The Sun Also Rises

"The Sun Also Rises" is a cinematic adaptation of Ernest Hemingway's iconic novel of the same name, capturing the essence of the Lost Generation amidst the post-World War I disillusionment. Released in the 1950s, the film remains a poignant exploration of love, friendship, and the search for meaning in a world scarred by war.

Directed by Henry King, the film transports viewers to the picturesque landscapes of Europe, particularly Spain, immersing them in the bohemian lifestyle of its characters. The narrative revolves around a group of expatriates, including the disillusioned journalist Jake Barnes, the enigmatic Lady Brett Ashley, and the tormented war veteran Robert Cohn. Their journey unfolds against the backdrop of the Pamplona bull-running festival, serving as a metaphor for the recklessness and vitality of youth.

Tyrone Power delivers a compelling performance as Jake Barnes, effectively portraying his internal struggles and unrequited love for Lady Brett Ashley, played with captivating allure by Ava Gardner. Their tumultuous relationship forms the emotional core of the film, highlighting the complexities of desire and the inability to find fulfillment in a fractured world.

The supporting cast, including Mel Ferrer as Robert Cohn and Errol Flynn as the charismatic Mike Campbell, adds depth to the ensemble, each character grappling with their own existential crises and yearning for a sense of purpose.

Visually stunning and atmospherically rich, "The Sun Also Rises" captures the essence of Hemingway's prose, evoking the hedonistic spirit of the Roaring Twenties while also delving into the profound sense of loss and disillusionment that pervades the lives of its characters. The cinematography beautifully captures the sun-drenched landscapes of Spain, juxtaposing the beauty of the surroundings with the characters' inner turmoil.

While some critics have noted deviations from the novel and a certain lack of depth in character development, the film remains a poignant meditation on the human condition, offering insight into the complexities of love, friendship, and the search for meaning in a world overshadowed by the specter of war.

Overall, "The Sun Also Rises" stands as a timeless cinematic exploration of Hemingway's themes, offering a compelling portrayal of a generation grappling with the aftermath of war and struggling to find meaning in a world devoid of certainties.

Two insurmountable problems keep The Sun Also Rises from being a great film classic. The first was the ever present Code which prevented the frank discussion of impotency and secondly the fact that the cast was 15 to 20 years older than the roles they were portraying. Maybe had the film been identified as 1932 instead of plainly set in 1922 Tyrone Power, Errol Flynn, and Ava Gardner and the rest could have gotten away with those performances. The pity is that they all try very hard under an impossible burden of age. They would have been a dream cast around 1946. Ironically this cast is a lost generation unto itself.

Tyrone Power is in the lead as Jake Barnes, the hero modeled after author Ernest Hemingway himself. Barnes received a war wound below decks just as Hemingway did in World War I. The close brush with impotence himself no doubt inspired Hemingway to write The Sun Also Rises. That fact has kept him from resuming a relationship with the love of his life, Lady Brett Ashley as played by Ava Gardner.

As a jaded sophisticate Gardner is great, but Hemingway again wrote about a lusty young woman with all her sexual appetites intact and unfulfilled. All Power can do is watch how she collects the men around her.

And they do flock be it, exiled Count Gregory Ratoff, dissolute British army veteran Errol Flynn, self conscious Jew Mel Ferrer, and eager young bullfighter Robert Evans. None of them measure up to Power, but Power can't give the lady what she most needs.

The location cinematography is great from Paris to Mexico which substituted Spain for the famous bull fighting scenes and the annual running of the bulls in Pamplona. I'm guessing that Henry King did not film in Spain because the Franco dictatorship did not want a film that glorified the days before his dictatorship even under the monarchy which Franco swore to restore. Ernest Hemingway being a veteran for the Republic was also not an author looked kindly on by the Caudillo.

Ernest Hemingway has had accusations of anti-Semitism hurled at him and no doubt because of the way Mel Ferrer's character of Robert Cohn is written. Cohn has sustained a lot of prejudice in his life, he became a boxer in college to help deal with it. He's also a bumptious sort, Power tolerates him even likes him on a certain level. The others in the group make it plain every way they don't want him around. But he's under Gardner's spell and there's no talking to him. In many ways Mel Ferrer does the best acting job in the film.

The Sun Also Rise marks Power's farewell film at the studio which carefully nurtured his stardom, 20th Century Fox. It also was his ninth and last film with director Henry King. It was at Fox where Power got his breakthrough role in Lloyd's Of London, also directed by Henry King. They had quite a screen partnership themselves and are rarely discussed as a director/actor team.

This is one film that could stand a remake, but where could you get a cast as classy as this one today even if they are a generation behind to be making The Sun Also Rises.

I've always loved this book. I saw this movie the last time when I was in a college Literature class. My memory was that it was a Cinemascope film on a conventional screen. When Tyrone Power got into bed, the bed was about three feet long, as was his body. Anyway, I now remember that this is pretty much a dull film. It is talky and not very well edited. While the bullfight scenes were interesting, they were narrated by Power so we would know what was going on. The one thing that was personal is Ava Gardner. I couldn't take my eyes off her. Especially when she was in her party girl mode, she is utterly striking. I also enjoyed Errol Flynn, the Hemingway of the story. His character has some life. Power as Jake Barnes is a limp fish in this one. He is so laid back that he wet-blankets every scene. Of course, a war injury has left him impotent and he will never have Lady Brett. This sad fact is there in the beginning and everyone knows, so he has pretty much given up. There are a couple times when he thaws out, but it is hard to feel a lot of sympathy for him. In the book, he is portrayed in such sad terms. I'd forgotten that Robert Evans played the bullfighter, Romero. I am haunted by his cockeyed look as he peers into the crowd. It is the strangest look. One thing that does come out of this is that I have decided not to become a bullfighter anytime soon. This film hasn't been available for a long time, so when it was released, I got it right away. It was just out of curiosity and I have to admit I was disappointed.

It was great to see 2 of Hollywood's film idols on a film together. Tyrone did look tired in this movie. Errol and Eddie Albert as two drunks were very funny. Tyrone, as always, was great as a jaded WWI veteran. Ava Gardner was also very interesting to watch and I thought she played her character very well. The bullfighting was very graphic for its time, however, the actor who played the bullfighter couldn't act.

There are several films from the '40's to the '60's that I prefer to experience, rather than jump into Pauline Kael's skin. Let her successors dissect and occasionally say something of pith.

George Herbert said, "Time is the rider that breaks youth."

All the principal characters in this sad tale are broken. In their dissipation and aimless, joyless pursuits, they didn't stand for much of anything. It has been said that the cast was just too old for these roles. But they looked perfect for their roles, a group of people who were caught in a tepid tide pool, waiting to be washed out to sea. They were all tarnished goods.

I was especially impressed by Errol Flynn's performance. Of all of them, he was the most pitiful. Remember the song, "Tired of living and scared of dying?" That's him-a far cry from Captain Peter Blood.

Next is Robert Cohn (Mel Ferrer). He was a rich aimless child, eager to fasten himself to others, like a limpet. College had done nothing for him, except to make him an even greater useless snob. Then Lady Brett transformed him into a swine before casting him aside, because 'she couldn't stand his damned suffering.' After a crushing defeat at the hands of Brett and her bullfighter, he wisely headed home to Frances, if she would still have him.

Now we come to Jake and Lady Brett Ashley. These two truly loved one another, but in a very unhealthy way. She lost a husband to the Great War and never recovered. He gave "more then his life" to the war. His impotence was probably not the real reason Brett would not marry him, nor he, her. Damaged goods.

This film is excellent. Important, as is the book, emotional Tours De Force. Hemmingway is incredible.