CALIFICACIÓN DE IMDb
6.8/10
4.5 k
TU CALIFICACIÓN
Una funcionaria del gobierno ruso es enviada a París para traer de vuelta a sus camaradas; pronto se familiariza con la vida parisina y se enamora de un productor de cine estadounidense.Una funcionaria del gobierno ruso es enviada a París para traer de vuelta a sus camaradas; pronto se familiariza con la vida parisina y se enamora de un productor de cine estadounidense.Una funcionaria del gobierno ruso es enviada a París para traer de vuelta a sus camaradas; pronto se familiariza con la vida parisina y se enamora de un productor de cine estadounidense.
- Premios
- 5 nominaciones en total
Don Anderson
- Restaurant Patron
- (sin créditos)
Edit Angold
- Wife
- (sin créditos)
Frank Arnold
- Soviet Guard
- (sin créditos)
Susan Avery
- Model
- (sin créditos)
Virginia Bates
- Model
- (sin créditos)
Herman Belmonte
- Reporter
- (sin créditos)
Rodney Bieber
- Dancer
- (sin créditos)
John Bleifer
- Tenant
- (sin créditos)
Argumento
¿Sabías que…?
- TriviaAfter this film, Fred Astaire effectively retired from musicals, preferring to concentrate on non-musical roles, though he would produce several musical specials for TV in the next few years. He wouldn't make another musical until El camino del arco iris (1968).
- ErroresIt becomes fairly obvious during the "Fated to be Mated" duet between Fred Astaire and Cyd Charisse that Charisse is wearing a skirt one moment and culottes (or flared shorts) the next. The bottom half of her costume changes on each cut of the dance when they are doing deep knee bends, and this is where the culottes show. For the upright spins and lifts, the skirt shows. The dance was obviously performed twice and edited into one sequence.
- Citas
Vassili Markovitch, Commisar of Art: I want to look somebody up. Does this office have a copy of Who's Still Who?
- ConexionesEdited into Histoire(s) du cinéma: Une histoire seule (1989)
- Bandas sonorasI've Got You Under My Skin
(1936) (uncredited)
Music by Cole Porter
Heard at the beginning as Steve and Boroff arrive at the hotel
Opinión destacada
Clever, witty and charming musical, courtesy M.G.M. and the Arthur Freed unit, of which this was one of their last films. One of several musical remakes (of non-musical pictures) that the studio produced in the mid-late 1950s. This is one of the best.
Fred Astaire plays his usual character, the playboy-ish bachelor, in this case a film producer, wanting to use a Russian composer's music for his new film. Cyd Charisse plays Ninotchka, the Russian woman who comes to Paris to bring back the composer and three comrades who failed to return him to his native land. As the three comrades, Jules Munshin, Peter Lorre (holding onto a chair as he dances), and Joseph Buloff are a hoot, adding good comic relief in their "Too Bad" and "Siberia" numbers. Janis Paige is a jewel as the ditzy actress hired for the new film. She radiates with Astaire in the memorable "Stereophonic Sound" number, as well as in her own hilarious "Satin and Silk".
Charisse, (whose wooden acting is OK here), is lovely as usual and has a few excellent dances, including the sensual "All of You" (with Astaire), the lively "Red Blues", and the stunning ballet where she removes her old Russian garb, for her new Parisian silks. This was the second of her two pairings with Astaire, and though this is not the gem that "The Band Wagon" is, it still sparkles nonetheless.
A clever and classy musical, with some very topical humor. Great songs by Cole Porter (with the exception of the tacky "Ritz, Roll and Rock"...a poor punch at rock and roll). Excellent use of color and the Cinemascope frame help to make this one of the last great musicals of the 1950s.
Fred Astaire plays his usual character, the playboy-ish bachelor, in this case a film producer, wanting to use a Russian composer's music for his new film. Cyd Charisse plays Ninotchka, the Russian woman who comes to Paris to bring back the composer and three comrades who failed to return him to his native land. As the three comrades, Jules Munshin, Peter Lorre (holding onto a chair as he dances), and Joseph Buloff are a hoot, adding good comic relief in their "Too Bad" and "Siberia" numbers. Janis Paige is a jewel as the ditzy actress hired for the new film. She radiates with Astaire in the memorable "Stereophonic Sound" number, as well as in her own hilarious "Satin and Silk".
Charisse, (whose wooden acting is OK here), is lovely as usual and has a few excellent dances, including the sensual "All of You" (with Astaire), the lively "Red Blues", and the stunning ballet where she removes her old Russian garb, for her new Parisian silks. This was the second of her two pairings with Astaire, and though this is not the gem that "The Band Wagon" is, it still sparkles nonetheless.
A clever and classy musical, with some very topical humor. Great songs by Cole Porter (with the exception of the tacky "Ritz, Roll and Rock"...a poor punch at rock and roll). Excellent use of color and the Cinemascope frame help to make this one of the last great musicals of the 1950s.
- laffinsal
- 23 ene 2005
- Enlace permanente
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Detalles
Taquilla
- Presupuesto
- USD 1,853,463 (estimado)
- Total a nivel mundial
- USD 9,755
- Tiempo de ejecución1 hora 57 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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Principales brechas de datos
By what name was Muñeca de seda (1957) officially released in India in English?
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