CALIFICACIÓN DE IMDb
7.7/10
25 k
TU CALIFICACIÓN
Monsieur Hulot visita el mundo impulsado por la tecnología de su hermana, cuñado y sobrino, pero no puede encajar en ese entorno.Monsieur Hulot visita el mundo impulsado por la tecnología de su hermana, cuñado y sobrino, pero no puede encajar en ese entorno.Monsieur Hulot visita el mundo impulsado por la tecnología de su hermana, cuñado y sobrino, pero no puede encajar en ese entorno.
- Dirección
- Guionistas
- Elenco
- Ganó 1 premio Óscar
- 7 premios ganados y 4 nominaciones en total
Jacques Tati
- Monsieur Hulot
- (sin créditos)
Lucien Frégis
- Monsieur Pichard
- (as Lucien Fregis)
Jean-François Martial
- Monsieur Walter
- (as J.F. Martial)
Alain Bécourt
- Gérard Arpel
- (as Alain Becourt)
Régis Fontenay
- Braces Dealer
- (as Regis Fontenay)
Daki
- Daki, the Arpels' Dachshund
- (sin créditos)
Dominique Derly
- La secrétaire de Monsieur Arpel
- (sin créditos)
- …
André Dino
- Le balayeur municipal
- (sin créditos)
- …
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opinión destacada
I only recently discovered the work of Jacques Tati. As a fan of the great movie comedians-auteurs (Chaplin, Keaton, Brooks, Allen), I wanted to see Tati's work. So far, I have only seen PLAYTIME, MR. HULOT'S HOLIDAY and finally, just recently, MON ONCLE. I can easily say MON ONCLE is not only the greatest comedy of Tati, but also one of the finest comedies ever made. It is truly hilarious. I found MR. HULOT'S HOLIDAY to be just a bit slow at times, where I might find myself losing interest for a moment. PLAYTIME was a bit too "mainstream" with many big special effects and so on. But MON ONCLE is simple yet hilarious. For 117 minutes, Tati keeps the viewer in his own world of comedy. The ultra-modern house gadgets were hilarious, making for some very funny sight gags. Tati's Mr. Hulot character belongs in a gallery of great comic film personas, along with Chaplin's Little Tramp, Keaton's Great Stone Face, Allen's neurotic New Yorker, and Brooks' Jewish characterizations. MON ONCLE is also beautifully photographed in color, which adds a lighter touch to the comedy. I've noticed that Tati's films are unlike those of anyone else. The style is all his own.
- CHARLIE-89
- 16 nov 2000
- Enlace permanente
Argumento
¿Sabías que…?
- TriviaJacques Tati borrowed dogs from a local pound for the film and took care of the dogs all through filming. Tati made several shots of them, which he later used to connect scenes. When filming was over, he didn't want to bring the dogs back to the pound, so he placed an advertisement in the newspaper, calling them "movie stars"; all dogs eventually were taken in by respectable families throughout Paris.
- ErroresWhenever M. Arpel parks his car in his tiny home garage, he always pulls in front-end first; however, whenever he leaves for work in the morning, the car always exits the garage front-end first. (This may be a subtle sight gag on (Jacques Tati)'s part.)
- Citas
Charles Arpel: We could go to the Sexy Club.
Madame Arpel: I prefer Constantino and his nice music.
- Créditos curiososThe opening credits appear on signs at a construction site.
- Versiones alternativasAn English version of the movie, that is some 10 minutes shorter with less dialogue, was shot side-by-side with the French version.
- ConexionesFeatured in Omnibus: Monsieur Hulot's Work (1976)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- Mon Oncle
- Locaciones de filmación
- Place d'Armes, Saint-Maur-des-Fossés, Val-de-Marne, Francia(street scenes)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- FRF 250,000 (estimado)
- Total a nivel mundial
- USD 87,444
- Tiempo de ejecución1 hora 56 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
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