El matón de Durango

Never heard of Director Salkow but he does a decent job with this B pic, and cleverly allows child actor Bobby Clark to steal the spectator's heartstrings.

Montgomery is not a great actor but he is effective as a gun hand trying to reform and stop killing. Ann Robinson is a dish, so they make a great couple. Steve Brodie is a convincing villain, and the action is somewhat slow and frustrating because initially Sabre wants to take on the identity of Bobbly Clark's father and allow killer Sabre to be reported dead but then he dithers and goes back on his plan, when all he had to do was to shoot all the members of the Sabre gang dead and the sheriff would not be able to identify him.

At one point he tells lovely Robinson that he has switched names because he does not want to kill anymore but, after much hesitation, he goes ahead and kills three or four gang members for good measure.

So go figure that contradiction. Apart from that, it's a touching and entertaining B pic.

An infamous criminal's attempts to live an honest life are complicated by his love interest, his concern for a young orphaned boy, and former gang members who don't want to see him going straight. An ordinary B-Western held together by a workmanlike performance from George Montgomery and competent direction from Sidney Salkow. Loses points for an unaccountably rushed ending, though.

Dan Tomlinson, aka Will Sabre (George Montgomery), head of a gang of outlaws, states his intentions to go straight but is warned by the the new gang leader, Dunston(Steve Brodie)that he has thirty days to come back to the gang---or else.

On his way back to his hometown and girl, Judy (Ann Robinson), Dan picks up 10-year-old Robbie (Bobby Clark (I)) whose father has been killed. Dan gets a job as a bank teller and suspicion falls on him when a hold-up occurs and he doesn't use his guns. And, on top of that, Dunston and his former gang plants evidence to make it appear as if Dan cooperated with them.......wait, a minute, haven't we seen this before? A reformed outlaw comes to town, gets a responsible position (such as sheriff or stage guard or maybe even a bank teller---the reel west was getting really whimpy by 1956), and his old gang shows up, makes off with whatever is the most valuable and easiest to haul off...and the ex-outlaw is left to take the blame?

Well, by cracky and by gum, we indeed have...like in 1937'S TWO GUN LAW and 1939's THE THUNDERING WEST with Charles Starrett and 1932's Texas GUN FIGHTER with Ken Maynard and 1930's THE LONE RIDER with Buck Jones...and Universal trotted it out for Johnny Mack Brown in MAN FROM MONTANA...and Maynard liked it so much he used it again at Columbia in 1935 and in a 1940 Colony production and, all in all, it is probably the third most-recycled plot in the western-film genre.

No problem with the always-good George Montgomery filling in for the likes of Jones, Starrett, Maynard and Brown,or Bob Steele or Jack Perrin or Tom Tyler in other versions but Steve Brodie falls way short of the menace of Harry Woods or Dick Curtis.

Writer Louis Stevens shows once again what he lacked in originality, he more than made up for in total recall of plots that had been used before. In this instance, many times.

A Tad Above Average B-Western that has Plenty of Heart and Plenty of Gunfire. George Montgomery is trying to Hang-Up His Outlaw Guns but His Old Gang won't let go. The always Reliable Steve Brodie is now Heading the bunch of No-Goodniks and is Determined to make Montgomery Pay in more ways than one.

Nifty Little Saddle Soap that utilizes that 50's Plot Point that Post-War Baby-Boomers got there Handle. It's all about Kids ("Shane", "The Rifleman"). This one isn't too Sappy and the Cast makes it Appealing and Heartwarming.

Guns Ablaze and the Solution has an Optimistic, Forgiving Attitude about Gangster Reform for a Sunny Conclusion. Enjoyable, Fast-Paced Western that should Please Fans of the Genre.

Brodie Steals the Show as a Nasty Creep and the rest of the Seasoned Cast Help things stay on course. The Kid, who just Lost His Dad, shows some Intelligence and Attitude that Rivals the Grownups and does Not Diminish the Grit of the Movie.

Ex-outlaw Will Sabre wants an honest life under the alias Dan Tomlinson but his old gang, under new leader Dunsten, wants him back for a new string of armed robberies.

Standard western about an outlaw trying to reform is a competent heartwarming little programmer that features a fine performance from George Montgomery, who expresses desperation as an ex-outlaw trying to bury his past; his interactions with the boy comes across natural and a reason for him to reform. Apart from the emotional content, there's some lively gunplay and a really callous main villain. Just wished that it was in colour, though.