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The title of this Roger Corman flick may be a bit misleading since while there are some songs of popular performers of the day-such as The Platters-being performed in it, it's mostly a story of various types in a bar facing a confrontation of their fears when dealing with a couple of criminals who wander in with the police on their way. Dick Miller is the lead who likes to make insulting statements but also seems to know what each person he meets is like to the point he shows no fear whatsoever to whoever he speaks to like one of the criminals he's dealing with-the one played by Russell Johnson, yes, the later star of "Gilligan's Island" as The Professor. It was quite a surprise seeing him in this role, that's for sure! If you're a frequent Corman viewer, you probably recognized many of his regular supporting cast here. I really enjoyed this one so on that note, Rock All Night is highly recommended.

Finally got to see this classic Roger Corman cheapie, and of course it's a total blast. The best part obviously is seeing Dick Miller in a rare starring role, and as a tough street kid no less, who takes no guff from anyone and is always making wisecracks.

Miller plays "Shorty" who gets thrown out of one rock joint but ends up in another, where a pretty girl is auditioning and we get introduced to various assorted crazy characters. Eventually two crooks (led by "The Professor" from Gilligan's Island!) come and hold everyone hostage, and Shorty constantly insults the crooks, as well as the cowards in the place who refuse to take a stand.

One of the funniest characters is a "hep cat" beatnik rock manager who comes out with great line after line. Others include a boxer, his sad girlfriend, a wanna-be tough guy, his drunk girl, a reporter, a shake-down artist and more. The musical numbers are good, and it all resolves in just over an hour.

"Rock All Night" is definitely not disappointing if you expect exactly what it is, a fun hour of no-budget film making.

Rock All Night (1957)

** 1/2 (out of 4)

This quickie from AIP is basically two films rolled into one but fans of Corman and his cast of characters will probably find themselves entertained. The first half of the movie is a "rock and roll" picture as we countless musical acts including The Platters doing "I'm Sorry," and "He's Mine" as well as The Blockbusters doing "Rock All Night," "I Wanna Rock Now," and "Rock 'n' Roll Guitar" but the fun doesn't stop there as we get two more numbers. Then, the "other" part of the film takes place as a small group of characters are in a bar when a couple killers break in and hold them hostage while they think of a way to escape the police. It's amazing but this 65-minute flick is mainly just musical acts or filler if you will. The first thirty-five minutes feature non-stop music and between the tracks we're introduced to the characters that will take center stage in the second half. I must admit that I thought the film had a terrific flow to it and it turned out to be much better than I was expecting. For starters, the music itself is very good and it was fun seeing The Platters doing their numbers. I think the low-budget nature of the film hurt especially during the lip-syncing stuff because a lot of times the music isn't matching up with the lips. When the "crime" portion of the film started I think the main joy is seeing Corman regular Dick Miller getting to play the lead and not just the lead but a tough punk. Seeing Miller getting to play a tough guy not scared to fight anyone was very fun simply because you don't get to see that from him very often. I thought Miller handled the part quite well and it was just an all around kick seeing him play the tough guy. Robin Morse is also fun as the owner of the club and Mel Welles plays a "hipster" who is trying to promote a new singer played by Abby Dalton. Fan favorite Jonathan Haze is also on hand. You have to tip your hat to Corman who when bad could be really bad but when he got something right it was usually a lot of fun and he did it for very little money. ROCK ALL NIGHT isn't a masterpiece but it's fun to see the director try to mix two genres together and do it in such little time. The movie flies by without any slow moments so if you enjoy this type of film then it's certainly worth watching.

I watched this on YouTube because the Platters did a couple of numbers. Unfortunately the sound was out of sync through the whole movie, but I just ignored that. The opening was great, when a really cool-looking 1957 DeSoto (I think it was) with fins about as big as they ever got pulled up in front of the bar. I assumed the movie was going to be one of those kid rock festival things, like so many other 'rock' movies of the time, but it turned into a psychological drama. Not what I was looking for, but it was interesting enough that I kept watching. The fact that it was only 62 minutes long helped. It was really surprising to see Russell Johnson, the Professor from Gilligan's Island, as a bad guy. I looked at his credits, and I never realized before what an extensive career he had. As for the movie, I think the fact that it all took place in one spot, the bar, made it more interesting. I was surprised at how much I enjoyed it. I think it could make an interesting play. Retro, of course. Kind of a study of 50's mentality. I'd say that the people's interactions were highly unrealistic, but that's part of 50's mentality - isn't it?

Roger Corman's films tend to be cheap and cheerful but this one's mostly just cheap. Mind you, the thin plot (baddies take a group of hostages) has been used for some $100,000,000 movies as well. Thirty minutes of talk, padded out with irrelevant songs. Mr Cameo himself, Dick Miller, turns up in a rare main role. (4/10)