Diablos del aire

I was fortunate enough to attend a screening of "The Tarnished Angels," on a wide screen with a fresh print, at the Museum of Modern Art in New York City back in 1980, with no less than Douglas Sirk himself invited by MOMA as a special guest. The film blew everybody away emotionally; Hudson, Stack, and Malone all give performances that are equally tough and vulnerable, but the grandeur of Sirk's mise-en-scene, which really has to be seen in a theater on a wide screen to be fully appreciated, is a textbook example of the art of telling a story in film terms with both force and grace. Don't mind the other reviewer; Faulkner himself, according to Sirk, said it was the best adaptation of his work he had seen in films.

Hudson is mesmerising as newspaper reporter Burke Devlin who is besotted by fly-by-night characters, especially sultry daredevil parachutist LaVerne Schumann (Dorothy Malone). His character is worth all of the others put together. In the acting stakes too he shines brightly, adding nuance to his performance. Unfortunately the script is tarnished especially if we are to believe Hudson's infatuation for LaVerne who proves herself to be mostly unlovable. If you like Depression era dramas, that will help you enjoy this more. And if you like the early world of flying, that will help too. But mostly watch it for Rock Hudson's intelligent performance. Based on a story by William Faulkner.

Even though I haven't seen this movie in quite a while, it's ironic I would write this review shortly after viewing "Written On The Wind" for the first time recently. "Ironic" because of the main actors star in both films: Robert Stack, Rock Hudson and Dorothy Malone, and both films were directed by Douglas Sirk.

Personally, I thought this film was far more interesting than the more well-known WOTW. This was a better story.

Dorothy Malone, for one, looked a heckuva lot better in this movie. She had some classic beauty and shows it here more than the trampy role in the other film.

I also preferred this film because it had some fascinating and dramatic flying scenes, things I have never seen before on film. Apparently, they had these 1930s air races in which planes few around pylons, almost like a horse race on land. This is the only film I've seen that pictured.

Another thing I enjoyed was Hudson's dramatic story at the end of the movie which, at first, seemed ridiculously melodramatic but was said so well that I found in very compelling, and it tied the whole story together.

I also appreciated Malone doing the right thing at the end, telling off Hudson for coming on to her, since she was a married woman. This is one of the few films - including those in the 1950s - in which adultery is NOT treated mater-of-factly.

Depression-era newspaper reporter Rock Hudson (as Burke Devlin) rescues a boy from teasing, and returns him to his parents. As it turns out, nine-year-old Chris Olsen (as Jack) is the son of World War I hero Robert Stack (as Roger Shumann), who is using his piloting muscle in a New Orleans carnival act known as "The Flying Shumanns". Mr. Stack's wife, curvaceously beautiful blonde Dorothy Malone (as LaVerne), does a parachute stunt. And, the couple's mechanic, chubby Jack Carson (as Jiggs), keeps the plane's engine humming. The quartet appears hale and hearty, but are destitute when Mr. Carson spends their meager funds on a pair of boots. Instead of moving into a "Hooverville", they go to live in Mr. Hudson's small apartment.

Hudson, who drinks and smokes like a reporter should, wants to do a story on "The Flying Shumanns" for the Picayune.

In flashback, we learn Malone married Stack (whilst in the "family way") instead of Carson, who was the man teased for being young Olsen's real father in the opening segment. Carson is still in love with Malone, who seems to be torn between Hudson and Stack. But, that's not all. Stack's aviating rival, rotund Robert Middleton (as Matt Ord), is also in love with Malone. And, after a flying tragedy involving Stack and Middleton's pilot (Troy Donahue), Malone is sent to prostitute herself in exchange for a new plane (for Stack). This tests how much each of the men - Hudson, Stack, Carson, Middleton - love Malone.

And, it may also reveal who Malone will take to the closing credits…

William Faulkner's "The Tarnished Angels" reunites director Douglas Sirk and Hudson with two of their "Written on the Wind" (1956) co-stars, Malone and Stack. They are certainly attractive, but seem more like they are posturing for a 1950s (where these folks should have been put) glamour magazine than starring as 1930s New Orleans depression-era denizens. The most ludicrous sequence involves Malone showing off her underwear during an impossible to imagine parachute and swing stunt - the arm muscles required for this feat would be considerable. The carnival backdrop is a highlight, it's used well in the opening and climax.

****** The Tarnished Angels (11/21/57) Douglas Sirk ~ Rock Hudson, Dorothy Malone, Robert Stack, Jack Carson

Terrific Douglas Sirk melodrama from the William Faulkner novel "Pylon." I have not read the Faulker book, but I'm guessing it was nowhere as soapy as the film, but as soapy melodrama's go, no one does them better than Douglas Sirk. Robert Stack plays a boozy disillusioned WWI flying ace who now spends his days as a barnstorming pilot at rural carnivals with his neglected parachutist wife, Dorothy Malone, who he only married as a result of a literal roll of the dice. Rock Hudson plays a reporter doing a story on this dysfunctional traveling family of flyers that also includes Jack Carson, Troy Donahue, and William Schallert. Sirk's perchance for over- the-top drama is probably not going to look great to modern viewers, but for fans of classic Hollywood and fans of Sirk in particular, this film is a must see!