Fuego en el corazón

This is a beautifully written, produced and acted drama about a bitter divorce situation. The subject is sensitive and the presentation direct, to the point, and brutally honest.

This finely crafted drama slowly builds from its foundation to reveal the ugly side of domestic tension. The photography, editing and music all are effective in their simplicity and at times stark execution.

The acting is top notch throughout, particularly Bing Crosby, Inger Stevens, and Anne Seymour as leads, with the always dependable E. G. Marshall in a supporting role.

An interesting footnote: at this writing the film lacks to date a single professional critic review on IMDb, only user reviews. A careful internet search reveals a most thoughtful review by Bosley Crowther of the N. Y. Times and a revealing article on TCM. Rarely has a work with such top notch actors and artistic accomplishment been so lacking in critical commentary.

For myself, I fully appreciate this "Man on Fire" as a thoughtful, deeply felt and often shattering drama of domestic strife.

A film that is rarely seen today is a must see if you get the chance. The acting is terrific with Bing Crosby giving a performance worthy of another Oscar nomination - in fact all the cast do an excellent job in this well constructed drama about the ugly side of divorce and custody. The film deals very well with these issues and is still relevant even though it was made in 1957. Also this is one of the very few films in which Bing Crosby doesn't sing - except over the titles at the start of the film. Hopefully this will eventually gain a DVD release and a chance to be seen by more people as it only achieved a limited release in 1957 and hasn't been seen a lot since.

The first time I saw this movie I was a teenager, barely older than the boy in the movie. (By the way, Malcolm was 13 and his voice was changing -- why did they have to say his character was 10?). It made me very angry. I was the son of divorced parents and I didn't even know where my father was. I envied the boy his relationship with his father. I thought the situation in the movie was unfair to men because it undervalued the importance of male bonding between father and son. Now that I've watched it again in my 60s I see I was wrong about it. Of course it's best for a kid to have two parents who love each other and stay married, but when we can't have what's best, we have to decide from the options that are available. I think this movie does a very good job of being fair to everybody.

Bing Crosby is a "Man on fire" in this 1957 film starring Inger Stevens, Mary Fickett, Richard Eastham, and E.G. Marshall.

Crosby plays Earl Carleton, a successful businessman who has been divorced from his wife and has custody of their son Ted (Malcolm Brodrick). His wife (Fickett) left him for another man (Eastham) and Earl isn't about to forgive or forget. Angry and bitter, when she and her new husband want sole custody of Ted, Carleton fights them hard, at one point resorting to kidnapping.

Inger Stevens plays an associate in attorney E.G. Marshall's office, and she falls for Earle and wants to help him.

This film was meant to show up the problems of divorce, but mostly it demonstrates the need to move on, otherwise, your anger will devour you. It's the lesson Earle, who loves his son, has to learn, and do what's best for the boy.

"Man on Fire" was Inger Stevens' big break. A beautiful young woman, she apparently had a habit of falling for her leading men, and Crosby was no exception. She was devastated when he married Kathryn Crosby. She finally lost her life either to suicide or an overdose in 1970. Since she refused treatment for carbon monoxide poisoning on the set of "Cry Terror," saying she wanted to die, it doesn't appear that, with everything she had going for her, she was ever very happy. A real pity.

It was delightful to see soap opera star Mary Fickett in a non-soap role, and she was very effective.

Bing Crosby had an enormous effect on popular music and was one of the most popular actors in films for years and years. He was much more than a crooner. He plays the role of a difficult man very well.

The denouement was a little abrupt, but the film made its points.

Wealthy industrialist Earl Carleton (Bing Crosby) has full custody of his son Ted for the last two years after his divorce. His ex-wife Gwen is back in town with second husband lawyer Bryan Seward. Bryan is a skilled government lawyer and they're looking to share custody. Sam Dunstock (E. G. Marshall) is Earl's lawyer.

Bing is doing a more serious role without any singing. He's still Bing, but the character's stubbornness gets rather awful. He has a seething anger just under the surface which blows up after the judgement. It's a very modern role and a very modern subject matter. The big climax seems to happen in the middle. The self-pitying Earl is not a fun watch. I don't care much about the new romance. After all, it is all about the boy. My mind keeps drifting to Kramer vs Kramer. In a way, this movie is not as good, but it also shows how forward thinking this is. I do have two issues. First, the judgement is rather short-sighted. She should order the boy to go for a summer vacation. This seems to be done for dramatic purposes. Second, the boy is way too stupid. I get that he needs to ask questions about King Solomon, but he sounds so stupid. It would work better if the kid is younger.