CALIFICACIÓN DE IMDb
2.5/10
2.9 k
TU CALIFICACIÓN
Un doctor loco construye un robot para robar un valioso tesoro azteca de una tumba custodiada por una momia viviente de siglos de antigüedad.Un doctor loco construye un robot para robar un valioso tesoro azteca de una tumba custodiada por una momia viviente de siglos de antigüedad.Un doctor loco construye un robot para robar un valioso tesoro azteca de una tumba custodiada por una momia viviente de siglos de antigüedad.
- Dirección
- Guionistas
- Elenco
Ramón Gay
- Dr. Eduardo Almada
- (as Ramon Gay)
Jorge Mondragón
- Dr. Sepúlveda
- (material de archivo)
- (as Jorge Mondragon)
Julián de Meriche
- Comandante
- (as Julien de Meriche)
Jaime González Quiñones
- Pepe Almada
- (as Jaime Quiñones)
Ángel Di Stefani
- Popoca, the Mummy
- (as Angelo De Steffani)
Jesús Murcielago Velázquez
- El Murciélago
- (as Murcielago Velazquez)
Enrique Llanes
- Esbirro del Murciélago
- (as Enrique Yáñez)
Guillermo Hernández
- Esbirro del Murciélago
- (as Lobo Negro)
Sergio Llanes
- Esbirro del Murciélago
- (as Sergio Yáñez)
Opiniones destacadas
the usual disclaimer - I do not give 1 star ratings to movies which are harmless, bad, low budget and silly, although they may deserve it. These films are often funny, and get rated 2-4 based sheerly on entertainment value - not as a representation of their exemplary film artistry. This film fits this model perfectly. It is a Mexican monster movie, riddled with voice-over narrative and extremely weak not-so-special effects. The makeup is not that bad, and the acting is sometimes quite entertaining, but this film is almost as silly as Aliens vs Predator and the script isn't half as slick (Aliens vs Predator might get a 1 from me, but I want to see it again before I commit).
The plot is ridiculous, but deliciously convoluted. If you've read this far, you must really want to know... A group of remarkably unscientific scientists comprise the main characters. Most of them are heroes - sort of - but one is (of course) mad, and quite perverse. This mad scientist invents a laughable nuclear powered robot (who looks a bit like the tin man from Wizard of Oz, but has a human face inexplicably located inside its head). An Aztec mummy, discovered by the same 'scientist' whose wife just so happens to have been an Aztec princess in a past life (don't ask), is pitted against the robot for the big "climax" the fight scene alone is enough to put the most stoic movie watcher on the floor in belly laughs.
For what its worth, given the budget and the utter silliness of the script, this is a very entertaining low budget goof ball monster movie. If you're into that sort of thing, go for it.
The plot is ridiculous, but deliciously convoluted. If you've read this far, you must really want to know... A group of remarkably unscientific scientists comprise the main characters. Most of them are heroes - sort of - but one is (of course) mad, and quite perverse. This mad scientist invents a laughable nuclear powered robot (who looks a bit like the tin man from Wizard of Oz, but has a human face inexplicably located inside its head). An Aztec mummy, discovered by the same 'scientist' whose wife just so happens to have been an Aztec princess in a past life (don't ask), is pitted against the robot for the big "climax" the fight scene alone is enough to put the most stoic movie watcher on the floor in belly laughs.
For what its worth, given the budget and the utter silliness of the script, this is a very entertaining low budget goof ball monster movie. If you're into that sort of thing, go for it.
This film has two of the most devious characters ever to enter Mexican cinema: Dr. Krupp,who is as evil as he is fat, and his hapless sidekick Bruno. Dr. Krupp IS actually quite the evil genius. During a flashback in the film, we find that he is clever enough to disguise himself as pro wrestling bad guy The Bat(who would ever suspect a mad scientist could be a pro wrestler?!? It's pure genius!!)and escapes the Aztec Mummy and his own snake pit trap(He was probably very happy that built that secret escape and had his keys with him). And Bruno is one of the few VERY loyal sidekicks I've ever seen in any film. The guy puts up with being punched by the Aztec Mummy, having acid thrown into his face and becoming deformed, and tolerating a boss who thinks he's a wrestler. Besides in the dubbed version, Bruno delivers the classic line "You devil! You devil!" better than anyone!
It's hard not to laugh at this movie. It's hard not to laugh knowing that somewhere, someone sat down and thought that having a robot fight a mummy would make for a good picture. And it might have been if the two title characters combined for more than 5 min of screen time. Unfortunately, most of the film consists of flashback scenes and some scientist's encounters with "The Bat". The robot, built out of sturdy cardboard and headlights, isn't even introduced till the movie is practically over and their monumental confrontation (the premise the movie is supposedly centered around) lasts about 30 sec.
I have a lot of questions for this movie. Why is the bad guy referred to as "The Bat"? Why does the mummy sound like a gorilla? Why did the robot need to have a human head? Why was there an endless Aztec dance scene? Why?
I have a lot of questions for this movie. Why is the bad guy referred to as "The Bat"? Why does the mummy sound like a gorilla? Why did the robot need to have a human head? Why was there an endless Aztec dance scene? Why?
"RVAM"'s reputation preceded it. I first heard of it in one of those Medved style movie books, "The 50 Worst Movies Ever" or "The Golden Turkey Awards", or something like that. Every review of the film basically said that this movie was so bad that it would make you bleed from the eyes to watch it. So when the Exposed Film Society finally got around to showing it, I was anticipating the kind of cathartic experience that only a true cinematic stinker can provide.
However, "Robot" wasn't really all that bad.
Oh, this is definitely a "Z" film through and through. Some of the voice dubbing (as is usually the case for K. Gordon Murray imports) is awfully cheesy, and the movie itself seems to be structurally something of a Frankenstein, since a huge chunk of it seems to be footage from a previous "Aztec Mummy" movie, narrated with a voice-over by the leading man. A dead giveaway: anytime the question "Then what happened?" is asked more than twice in the dialog, you are looking at reassembled footage put together with little regard for plot coherence or momentum. In RVAM, "Then what happened?" or "What happened then?" is uttered at least four times in the 1st hour.
Even without the structural problems, the plot and dialog don't translate well to an older American audience. For instance, as the hero explains (and explains and explains) the back-story. he includes a remark about Doctor Krupp, "a doctor who suddenly turned into an evil master criminal" and began his quest for the treasure that the Aztec mummy guards. No background, no explanation, he just "suddenly turned evil". Obviously, this was aimed at a pretty undiscriminating audience.
The clincher, though, is the "Robot", the supposed "showcase" of this movie. This Robot is the worst robot special effect since "Undersea Kingdom" or even "Santa Claus Vs. The Martians". Compared to this hunk of junk, the Tin Man from the "Wizard Of Oz" looked like the Terminator chassis that chased Linda Connor through the foundry in T2. The Aztec Mummy himself is well designed and executed; he's recognizably undead, familiar enough to look like a mummy, and yet distinct from the "Boris Karloff" bandage collection familiar to most American audiences. But whoever designed the Robot in this followup had no feel for the concept...or no budget. They could at least have given him some knees, for heaven's sake.
In addition, the titular battle is terribly executed and lasts less than 60 seconds. (I've seen shoving matches on junior high playgrounds that are more convincing.) Then the movie basically just stops. That seems a bit of a rip off considering the amount of time the movie spends building up to the battle itself.
In spite of all these problems, the movie isn't horrible or incompetent the way a Coleman Francis film or a Larry Buchanan film was. Compared to "Monster A-Go-Go" or "Attack of The Eye Creatures", "RVTAM" is like a Coppola film. It's just kind of dull and boring and silly. The actors are competent (in a mannered B movie way) and reasonably photogenic; Dr. Krupp, in particular seems to be having a wonderful time as he leers and plots and capers about in his cape and "Phantom Of the Opera" suit. I often found myself rooting for him, in spite of his being the villain.
Anyway, I've seen much, much worse. File this with "Samson Vs The Vampire Women", under "interesting Mexican juvenile oddities".
However, "Robot" wasn't really all that bad.
Oh, this is definitely a "Z" film through and through. Some of the voice dubbing (as is usually the case for K. Gordon Murray imports) is awfully cheesy, and the movie itself seems to be structurally something of a Frankenstein, since a huge chunk of it seems to be footage from a previous "Aztec Mummy" movie, narrated with a voice-over by the leading man. A dead giveaway: anytime the question "Then what happened?" is asked more than twice in the dialog, you are looking at reassembled footage put together with little regard for plot coherence or momentum. In RVAM, "Then what happened?" or "What happened then?" is uttered at least four times in the 1st hour.
Even without the structural problems, the plot and dialog don't translate well to an older American audience. For instance, as the hero explains (and explains and explains) the back-story. he includes a remark about Doctor Krupp, "a doctor who suddenly turned into an evil master criminal" and began his quest for the treasure that the Aztec mummy guards. No background, no explanation, he just "suddenly turned evil". Obviously, this was aimed at a pretty undiscriminating audience.
The clincher, though, is the "Robot", the supposed "showcase" of this movie. This Robot is the worst robot special effect since "Undersea Kingdom" or even "Santa Claus Vs. The Martians". Compared to this hunk of junk, the Tin Man from the "Wizard Of Oz" looked like the Terminator chassis that chased Linda Connor through the foundry in T2. The Aztec Mummy himself is well designed and executed; he's recognizably undead, familiar enough to look like a mummy, and yet distinct from the "Boris Karloff" bandage collection familiar to most American audiences. But whoever designed the Robot in this followup had no feel for the concept...or no budget. They could at least have given him some knees, for heaven's sake.
In addition, the titular battle is terribly executed and lasts less than 60 seconds. (I've seen shoving matches on junior high playgrounds that are more convincing.) Then the movie basically just stops. That seems a bit of a rip off considering the amount of time the movie spends building up to the battle itself.
In spite of all these problems, the movie isn't horrible or incompetent the way a Coleman Francis film or a Larry Buchanan film was. Compared to "Monster A-Go-Go" or "Attack of The Eye Creatures", "RVTAM" is like a Coppola film. It's just kind of dull and boring and silly. The actors are competent (in a mannered B movie way) and reasonably photogenic; Dr. Krupp, in particular seems to be having a wonderful time as he leers and plots and capers about in his cape and "Phantom Of the Opera" suit. I often found myself rooting for him, in spite of his being the villain.
Anyway, I've seen much, much worse. File this with "Samson Vs The Vampire Women", under "interesting Mexican juvenile oddities".
Despite having a very pretty leading lady (Rosita Arenas, one of my boy-crushes), the acting and the direction are examples of what NOT to do while making a movie.
Placed in southern Mexico, Popoca, the Aztec Mummy (real Aztecs, by the way, DID not made mummies) has been waken up by the lead characters and starts making trouble in Mexico City suburbia, during the first movie (The Aztec Mummy). In this second part, the leading man and woman want to find th mummy and put it in its final resting place (a fireplace would have been my first choice...)
Into this appears The Bat, a criminal master-mindless stereotype of a criminal genius who creates a "human robot" (some idiot inside a robot SUIT) to control Popoca and (get this) take over the world. The final match between the robot and the mummy is hilarious, some of the worst choreography ever witnessed. The funniest part is that this movie was made and released by a serious Mexican movie studio!
The acting is just as awful hearing the movie in Spanish as it is in English (they dubbed the over-acting!). You should watch this movie through MST:3000. The comments are even funnier.
Placed in southern Mexico, Popoca, the Aztec Mummy (real Aztecs, by the way, DID not made mummies) has been waken up by the lead characters and starts making trouble in Mexico City suburbia, during the first movie (The Aztec Mummy). In this second part, the leading man and woman want to find th mummy and put it in its final resting place (a fireplace would have been my first choice...)
Into this appears The Bat, a criminal master-mindless stereotype of a criminal genius who creates a "human robot" (some idiot inside a robot SUIT) to control Popoca and (get this) take over the world. The final match between the robot and the mummy is hilarious, some of the worst choreography ever witnessed. The funniest part is that this movie was made and released by a serious Mexican movie studio!
The acting is just as awful hearing the movie in Spanish as it is in English (they dubbed the over-acting!). You should watch this movie through MST:3000. The comments are even funnier.
¿Sabías que…?
- TriviaThe first half of this film is a retelling of the two previous films in the trilogy, La momia azteca (1957) and La maldición de la momia azteca (1957), using an ample amount of stock footage from both films.
- ErroresThe Aztecs practiced cremation, not mummification. The Incas were the Mesoamerican culture who practiced mummification.
- Versiones alternativasThere are two different US versions of this film: One is the American International Pictures print with the original atmospheric music score (complete with classical music pieces), and during the climactic fight between Popoca and the Human Robot, Popoca had a scary, menacing voice (ie. groaning and roaring). Another is the 1964 rerelease by Young Horror Club of America, with a completely redone (and loopy) music score, somewhat different title cards, and the voice of Popoca (in said climactic fight) was replaced with a faint high-pitched voice (which sounded more like he was yawning). This latter version was seen in the public domain. Both versions had the exact same dubbing done for US producer K. Gordon Murray by Manuel San Fernando (intended for AIP's version).
- ConexionesEdited from La momia azteca (1957)
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Detalles
- Tiempo de ejecución
- 1h 5min(65 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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