Spring Reunion

I watched this movie mainly because I really like Dana Andrews in films. Unlike many big name stars, he seemed like a real person and didn't play too many pretty boy roles. However, despite my liking his films so much, I was shocked at the casting decisions. The film is about a 15 year reunion for a high school. While Betty Hutton and Jean Hagen aren't that much older than the characters they were playing, Andrews was 48--making him a 33 year-old at high school graduation!! And to make matters worse, Robert Simon played Hutton's father and he was only a year older than Andrews! I know you need to often suspend disbelief when you watch a film, but this was ridiculous! Additionally, Gordon Jones and Herbert Anderson were awfully long in the tooth to be playing such parts.

Now if you ignore the silly casting, the film itself is a nice little film, though certainly not one you should rush to see. While the film is set during this reunion, the underlying theme is life choices. Anderson has chosen to live life with few connections and he's lonely, while Hutton has stayed attached to her parents and longs to break free. Interesting and thought-provoking--but that's about it.

The most interesting thing I found out about Spring Reunion is that Kirk Douglas produced it. He also had the good sense not to star in it. Not that it's a bad film, but Kirk's career was on the way up and the stars of Spring Reunion were on the way down.

Both Betty Hutton and Dana Andrews's careers crested during the Forties as leads in A films. In fact this would be Betty Hutton's last big screen film. Dana Andrews had slipped into the ranks of B films where he would be the rest of his career except for an occasional supporting part in a big budget film.

Betty and Dana are a pair of thirty somethings in their hometown of Carson for their Spring Reunion of the class of 1941. He was the hotshot All American voted the boy most likely to succeed and she was the most popular girl of course.

Life hasn't quite worked out as they thought it would, but as it is in these films they do find time to add to an unfinished romance. They also remember why things didn't end in marriage back in the day.

It was nice seeing a whole bunch of other talented players as various types at the reunion. People like Jean Hagen, Gordon Jones, Richard Deacon, and Herbert Anderson are always a treat.

Spring Reunion today would be a nice film for the Lifetime channel. Maybe someone there will do a remake of it sometime.

Answer: Because she crosses her eyes when she sings.

That said, yes: Betty Hutton shows a few of the wild tics from her earlier days. But she gives a restrained, believable performance here. She looks great. We like and care about her character.

It's the fifteenth reunion of her high school class. Her old pal Jean Hagen is in town for it. She's staying with Hutton's overly protective father and her glamorous mom, Laura La Plante. Wow: These two look like sisters as much as like mother and daughter! Who does she run into but high school football hero Dana Andrews. He's a little down-at-the-heels. He works but spends most of his time working on his boat.

Andrews is also good. Hagen isn't given enough to do, which is a shame: She was a wonderful, versatile actress.

Most of the other attendees at the reunion are vaguely sketched in and uninteresting played. But Hutton and Andrews make this a very entertaining movie.

It opens with a theme song I found cloying and unappealing. This came out right before rock 'n' roll. Bigger-budget movies continued to use light music like Henry Mancini for many years after this. But if this had come out even five years later, the treacly theme song might well have been junked in favor of something by Bill Haley and the Comets.

This is not to say that the music is all bad. The song Hutton sings at the school talent show (where she crosses her eyes) is fine. And she remembers Andrews as having come on to girls in school with a recording of a Chopin nocturne. We hear that Chopin, too.

I enjoyed this movie and recommend it, not as a cinematic masterpiece but as an interestingly cast bit of movie nostalgia.

So much was riding on this film to re-invigorate Betty Hutton's film career that the "star" quality of Hutton in this "B" movie overwhelmed the production, making the actors supporting her really have to work to make their scenes memorable in any way. Most did well with the exception of Dana Andrews whose own career was all but on the way out. He is too withdrawn to have any chemistry whatsoever with Hutton who was really trying hard to reign in her own habit of dominating every scene. It's a nice script, an oft told tale of high school reunions but with a twist in that it often centered on the relationship between Hutton and her domineering father who seemed to want his little girl to ever remain a spinster. Anyone looking like Hutton made this spinster character a bit unbelievable.

Others have mentioned Hutton's "cross eyed" moment when she sings "That Old Feeling," but the truth is, she broke character and started chewing up the scenery when the tune which started slowly began to swing. Having seen Hutton in concert in Vegas I can say with certainty that this "cross-eyed" moment was Hutton on stage, not the shy spinster she was portraying. Interesting that they let her loose like that but then, that was Hutton. She never failed to dominate the screen when she lit into a song. I loved it. It was the last song she would ever sing in a film and thank God she gave it the Hutton touch. It may have been the highlight of the film.

Anyone interested in Hutton's career must see this film because it shows her in a more mature mode and she has a bang up scene with the actor playing her father near the end. This should have led to more roles but her own emotional problems began to surface around town and she never made another film. Too bad. Really, too bad.

There are so many ways to approach a film: on cinematic terms alone, like "great film" or "average film" or "B-Minus" etc.

There are films that have flaws but have virtues. This is one of them.

I know it's a B-film from the 50s, when Betty Hutton and Dana Andrews were past their prime.

But: for those who like those actors professionally and as people, there are lovely virtues that are unique.

I LOVE Betty Hutton in her bombshell, younger days - when she was on fire - a firecracker who couldn't stand still -notably in one of my favorites, Miracle of Morgan's Creek.

And I really like Dana Andrews for his understated performances, especially in The Best Years of Our Lives.

And while most of Dana Andrews 50s films are pretty uninteresting, I loved the pairing between him and Betty. They are both vulnerable, in their professional life journey more vulnerable to the downward trajectory. But that gives their performances immediacy and sensitivity. They are both players characters who life has battered down a bit or more - and WHO doesn't know how THAT feels - and they bring that to their roles.

I really liked when the two of them are on screen, interacting with each other. You feel their connection to each other. Both of them are very good in their maturer, vulnerable state. To me, that's a highlight of the film- to see the two of them interact.

Everything else is secondary. The schools scenes are okay. Jean Hagen, who I like, has to struggle with an ill-defined role, and does well, as always. Her jock paramour has an even more illdefined role, and is okay.

Betty's parents do okay, in dated roles - the possessive father and doting repressed mother.

Again: if you want to see mature Betty Hutton and mature Dana Andrews bring their life experience to their work, you will enjoy their on-screen duo.