Testigo de cargo

I love it when a movie captivates me, carries me along, then surprises me at the end. This is a masterpiece of human maneuvering. It has outstanding acting and a plot to die for. This is a fairly pedestrian Agatha Christie short story. I'm not saying it's not a wonderful story, just that it doesn't come to life like it does on the screen. Charles Laughton is the wonder barrister who is taking the case, even though he is in poor health. The murder case seems a relatively simple one until we begin to trip over the many layers left lying on the path. Marlene Dietrich does a masterful job in all her roles (I won't say anymore than that so I don't spoil the ending). Tyrone Power is able to balance his pathos and his potential guilt. The beauty of the movie is that it never takes itself too seriously. There are some modestly funny subplots and a great deal of careful investigation. I guarantee you that once you start watching, you won't be able to turn it off.

At the end of the day the films you give top marks are those films that become constant companions. You can see them again at the drop of a hat, you show them to people who have never see them and it's always a triumph. "Witness For The Prosecution" is one of those wonders. Suspend your disbelief for a couple of hours and enjoy this banquet of a romp. Charles Laughton showed here what he was made of better, more clearly and more loudly than in any other film and all of his films, at least the moments with him in it, are unforgettable - Captain Blight or Henry VIII, Quasimodo or that malefic Senator from South Carolina. Here the severity of his lawyer by vocation takes your senses away with his masterful judicial way to see logic and it's such an incredible fun to watch him do it. Tyrone Power is a toy in his hands but not Marlene Dietrich who stands her ground, not merely as a character but as a presence on the screen. Billy Wilder visits early Hitchcock territory with wit and fun. Elsa Lanchester's nurse is the cherry on top of this delightful film.

Entertaining suspense movie packs thrills , intrigue , twists and turns ; being realized in Hitchcock style . As the tale is ordinary Hitchcock fare that plays and preys the senses including sensational acting , enjoyable dialog and interesting screenplay from start to finish . Leonard Vole (Tyrone Power) is detained on suspicion of killing an elderly acquaintance . He employs an experienced but aging barrister, Sir Wilfrid (Charles Lawton) as his defense attorney who is recovering from a severe heart attack . The ill advocate at law is attended by a nurse Miss Plimsoll (Elsa Lanchester , they were real-life husband and wife).

Excellent film packs drama , emotion , suspense and plot twists . This agreeable and often intriguing picture from master of comedy has a memorable scene after another . It contains interesting intrigue based on Agatha Christie's novel , fun intrigue , amusing situations and keeps the action at feverish pitch . The film followed the basic story of Agatha Christie's play, but director and co-screenwriter Billy Wilder opened up the story by including numerous scenes that did not take place solely in the courtroom, as the play had, and changed the emphasis from "Leonard Vole" to "Sir Wilfrid Robarts¨. Top-notch and unforgettable performance from Charles Laughton as the peculiar as well as intelligent barrister , throwing himself into the role with dedication and delight . Nice acting by Tyrone Power , this would be his last complete film , he would die of a heart attack while on the set of his next film (Salomon) less than one year after release of this one . Sensational support cast , including familiar faces such as Elsa Lanchester , John Williams , Henry Daniell , Ruta Lee , Torin Thatcher and veteran Ian Wolfe . Special mention for Una O'Connor , this was Una O'Connor's last big screen motion picture and she was the only member of the original Broadway cast of the play to repeat her role on film . Evocative and atmospheric cinematography in black and white by Russell Harlan . The producers were so concerned about the financial success of the film that during the credits, an announcer urges the audience not to reveal the film's ending to anyone . Lavishly produced by Arthur Hornblow Jr. and Edward Small , as the courtroom setting, which cost $75,000 to build, was a recreation of an actual courtroom in London's Central Criminal Courts , The Old Bailey.

The motion picture was very well directed by Billy Wilder who includes several punchlines , amusing dialogues , humor and entertaining intrigue . Billy was one of the best directors of history . In 1939 started the partnership with Charles Bracket on such movies as ¨Ninotchka¨ , ¨Ball of fire¨ , making their film debut as such with ¨Major and the minor¨ . ¨Sunset Boulevard¨ was their last picture together before they split up . Later on , Billy collaborated with another excellent screenwriter IAL Diamond . Both of them won an Academy Award for ¨Stalag 17¨ dealing with a POW camp starred by William Holden . After that , they wrote/produced/directed such classics as ¨Ace in the hole¨ , the touching romantic comedy ¨Sabrina¨ , this ¨Witness for the prosecution¨ and two movies with the great star Marilyn Monroe , the warmth ¨Seven year itch¨ and ¨Some like hot¨. All of them include screenplays that sizzle with wit . But their biggest success and highpoint resulted to be the sour and fun ¨¨The apartment¨. Subsequently in the 60s and 70s , the duo fell headlong into the pit , they realized nice though unsuccessful movies as ¨Buddy buddy¨ ,¨Fedora¨ , ¨Front page¨ and ¨Secret life of Sherlock Holmes¨, though the agreeable ¨Avanti¨ slowed the decline . The team had almost disappeared beneath a wave of bad reviews and failures . ¨Witness for prosecution¨ rating : Above average , essential and indispensable watching . It justly deserves its place among the best ¨Court Dramas¨ ever made . One of the very best films of all time and to see and see again . An extremely entertaining and riveting film and completely provoking , as it ranked #6 on the American Film Institute's list of the 10 greatest films in the genre "Courtroom Drama" . It's the kind of movie where you know what's coming but , because the treatment , enjoy it all the same .

Another brilliant work in the legendary career of Billy Wilder. The director signs a cinematic adaptation of this Agatha Christie story: actually it is really as if the camera went on stage for filming the play. But the film is passionating and exciting, there's no time to get bored.

Another thing we shall not forget is that Billy Wilder is European. He manages to keep the spirit of the film very British, with lots of humour and sarcasm. Compared to films like this one, "legal" movies from John Grisham's novels are empty and meaningless, without soul.

Mr.Wilder is the director, we know; we have Charles Laughton, Tyrone Power and Marlene Dietrich: what a cast! Add a superb black and white cinematography... The result is amazing, with a film where dialogues are flawless and carry everything.

Times are different now, but the atmosphere and the taste of movies like this one are impossible to find in contemporary films.

This is one of the best "trial movies" ever made. It's an outstanding film that is just as good today as it was almost 50 years ago when it was released in the theaters. The shocking ending caused quite a stir back then, too.

The only part of the movie I thought looked dated and unrealistic was Tyrone Power's character being able to interrupt the trial with outbursts and not be reprimanded for it. There is no way that would be tolerated, at least today.

Otherwise, it's a pretty solid film with a good cast that includes two fascinating characters played by actors who know how to entertain: Charles Laughton and Marlene Dietrich.

Laughton, who plays Power's defense attorney, grabs the spotlight in the story but Dietrich almost steals the movie in her role as Power's wife. Laughton's dialog is terrific throughout, bringing a number of laughs to this serious film. He's just a joy to watch. Dietrich is even more riveting but just doesn't have anywhere near the same amount of screen time as Laughton.

Not to be overlooked is Elsa Lanchester, playing Laughton's nurse. She, too, demonstrates her comedic talent and significantly adds to the fun of watching this film.

If you like some fine drama, storyline twists, a little humor thrown in and great acting and dialog, this is a classic film to check out.