CALIFICACIÓN DE IMDb
8.3/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaElmer Fudd is again hunting rabbits - only this time it's an opera. Wagner's Siegfried with Elmer as the titular hero and Bugs as Brunnhilde. They sing, they dance, they eat the scenery.Elmer Fudd is again hunting rabbits - only this time it's an opera. Wagner's Siegfried with Elmer as the titular hero and Bugs as Brunnhilde. They sing, they dance, they eat the scenery.Elmer Fudd is again hunting rabbits - only this time it's an opera. Wagner's Siegfried with Elmer as the titular hero and Bugs as Brunnhilde. They sing, they dance, they eat the scenery.
- Dirección
- Guionista
- Elenco
- Premios
- 1 premio ganado en total
Arthur Q. Bryan
- Elmer Fudd as Siegfried
- (voz)
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This short has always been one of my favorites.It combines humor,excelent music and feelings.Seing Mr.Fudd's love, wrath and sadness in what is probably his best performance makes it very memorable.Less silly visual jokes than most Looney Tunes and making comedy out of Elmer's and Bugs' interaction with each other realy makes it even better than the oftenly over-rated "Rabbit of Seville".Nice introduction to Wagner by the way.
Chuck Jones' brilliant condensation of all of Wagner into a 7-minute cartoon. A comic tour-de-force with Elmer as Siegfried (Kill the wabbit!!) and Bugs as Brunhilde. The background illustrations were absolute incredible, invoking a true Wagnerian atmosphere. If you only see one cartoon in your life, make it this one.
Elmer Fudd as the demigod Siegfried & Bugs Bunny as the Valkyrie Brunhilde, star in this classic cartoon masterpiece that will not only stand the test of time, but seemingly gets all the better with age. Brilliantly voiced, expertly animated, and amazingly greatly scored. This is Looney Tunes at the top of it's form. Funny and a tad bit sad, but always exhilarating. This short singly handedly got me interested in classical music, when countless music teachers could not. This animated short can be seen on Disc 4 of the Looney Tunes Golden Collection Volume 2 and also features an optional commentary by Chuck Jones, Micheal Maltese and Maurice Noble, a second Commentary track by Daniel Goldmark, as well as a music only track, a voice over only track, and a short featurette. If any cartoon warranted that any extras, this would be the one.
My Grade: A+
My Grade: A+
Every aspect of this cartoon is outstanding, and that's coming from someone who hates opera! The illustrations in this are fantastic, the direction super and the dialog in this "opera" is hilarious.
Kudos, too, to Mel Blanc (Bugs Bunny) and Arthur Q. Bryant (Elmer Fudd) for their outstanding voice-work having those two characters sing and talk in this opera. I appreciated their work in here more than about anything, although the direction by Chuck Jones and that artwork is really tremendous. All of them outshine the story in here.
No, I still don't enjoy the "opera" but I will always enjoy this stunning-looking cartoon, which is part of Volume Two on the Looney Tunes Golden Collection.
Kudos, too, to Mel Blanc (Bugs Bunny) and Arthur Q. Bryant (Elmer Fudd) for their outstanding voice-work having those two characters sing and talk in this opera. I appreciated their work in here more than about anything, although the direction by Chuck Jones and that artwork is really tremendous. All of them outshine the story in here.
No, I still don't enjoy the "opera" but I will always enjoy this stunning-looking cartoon, which is part of Volume Two on the Looney Tunes Golden Collection.
There's a tender Bugs-Elmer duet, set to Wagner, that goes like so:
Elmer: Oh, Bwunhilde. You're so wuvwy.
Bugs (in drag): Yes, I know it. I can't help it.
Elmer: Oh, Bwunhilde, be my WUV...
Scholars may detect actual commentary in this seven-minute masterpiece on the seeds of Nazism as sown by Wagner, the absurdity of the opera music-theater construct, or the multiple ironies of anthropomorphic cross-dressing. The rest of us just find it deadpan-knockout funny, musically glorious, and enacted on the greatest Wagnerian set ever built. Bravo tutti, and a deep, grateful bow to the late, great Chuck Jones; we shall never see his like again.
Elmer: Oh, Bwunhilde. You're so wuvwy.
Bugs (in drag): Yes, I know it. I can't help it.
Elmer: Oh, Bwunhilde, be my WUV...
Scholars may detect actual commentary in this seven-minute masterpiece on the seeds of Nazism as sown by Wagner, the absurdity of the opera music-theater construct, or the multiple ironies of anthropomorphic cross-dressing. The rest of us just find it deadpan-knockout funny, musically glorious, and enacted on the greatest Wagnerian set ever built. Bravo tutti, and a deep, grateful bow to the late, great Chuck Jones; we shall never see his like again.
¿Sabías que…?
- TriviaWarner Bros. Cartoons, Inc. only allotted five weeks for the production of each seven-minute short, but director Chuck Jones spent seven weeks on this short. To cover up for the extra time spent, he had his entire unit doctor their time cards to make it appear as if they working on the Road Runner/Coyote short Tanta Prisa para Nada (1957) for two weeks before they actually started (since Chuck and his staff were so familiar with the Road Runner formula, they were able to complete Zoom and Bored in three weeks).
- Créditos curiososThe opera music continues and concludes over the "That's All Folks!" logo, substituting the usual exit music. The "That's All Folks" text doesn't go through its usual animation.
- ConexionesEdited into El Show de Bugs Bunny y sus Amigos (1979)
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Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 14,753
- Fin de semana de estreno en EE. UU. y Canadá
- USD 12,285
- 16 feb 1998
- Total a nivel mundial
- USD 14,753
- Tiempo de ejecución7 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
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By what name was ¿Qué es Opera, Viejo? (1957) officially released in Canada in English?
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