La doncella de oro

Leonard Maltin said that the movie was often "unintentionally funny." Sure, I find rape hilarious. I meant that in a sarcastic way, mind you. I don't know why Mr. Maltin found this film funny, because it isn't. It is about a blind, deaf, and dumb girl named Esther and the way she adapts to society with the aid of a wealthy socialite named Margaret Landi. Joan Crawford and Heather Sears are incredible in their respective roles of Margaret and Esther. Miss Crawford did an amazing job, very unlike anything else she did. I highly recommend this film.

This not always believable story is really riveting after a slow start, and a cheesy development but the second part is really worth...Some elements in this plot could remind MIRACKE WORKER, which has a total different plot. I did not remember of this feature directed by David Miller, and I don't think it is that widely known either; such a shame. I also thought it was inspired by true events, and not a novel. But who cares? Because I loved MIRACLE WORKER - again - I am glad to have discovered this film for the second time; how could I forget it? Joan Crawford has here a role that suits her so much.

The story is by renowned novelist Nicholas Monsarrat, also known for "The Cruel Sea" and "The Capillan of Malta", two other realistic and documentary novels, but this is not about the war. It's about a deaf and mute poor orphan in Ireland, who is taken care of by Joan Crawford, who makes an unusually impressive performance, without falling into pits of sentimentality and bathos. Heather Sears as the young girl is the chief star of the film, though, unknown and making the performance of her life for a start. The real crushing thing is the story, though. It is devastating in its merciless exposure of commercial exploitation of humanitarianism. The real drama begins as Rossano Brazzi enters the stage. He is a former husband of Joan Crawford, whom she tried to separate from, but when he reappears she is too weak for him, with very unforeseen consequences. The film is beautifully made with brilliant music, and the realism of the story couldn't have been carried through more consistently. I was often irritated with Joan Crawford for her overbearing manners, but here she is quite perfect and admirable all the way.

The subject for the time was a brave, difficult and daring one to tackle and the title role is one that would pose many challenges in terms of how to act it and in the context of the subject. To me, at her best Joan Crawford was a fine actress, especially in melodrama where she was one of the best, although with hit and miss film choices throughout her career and a tendency to overact in comedy. Rossano Brazzi has not really done a lot for me in the past, tend to find him wooden.

Just like the subject, 'The Story of Esther Costello' is a brave and daring film that is appropriately hard to watch (it would have been insulting to sugarcoat or trivialise a subject like this, one that is hard hitting as they come). Am another person that doesn't agree with 'The Story of Esther Costello' being called unintentionally funny and considering the subject and what happens saying that sounds somewhat disrespectful, but maybe that's just me.

By all means 'The Story of Esther Costello' isn't perfect. It does get too heavy on the melodrama at times and has campy parts, namely in the latter stages.

Also felt that the aftermath and consequences of the traumatic event that happens later on (don't want to spoil it) were rather contrived and were not remotely realistic.

Crawford's performance is an emotional powerhouse at its best and to me she didn't overact. Brazzi was a big surprise, he never had a character that was this despicable and he manages to be both charming and genuinely creepy. Not wooden at all. The acting honours, in the most challenging role (playing deaf, or blind, or mute individually is a tough task, it is even tougher when one has to play all three simultaneously like here), is a very intensely moving Heather Sears. The direction is accomplished enough.

Furthermore, 'The Story of Esther Costello' is very handsomely mounted visually and Georges Auric's unsettling score has so much atmosphere. The script is sincere and didn't seem too overwrought or talk-heavy on the most part. The story pulls no punches and it really hit me hard, both in giving me the chills and in tugging at my heart-strings.

On the whole, found a lot to admire even if it didn't completely succeed. 7/10

Shot in the United Kingdom and the continent, The Story Of Esther Costello seems to be a hybrid production of The Miracle Worker and Johnny Belinda. Heather Sears's performance in the title role might have been worthy of Oscar consideration had not Jane Wyman already won an award playing a deaf mute.

Joan Crawford plays a wealthy American who is separated from her husband Rossano Brazzi and touring Ireland, specifically the village of her birth. While there the village priest Denis O'Dea introduces Joan to Sears who is deaf, blind, and mute. In a prologue we see why she is that way, as a child she found a cache of gunpowder and grenades left over from the Rebellion which explodes killing her mother and leaving her as she is.

Eventually Joan takes Heather from the squalid conditions she's living in courtesy of her aunt Maureen Delaney and gives her the Helen Keller treatment. When Sears becomes a celebrity of sorts, Brazzi reenters the picture see the cash cow Sears has become what with the charities organized in her name.

A rather unbelievable 'cure' for Sears mars what could have been a much better drama. The players all perform well, particularly Crawford who is in her best Mildred Pierce mode as an adoptive mother to a much more appreciative child than Ann Blyth.

Definitely one for Joan Crawford fans.