Fjols til fjells

"Fools In The Mountains" (1957) is an excruciating example of what Roger Ebert famously called The Idiot Plot - the kind of plot that would be resolved in 5 seconds if everyone involved was not a clinical idiot. The entire film is built on the shaky foundation of dumb misunderstandings. It is a major disappointment coming form Norway's first female director, Edith Carlmar, after her two very good noirs, "Death Is A Caress" (1949) and "Young Woman Missing" (1953). Maybe comedy just wasn't her forte. On the positive side, Unni Bernhoft is cute, and there is some pleasing snowy scenery. *1/2 out of 4.

"Fjolls til fjells" is a boring Norwegian farce, that (strangely) is insanely popular over here. The setting is a hotel, and the movie is about all the intrigues between the characters. This proves to be very boring and we`ve seen it a hundred times before, and Leif Juster just isn`t funny as the chief of the hotel. Avoid it but small children might enjoy it. Just be sure to let your children watch this on their own, so you could go out to see a good film. The Danish version of this film is called "Solstik" and is actually a better movie, which is mostly because of the better actors. I give "Fjolls til fjells" a 2/10

I don't know if John Cleese have seen this film, but I really wouldn't wonder if this could have been the inspiration to the most classic of all British Comedy's, Fawlty Towers,.

Fjols til Fjells (translates into: Fools in the mountains) is a beloved Norwegian comedy from 1957, which are moving around the fabulous long and thin comedian Leif Juster, which had a special way with words and facial expressions. This film us a farce with no deeper meaning, but just plain family fun.

We're at a small mountain hotel, where Poppe is portier in a fatal way, just like Basil Fawlty did 15 years later at Fawlty a Towers. Just as long and thin, and just as stupid and easily frustrated, but over all well meaning. He assumes just like Basil did some years later, and both have a huge following in Norway.

The plot is that portier Poppe is moving towards a nervous breakdown, during a stressful winter holiday time. He has some issues with the new unexperienced but well meaning bellboy, and a guest is popping up one minute, just to disappear the next, confusing Popper in a major WAP. He of course mistakes two resembling lookalikes, which are very different guests, which again both thinks Poppe is raving mad, while Poppe thinks the guy is lying or delusional.

There's so much in common with these two figures and their hotels, it's difficult to see that this is a coincidence. The film is one of the biggest cinema successes in Norway, and is every year around Christmas shown on the TV-channels.

Worth to mention is that you find Liv Ullmann in her first film role, in a minor role as guest, and a lot of others well known Norwegian actors. A joy to watch though utterly stupid, filmed in an interesting place with a large gallery of guests.

This movie is one of my all-time favourites. A joy to watch, mainly because of the inimitable Mr. Leif Juster in the lead. Unni Bernhoft is rather unconvincing and utterly charming as the young girl, or should we say boy, and Frank Robert does a great job (or rather two great jobs) as the ornithologist and the blasé actor. Add great one-liners, beautiful Norwegian mountain landscapes, great atmosphere, an utterly improbable story and amateurish editing, and voilà: A classic.

This must be one of Norway's best comedy's, and most certainly a masterpeice from the grand old lady of movies in Norway, Edith Carlmar.

The movie itself has all of Norway's biggest comedy stars from that periode, and that shows.

The story is from a Hotel on a winter resort and the hotel manager is begining to get a few problems when he gets a new piccolo. The hotel owner keep calling and asking for his daughter, that seems not to be there, and one hotel guest keep disapering and turning up at the same time. The manager is a little over his head with this guest, and he is headed for a nervous breakdown.