound stage for towns ranging from Wyoming to Arizona to Texas with just the store front names changing! All this in just the first half of the first season. LOL

The show is all about watching McQueen, watching the offbeat stories that sometimes beg for more time for storytelling, and watching for all the goofs. It's great fun and well worth the time even 50 years later!