La cenicienta de París

Outstanding. Beautiful. Classic. What a real lady!!!

The photo sequence in Paris has never been topped. Such a 10+ movie, I can just watch it over and over. Those are kind of strange adjectives and comments from me, especially since I'm a Sci-Fi, action, fantasy kind of movie fan.

This makes me wonder, will we ever have another Audrey?? Maybe an actress who is even close? To think that she thought she had: 1. A square face, 2. A big nose and 3. Big feet. That just shows how human and natural she really was..........

What a surprise for me to find this movie. I had never even heard of it untill it came out on DVD. S'Marvelous!!

The first of two films released in 1957 in which Fred Astaire effectively bade farewell to the genre he had bestrode like a colossus for nearly a quarter of a century is the cinematic equivalent of gorging yourself on a box of chocolates without the calories.

The title photographs by Richard Avedon (on whom the character played by Astaire was based) establish the iconic fifties cool that never lets up for the rest of the film. Had they shot the whole thing in the studio, the Gershwin score, Technicolor, VistaVision and Edith Head creations worn by all the cast but Audrey Hepburn would already have induced pleasure overload. But producer Roger Edens also shipped the crew to Paris and whipped that into the brew.

It shows how spoiled they were in those days that it didn't collect a single Oscar.

I recently saw "Funny Face" and I was just enchanted from start to finish. This beautiful, sublime, light-hearted musical pairs the incomparable Fred Astaire and Audrey Hepburn. It was the perfect vehicle for Hepburn, and in my humble opinion, "Funny Face" ties with "The Band Wagon" as the best Fred Astaire musical of the 50's.

"Funny Face" tells the story of Jo Stockton (Hepburn) a deep and outspoken Beatnik bookseller, and Dick Avery (Astaire), a raffish but compassionate photographer for "Quality" magazine. "Quality" is run by its hilariously vapid editor, Maggie Presscott (Kay Thompson, a real scene stealer). After some unusual circumstances, Dick convinces the waifish Jo that she has model potential and should go to Paris with him. The plot is sometimes a moot point as soon as they get there, but what happens after that is song, dance, great clothes, and a beautiful romantic song and dance with Audrey and Fred on a grassy knoll. There's also a rather famous scene with Audrey descending a flight of stairs in a gorgeous red strapless dress with white gloves.

I've seen a lot of criticism for "Funny Face", and I disagree that it's shallow and anti-intellectual. What separates this movie from, say, "She's All That" is that Jo only goes to Paris as a "means to an end" for modelling, which Jo is vehemently against. She never compromises who she is, and doesn't officially fall for Dick until much later, so romance is never a motive for anything. Also, Dick admires Jo's inner beauty, even before she becomes a stunner. They are much more likable and romantic leads than in most "makeover" movies. Please don't over-analyze "Funny Face", just sit back and let yourself be spellbound. Trust me, "s'wonderful"!!

You have Audrey Hepburn, you have Fred Astaire, you have Gershwin songs. Who needs a plot?

Okay, there was something of a plot, something about a Greenwich Village girl who wants to go to Paris, talk b.s. philosophy on the Left Bank, wear black clothes and no make-up. It reads like something out of one of Woody Allen's early stories - before he wrote it!

Audrey Hepburn never knew how to look bad nor act bad. But in this she looks light-years more beautiful as the proverbial Greenwich Village used-book-store Plain Jane than any Paris fashion model - then or now.

"Funny Face" was great fun during its first runs and is still a most enjoyable musical. A top notch cast headed by Audrey Hepburn and Fred Astaire make this a winner. Kaye Thompson is on hand for songs, dances and laughs, and George Gershwin's score sparkles. Filmed in part on location in Paris, "Funny Face" beautifully conveys its story of romance with elegance and charm. Smart fashion costumes, photography and choreography combine to make this a hit.