El omnibus perdido

A bunch of random strangers get on a bus for a short haul across the border to Mexico. They find out something about the other passengers, but more about themselves.

At one time this had been planned as a prestige production, with names like Marlon Brando, Anthony Quinn, Susan Hayward, and Gene Tierney mentioned for the role. By the time it came to the screen, the cast consisted of lesser-regarded players like Dan Dailey, Joan Collins, Jayne Mansfield, and Larry Keating in the roles. Although on paper it looks like a low-rent version of GRAND HOTEL, the characters are well drawn from a Steinbeck story, and the performers offer much stronger performances than the usual work they are noted for.

Credit producer Charles Brackett. He started as a writer, and in the mid-1930s, he hooked up with Billy Wilder. When they grew tired of directorial interference with their scripts, Wilder began to direct regularly, with Brackett as the producer. After 1950, they went on their own ways. Brackett continued to produce, occasionally taking writing credit, through 1962. Along the way, he picked up three Oscars, including one honorary one, amidst a baker's dozen nominations. He died in 1969, aged 76.

Starting from a backwater bus stop, a load of assorted passengers and their hunky driver have to negotiate terrible road conditions, while dealing with personal problems along the way.

Catch that bus. No wonder it's "wayward". Looks like it was bought at a junk yard sale, but, hey, it proves to be a real trouper. Chicoy (Jason) is the driver and he's got to get his assorted passengers to their destination, come heck or high water, both of which make a scary appearance. Meanwhile, the passengers have to pair up or straighten out, meaning the bus journey is not just literal but symbolic of personal discoveries. That may not be an original plot device, but the road effects are really well done. One thing for sure, except for Mansfield the film has a really drab look to it. Even the usually glamorous Collins is dressed down. Speaking of Collins, she's the only one to go over- the-top amongst a generally well-acted storyline. Going in, I thought this would be a Mansfield showcase, but it's not. She's just one of the passengers with her own personal difficulties to get straight. In fact, her budding romance with an aging Dailey is rather poignant. All in all, the movie adds up a decent time-passer with a few thrills and some non-sappy soap opera to carry the narrative.

I have often liked this film with Joan Collins as the bus stop café owner whose wandering husband-bus driver, Rick Jason, takes a group of oddly matched tourists on a rugged journey south down a storm flooded road. There is quite a bit of gripping suspense as Chicoy (Jason) manages to pull the bus across a flooded river before the bridge collapses. Also, it has some romantic surprises while the passengers are stranded from their bus as Chicoy searches a barn for a tractor he can use as a tow. Jayne Mansfield does quite well as a cynical bubble dancer trying to conceal her trade. Someone should do a remake of this movie.

You would expect a total bitchfest with a movie starring both legendary bombshell Jayne Mansfield and soap opera diva Joan Collins....but what you get is a fascinating film based on the John Steinbeck novel of a bus driver and his passengers and their adventures as they get detoured and sidetracked...both on the bus and in life. Joan Collins is the wife of driver Rick Jason (so gorgeous). It's a small and run down little bus that makes side trips. Joan Collins is the owner of a little restaurant who likes the bottle a bit too much. Unhappy with what has become of her life, she decides to "surprise" husband Jason mid-way through his bus trip. Jayne Mansfield is the shamed burlesque dancer on the way to a heavy paying gig in San Juan and gets caught up in the flirtation by a traveling salesman, played by Dan Dailey. Delores Pritchard gives a great performance as the "fast" daughter traveling with her parents on this trip. Also noteworthy is Betty Lou Keim who plays Norma. A really good ensemble piece that deserves a remastered DVD version.

Concentrating on America only 1957 was a good year for films that were mainstream and yet took on adult issues. ' No Down Payment ', ' The Bachelor Party ', ' Monkey on My Back ' and a ' A Hatful of Rain ' are a few well worth tracking down, and from the Sci-Fi horror movie field there were many delights, and the threat of the Atomic Bomb underlined a lot of them. It seemed like the year people expected to see issues outside the norm. ' The Wayward Bus ' almost ranks among the above mentioned. It could have gone further as the Steinbeck work does, but remains a little timid towards what it had on its hands. Despite that Jayne Mansfield shows that she could overcome being a stereotype if given the chance and Joan Collins manages to look ordinary and both act better than in other films I have seen them in. Rick Jason looked like a contender for being better known but somehow ( he had the looks ) drifted into television. Dan Daily acts the serious buffoon, and the chemistry was not quite there with Mansfield as a ' love ' partner. As for the direction it looks fairly good enhanced by sharp black and white Cinemascope and the action scenes ( especially with the bus on the collapsing bridge ) are well done. I could watch it again quite easily and I think it deserves an 8 for nearly being that adult film it should have been. But only please watch it in Cinemascope because in pan and scan it looks dull and a lot of available copies of it around are not in Cinemascope.