Los muertos vivos

This film isn't THAT bad...sure it's a b-movie, but it stars Alison (va-va-voom!) Hayes (Attack of the 50-Foot Woman), has great music by Ronald Stein, and is dripping with atmosphere. The story is thoughtful, clever, and better than most grade-b stuff from the 50s. The ending could go any which way and the surprise twist is the stuff Twilight Zone episodes were made of.

The Undead is a great film to trot out at Halloween time to scare young kids and for adults to giggle at. Hey, when I saw this one as a kid on TV I was totally SPOOKED! Today, it's "badness" is it's strong suit. Then, it showed promise for a young Corman, who would reach his cinematic pinnacle with his superb mature work, Masque of the Red Death.

I have seen this weird little movie twice. The first was on MST3K and then I saw the straightforward version on AMC. I must say that this is the only movie I've seen on MST3K that did not fully deserve it's treatment. Granted there are a lot of problems with the film. The perfomers, for the most part, were mediocre. But not so bad as to make the film unwatchable.

The production values had the distinct odor of cheese to them, but what can you expect from circa 1957?

The plotline is interesting. A mad scientist hires a street hooker to be a guinea pig on his experiments on past life regession. He transports the woman to 16th century Europe where, in this incarnation, she is a witch. The woman has to make a choice of whether or not to allow her past incarnation to die so her future lives can come into being-or stay in the past to live with her lover. Of course this guy is such a twit, death might be preferable to a lifetime with him. So maybe she really had no choice, after all.

What makes this so interesting is that the whole thing had a anachronistic new-agey quasi-feminist tone that is about ten years ahead of it's time. I actually found myself ignoring Mike and the 'bots and trying to concentrate on what was going on in the film. It's the first time that had ever happened. When I saw the non-MSTie version I actually grew to like it. Check it out. You might be surprised.

Very entertaining concoction: in spite of its shaky sets, dresses with zippers and carriages definitely not from the 6th century (if the script is alluding to King Mark of Cornwall), verbose dialogs and a few corny performances, this Roger Corman production has the tone and feeling of a fairy tale, as performed by kids from elementary school with naiveté and spontaneity. The time-travelling premise in the script by Charles Griffith and Mark Hanna is clever and it could have benefited from a bigger budget for revisions, re-writes and higher production values. As it is, I find it funny, charming and even daring, as it somehow aspires to have values similar to literary works written in old times, about death, transcendence and the role of science in the evolution of mankind. It is also another proof of Corman's ability to turn almost anything into a pleasant time for the viewers. Recommended.

A clever, sly and witty film disguised as a B movie. I assume its low rating is due to the fact that its rarely seen

I saw The Undead many years ago and sad to say before writing this review I got to see it again as part of Mystery Science Theater. No doubt Roger Corman did a whole lot of Thanksgiving specials especially in his early career. But I always rather liked this paradoxical film about hypnotism and travel. And of course a scientist's curiosity which backfires on him in a most peculiar way.

Pamela Duncan is the subject of hypnosis therapy by doctors Maurice Manson and Val Dufour. She's a hooker, but when we first meet her she's under and regresses back to a life in the first millenia AD where she's been condemned to be a witch and scheduled to die. Her mind goes back to that past and she escapes the headman's ax.

Which creates a paradox because if her past life doesn't die it puts her future lives in jeopardy. Knight Richard Garland who's earnest, but a little thick loves the past Duncan and wants to do the knight errant thing and save her. Real witch Allison Hayes has a thing for Garland and doesn't stand a chance while she lives.

Fascinated by the paradox and the drama Dufour regresses himself through hypnosis to see how it all unfolds and meets none other than a medieval Satan himself played by Richard Devon. He also is watching the drama unfold in fact he recognizes Dufour for who he is and states plainly that he is the critic and let the play continue.

No doubt Roger Corman was influenced by all the publicity of the Bridey Murphy controversy and the book and film that was made about it. Of course this is shot on a dental floss budget and it shows in spots, but only rarely.

I waited for years to see this again and review it and despite the MST snide comments during the film I still enjoyed it though Citizen Kane it ain't.