Voodoo Woman

Looking for gold in a remote African village, a team of explorers stumble upon a mad doctor working with the natives to create a race of people using black magic to rule the world, and that the first test subject is stalking them in the jungle along their journey.

This one here wasn't all that bad of a low-budget voodoo effort. What really gives this one a lot of enjoyable elements here is the fact that it really generates a pretty intriguing atmosphere with the use of the voodoo angle to really help sell this one's connection to the jungle setting here. This one gets that element off to a great start here with the opening voodoo ceremony being performed where the gathered crowd gets whipped into a frenzy as the ritual items placed on her and the enhanced dancing before the transformation makes which for a great start to this, and with the ever-present tribal drumming throughout here as well as the jungle- dwelling atmosphere that really helps to solidify the voodoo-filled atmosphere of this part of the film. As well, this also makes use of one of the strongest and most vital aspects of voodoo about it not being able to force someone to do something they usually wouldn't do, and it really sells this aspect of the religion by forcing a critical plot-point to come from this and to be able to stick to conventions is to be commended. Other fun here comes from the scenes with the voodoo-raised creature as the different resurrections in the bunker are incredibly creepy and the action scenes of it charging into villages and destroying everything are quite fun, though it's the finale that really sells this one. Bringing into play the ceremonial altar deep in the fog-enshrouded jungle, the wild dancing and chanting being quite fun and there's the fine set- pieces of capturing the wife as well as the different battles to be found at the ceremony which is where this one really makes for a great time here. With the fantastic creature design and the low- budget charms on display, this one is enjoyable enough to overcome the few minor flaws here. The main issue against this one is obviously the cheap, low-budget nature of the film which doesn't really make any part of this one look like anything else here except for a cheap cash-in. The sets, the simplicity of the locations and the whole atmosphere is so obviously and easily seen as such it really takes a lot out of the film in that state. Likewise, that continues into the overall length of this as the film takes on barely enough to reach the hour mark and really only gets there with only a few minor set-pieces that stretch that length out with the rather lame scenes of her being kept hidden in her room, the time- wasting scene in the motel room where they get held up from going on their trip and the scenes of them in the jungle wrestling for control with each other are quite lame and really just seem stretched out variations just to get it to a proper running time. These issues, along with the rather cheap look, all lower this one somewhat.

Today's Rating/PG: Violence.

You must not watch this Edawrd Cahn's film as a vodoo topic, as was I WALKED WITH A ZOMBIE for instance. Nothing in common. This little B horror adventure movie is interesting because most of the characters are not sympathetic at all, ecxcept maybe Mike Connor's and the Susan role. It is cheap, lousy, sometimes laughable, fun to watch. Typical from Eddy Cahn when he had no budget at all and no intention to pull something exceptional. If you are a fan of this kind of fifties horror stuff, and I know there are thousands of them, this film is absolutely unavoidable. I hardly recognized Tom Conway, only his very voice "betrayed" him.

We don't worry about motivations when it comes to guys who want to create new women. Unfortunately, the products aren't very good. Tom Conway, one of Hollywood's least memorable actors, is the jungle man with the cool hat who discovers something rather unsavory is going on among the trees. Well, of course it's an evil scientist. If you want to giggle, just listen to the dialogue. It is overly dramatic and stiff. This one doesn't even have the recommendation of being sort of funny. Unless we have a unique sense of humor.

Voodoo Woman (1957)

* (out of 4)

Really bad film about a mad scientist in the African jungle turning a woman into a monster by using voodoo. I love these old "B" movies and AIP was always one of the best but this film here is just downright boring, slow and not interesting in anyway. The film is full of dialogue, which is poorly written and slows everything down. The performances are all equally bad but not bad enough to where we can laugh at them. The film is bad from start to finish but it never gets to the point to where you can laugh at it, which means the film is just hard to watch.

Voodoo Woman is not the greatest film I have ever seen, but I have certainly seen worse: A LOT WORSE. There are exactly two reasons to watch this movie. 1: Mike Connors ( Ted Bronson). 2: Marla English.( Marilyn Blanchard). Marla in her final film ( she retired to raise a family), is drop dead beautiful as always ( particularly in a sarong). She is also one of the nastiest women you will ever see in a movie ( she murders two men in cold blood). The only thing she cares about is having gold. Connors is the hero here and although it was years earlier, looks just the same as he did on Mannix. He even reminds me of Joe Mannix in a fight: Connors is also the only one who is not stupid, evil or both. Anyway 4/10 stars 2 for Connors and 2 for looking at Marla English.