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I still remember seeing this as a Little League-age kid in the theater as our family was vacationing in Florida.

When I saw it again, some 40 years later, parts of the film were still very familiar, a testimony to how powerful some of these scenes were. I never forgot them.

This was a based-on-a-true-life account of major league baseball player Jimmy Piersall, a very talented player who suffered a nervous breakdown. The enormous pressure to succeed that was driven into him by his never-satisfied father was pictured as the cause which made him snap.

Anthony Perkins, who plays Piersall, and Karl Madlen, who portrays his dad, are both excellent, riveting characters. Some say this was Malden's best performance ever. Perkins was no slouch, either. This is the classic sports story of an overzealous parent living his or her dreams through their child.

The baseball segment of this film ended about halfway through. From that point, after Perkins breaks down at the park, climbing the backstop fence in a horrifying scene, the film actually gets even more interesting with everyone in the film contributing although the cast, after Perkins and Malden, is a pretty much an unknown-name one.

The only unrealistic part of the film, typical of sports films until the 1980s, was seeing an actor play a ballplayer when he "throws like a girl," as the old expression went. The younger actor playing Piersall as a kid was no better than Perkins in this regard. Neither had a clue how to a throw a ball. It looks corny nowadays.

Oh, well. That wasn't the focus of the story, anyway. As powerful as this film was, it apparently didn't have much of an effect as pushy parents in sports still exist and probably always will, taking the fun out of sports for a number of kids.

It's still a memorable film and worth your time today, especially if you have never seen it.

As a previous reviewer said Anthony Perkins did not exactly look like Frank Merriwell out on the field during the baseball scenes, but the film is about the true story of Boston Red Sox centerfielder Jimmy Piersall who sustained a nervous breakdown and then came back to have a pretty respectable major league career.

Showing the personal road Piersall took towards that breakdown is where Anthony Perkins gives one of his great film performances. This film is a lot like I'll Cry Tomorrow where Jo Van Fleet was pushing the career of her daughter Susan Hayward as Lillian Roth so she could have the success that her daughter had vicariously.

That's where the other great performance in the film comes in. Karl Malden is the baseball father, someone with the same dreams, that his son become a major league ballplayer. Malden's success involved being on his factory team, he wanted more and when he couldn't have it drove his son relentlessly to learn the skills and make the grade. But it was some price for Piersall to pay.

I remember Jimmy Piersall as a player when I was a lad. He played for the Red Sox in the years of the Casey Stengel Yankee juggernaut. He was a good contact hitter, didn't hit much for power, but played a flawless centerfield. The Red Sox in the Fifties had little to cheer about. There was a pitching staff of Mel Parnell and a bunch of nobodies. There infield was from hunger with the exception of third baseman Frank Malzone who came up in 1956 the last year Parnell played. But the outfield gave New England something to cheer about with Piersall in center, Jackie Jensen in right, and Ted Williams playing with his back to the Green Monster in left. Piersall covered so much ground in center field he made it real easy on both Williams and Jensen. The Red Sox let him go to the expansion Los Angeles Angels in 1961 where he finished his career. Still he's a Red Sox legend.

The story had been previously done on TV's Climax Theater with Tab Hunter as Piersall. In his recent memoirs Tab said that he had hoped to do the screen version. At the time he was involved in a relationship with Anthony Perkins. Unbeknownst to Hunter, Perkins lobbied and got the part in the film. That sort of put a damper on the relationship.

I also echo other reviewers in wishing that some of Piersall's teammates and others in the Red Sox organization had been portrayed. Only Joe Cronin who was the General Manager at the time is shown on the screen. Legendary owner Tom Yawkey is not portrayed and that is a pity.

Interestingly enough Piersall may have gotten his chance with the Red Sox because of Joe Cronin's racist policies. The Red Sox were the last team in the major leagues to integrate. I remember that very well when Pumpsie Green became their first black player two years after Fear Strikes Out was released.

Fear Strikes Out is unfortunately a two person show with Perkins and Malden the only really developed characters in the film. But those are two very talented persons indeed.

This a very interesting, but not totally factual, account of the life of Jimmy Piersall. Piersall was a popular player with the Boston Red Sox. His antics on and off the field are now legendary. Piersall fell in love with baseball at a young age, but his domineering father forced Jimmy to not only achieve, but to play to perfection. Mr. Piersall's constant manipulating can be traced to his son's mental breakdown.

Anthony Perkins puts in a dedicated performance as Jimmy Piersall. Karl Malden excelled as the relentless Mr. Piersall. Also in the cast are Bart Burns, Norma Moore and Adam Williams.

This is a very stark and interesting movie, just don't take all the content as gospel. A baseball fan's delight.

I don't find movies about illnesses whether they are physical or mental, real or fictitious, to be entertaining, maybe informative or educational, so I am approaching my criticism of this movie from the baseball aspect. Jimmy Piersall was quite a character. He overcame a mental breakdown to become one of the greatest outfielders in baseball history. He was a real crowd pleaser with his fielding and antics, but his hitting left a lot to be desired. He just about ruined his arm showing off how far and hard he could throw the ball. When he hit his 100th homerun, he ran the bases backwards. Living near Boston, I saw him play ball on many occasions and I met him in person at a First National Supermarket opening in Lawrence, Mass. He signed a baseball and a photograph of himself for me, but I had to buy two bags of potato chips (Cains, I think it was) beforehand. As a kid, I could barely afford it, but more than fifty years later, I still have the ball and photo. What a thrill it was! I remember him as being handsome and big and strong, not a skinny guy like Anthony Perkins. As far as the movie goes, it was good, but not very accurate. Did you notice the obvious padding to Perkin's shoulders to make him look bulky? He looked like he never played baseball in real life, he was so awkward. (Gary Cooper as Lou Gehrig and William Bendix as Babe Ruth also looked pretty bad in their baseball movies). Did you notice that the stock footage was of Fenway Park but whenever Perkins was playing they showed some minor league park? Just look at the outfield background, that's not Fenway. What really bothers me is that they only mention one real life Red Sox person, Joe Cronin, and that was wrong, it should have been Pinky Higgins. What happened to Ted Williams, Jackie Jensen (my all time favorite Red Sox player), Dom Dimaggio, Bobby Doerr, Johnny Pesky, and a bunch of others who played on the team with Piersall? Ted's career was actually extended because Piersall was so good as a fielder that he used to run from center to left to catch flyballs so that Williams didn't have to tire himself out trying to get to them. Piersall was eventually traded to another team, so all his euphoria about playing for the Bosox didn't last. Still with all its' faults and disappointments, this movie is well worth watching, especially for baseball fans.

This is a great movie. I'm glad I made a special trip to the store to find this. I now have the new DVD. I remember catching it one day on Encore or maybe AMC. I thought what I saw of it was great. But the whole time I kept thinking of Perkins as Norman Bates. After I saw the whole thing for the very first time I thought of Tony Perkins in a whole new way. The scenes of him losing it and the scene where he stands up to his father are great. Good baseball scenes too. Very very good acting by Perkins. Malden was good too as Jimmy Piersall's over demanding father. Norma Moore is good as Piersall's wife Mary. This movie has great music by Elmer Bernstein, who's music is always great. The theme really sets the tone for a dramatic movie. This is a great sports movie, biopic, and drama. So be sure not to miss it. I recommend it to everyone. It shows that becoming a professional ball player, or in this case, an all-star outfielder for the Boston Red Sox, doesn't come easy. My favorite part is where Piersall puts on his hat and walks out to go back to playing baseball for the first time after his recovery. That was a very inspiring scene. See this movie and you will love it. There is nothing to hate about it. Believe me, you will not be disappointed

True story of Boston Red Sox outfielder Jimmy Piersall, Anthony Perkins, struggle with mental illness by desperately wanting to please his domineering father John, Karl Malden, to be a big league baseball player. At the same time Jimmy confronted his insecurities of not having what it takes to be one. Growing up as a boy in Waterbuary Ct. Jimmy always dreamed of playing for the Red Sox not just to play professional baseball but to be able to get out of the poverty that he and his parents were stuck in all their lives.

Jimmy's father John played semi-pro ball as a young man but never had the talent to play in the big leagues and put all his effort and drive to see that Jimmy would get the chance, playing professional baseball, that he never got. Helpful at first but as John's obsession in getting Jimmy to make the grade started to take it's toll on the sensitive young man, As he finally reached his goal of making the team, fear set in on Jimmy fear that he'll fail his dad and himself. That fear lead Jimmy to have a mental breakdown during a night-game in Fenway Park after hitting an inside-the-park home run.

"Fear Strikes Out" covers Jimmy Piersall's life from a 12 year old boy in Waterbuary Ct. through his being committed into a institution for treatment of his mental illness due to the his fear that he'll never be the person that his father wanted him to be. As well as the fear that he wouldn't be able to care and provide for his parents and newlywed wife Mary, Norma Moore, and their new born daughter Eileen.

Being looked after by Dr. Brown, Adam Williams, at the institution it's painful to see Jimmy completely lose it and end up looking and acting like a person who's been lobotomized. Dr. Brown get's Jimmy to respond to his treatment by showing him the kindness and understanding that his father lacked for Jimmy during his formative years. That caused him to not just enjoy playing baseball but to become obsessed by it in wanting to fulfill the dreams that his dad had for him.

This pressure built up over the years as Jimmy worked hard to make the majors and play along the likes of baseball greats like Ted Williams Mickey Mantle and Willie Mays. There was a terrible price to all that and that price was that no matter how hard Jimmy tried he was never good enough, or as good as he could be, in the eyes of his dad John Piersall.

It turned out that it was not just Jimmy who needed mental therapy but his father as well in understanding that his son was a human being not a machine who's feeling had to be taken into account. John Piersall was relentlessly driving Jimmy to make the grade as a big league baseball player not caring, or noticing, that he was driving Jimmy straight into a nervous breakdown. Even Boston Red Sox manager Joe Cronin, Bart Burns, was more receptive to Jimmy's impending mental collapse then his father. Cronin did everything he could, through the Red Sox organization, to help Jimmy with desperately needed professional help that Jimmy's father had no idea that his son needed.

The best part of the movie "Fear Strikes Out" was when John Piersall finally understood what he did to his son Jimmy in pushing him like he did. Later at the institution John was accepted by Jimmy who for a time wanted to have nothing to do with him. For once just being his father, not a hard as nails lion trainer, the two had an friendly but emotional game of catch.

Jimmy did in the end recover form his personal demons and went on to be an All-Star outfielder for Boston Cleveland and the New York Mets, among outer teams he played for. Despite his fine record as a professional baseball player Jimmys overcoming the fear that almost destroyed him was by far Piersall's greatest achievement.

This is not what one would call a pleasant film to watch particularly about Baseball. It tells the true story of former major league ball player Jim Piersall of the Boston Red Sox and his eventual mental breakdown. While certain events are not exactly the way they took place the story nonetheless sticks pretty much to fact. Anthony Perkins puts in a dynamic performance as Piersall. A kid who likes baseball but is driven to madness by his domineering perfection minded father played by Karl Malden. Also included in the cast is Norma Moore as Jims devoted wife Mary and Adam Williams as the psychiatrist Doctor Brown.

The first half of the picture deals with Piersall growing up practicing and playing baseball always under the scrutiny of his father. Whatever Jim did on the playing field it could always have been done better according to his Dad. The second half of the film deals with Piersalls mental breakdown and subsequent treatment and recovery. While watching a ball game on TV he makes remarks that his doctor picks up on and uses to unlock the reason why he cracked up. These same circumstances are no doubt still occurring today as many parents push their children relentlessly in everything from sports to academics to beauty pageants. Jim Piersalls story fortunately became a book and later this fine film that perhaps has and will continue to serve as a message to those who watch it. Whether you're a baseball fan or not this is a movie to be seen.

If this story were filmed today, the treatment would be much more stark and realistic. But for a film in the mid-50s, it provided quite a punch in conveying the agony of growing up with a loving but very demanding father. When I saw it in the theater, I never questioned Anthony Perkins as a teenager in the first part; today, this is much more difficult to swallow. Even though dated somewhat, the film is still worth a watch.

Karl Malden is excellent as a father driven by his own sense of failure to attempt to live vicariously through his son. As a result, he literally orchestrates his son's life. Never accepting the `glory' of the moment, he places constant expectations and demands on his son. Possibly this is Malden's best role.

Tony Perkins has some fine moments of anguish and neuroticism as the ball player, Jimmy Piersall. One scene between his father and him after his breakdown is superbly acted with Perkins running through a panoply of emotions. That this emotional turmoil is somewhat subdued is to the credit of the film. Norma Moore gives a competent and rather understated performance as his wife. The doctor, played by Adam Williams, is appropriately comforting, but he's not up to delivering the big line, especially in his intense scene with Malden. Regretfully, Perry Wilson as Piersall's submissive mother, didn't have more of a role.

Some very nice photography using the angularity of steps and bleachers and railroad stations conveys the underlying jaggedness and tension of emotions. Elmer Bernstein's soundtrack is effective in supporting the mood of the film.

FEAR STRIKES OUT dealt with a theme not often portrayed in films of the '50s--mental illness--and is a shattering example of how a father's insistence on perfection can have a significant effect on the well being of a sensitive individual unable to meet his father"s expectations. Marketed at time of release as a baseball movie, it's really a relationship movie about a father and son--that is the real heart and soul of the story.

Based on the real life story of Jim Piersall, a well known American sports figure for the Boston Red Sox, as taken from his own account of his life. Slowly the picture emerges of the kind of stress he was under to achieve his goal of playing in the majors, the kind of guilt he felt whenever he did something that aggravated his father--as in simple disobedience when he didn't come straight home after work and then broke his ankle at an ice skating rink.

Even in the midst of achievements, his father finds flaws to criticize. "Wish me luck," he pleads with his father when the Red Sox signs him. "No, luck won't do it. You've got to be thinking and planning all the time."

And later on in the film, after his breakdown and he lands in a mental asylum, he defends his father to his psychiatrist with, "If it hadn't been for him pushing me and driving me, I wouldn't be where I am today!" Chilling words and the scene is the turning point in Piersall's progress toward recovery and the root cause of his problems.

It's the sort of film everyone can relate to, sports minded or not, because it does reveal the danger of parents who expect too much from their children, with tragic results. The scene where Malden tries to take him from the hospital before he's ready to go, is a chiller.

Both ANTHONY PERKINS and KARL MALDEN give the kind of performances that merited at least Oscar nominations--solid and superb.

Summing up: A satisfying, mature drama that takes a penetrating look at the danger of pressure-driven father/son relationships in the sports world where winning is the only thing that counts.

Jimmie Piersall was a great baseball player in his day, his career beginning in 1950, and continuing for about the next twenty years; two of the teams for which he played were the Yankees and the Red Sox. But sadly, he became bipolar because he was under two much pressure as this bio about him is dramatized well. Karl Malden played the part of the pressuring father who pushed him too much to be much better than he, the father, had ever been.

One scene in this movie which point out this fact well is the one where in the dugout, after he earned his first hit, he reminds his team mates of this in a very hostile manner. Another time he became so outrageous that he took a bat and swung it with all his strength that he had to be stopped by police officers. It was then that he was institutionalized in Boston.

Norma Moore plays the part of his caring wife, and Adam Williams plays the part of the concerned psychiatrist. Again, it is a great drama which, in its own way, can be instructive about how to be toward others. It is too definitely a character study about the private life of an outstanding pro because player.

Jimmy Piersall was a successful baseball player who overcame a nervous breakdown and continued with his career, eventually going into management and finally broadcasting. Eighty-one at the time of this writing, he's still with us.

"Fear Strikes Out" is Piersall's story, starring Anthony Perkins and Karl Malden. The film takes several liberties with the real events, but it's still effective. Piersall himself didn't like the film.

Jimmy is presented as being under constant pressure from his father, who in the film comes off as a good man, but a very determined one. The dream of major league baseball for his son was a vicarious one.

Jimmy is sent to the minor leagues by the Boston Red Sox for training. His major problem was that he was not a strong hitter. He was, however, an excellent outfielder.

Over time, his behavior becomes more and more erratic and includes hitting and temper tantrums. Eventually he is hospitalized. The film doesn't mention that Piersall was bipolar, but I did read that he was.

"Fear Strikes Out" is on the strange side, in that one understands Piersall's problems but one also has a certain detachment from them, despite the strong performance by Anthony Perkins.

Karl Malden, who could be a very warm actor, is excellent, coming off as tough and somewhat cold. Part of it is that we see the results of Piersall's illness, but not enough of his inner self and the development of it.

The ending is kind of abrupt, which is understandable in a way, as events needed to be telescoped. Only one wife, Piersall's first, is mentioned, and I believe only one child. Piersall had three wives; he had nine children with Mary, his first wife.

Good performances, some strong baseball scenes - all in all, a good effort if not a great one.

FEAR STRIKES OUT has to be the classic compulsive "sports Dad" movie. I think every father with a son in sports should be required to see this film--especially after what we've seen recently with regard to parents in fist fights at their sons' Little League games. If ever there was an overbearing, driving patriarchal figure trying to live out his past inadequacies through his son in sports, Jimmy Piersall's father was he. In fact, I watch this movie not so much for the Jimmy Piersall story so much as to see Karl Malden's portrayal of John Piersall! Of course, we don't know how much is embellished, but if Mr. Piersall was even half of what is depicted in this movie, it is little wonder that Jimmy Piersall once hit a home run and ran around the bases backwards...

Could anyone play a more iron-fisted character than Karl Malden? Watch PARRISH (1963) or BOMBERS B-52 sometime to see the equal of Piersall's Dad in FEAR STRIKES OUT. And Piersall's mother? Again, no one knows how accurate the depiction is, but she is a ghost presence and if that is true, it's just another nail in Piersall's psychological coffin.

Even watching this movie as a kid, I was uncomfortable seeing Piersall pounded cruelly again and again by his Dad to do better, to go higher, to do more. Once he's romanced by The Boston Red Sox, Mr. Piersall becomes Jimmy's indispensable "advisor." All of this grows until Jimmy can do nothing without consulting Dad. The result is his father's eternal presence between his ears and the classic breakdown scene at the park when Piersall climbs the fence, an unforgettable moment, especially if you see this as an adolescent.

Reviews concerning Anthony Perkins'lack of athletic ability always come up when this movie is discussed. Actually, this was characteristic of most sports movie bio's back in the 1940's and 1950's. Watch William Bendix as Babe Ruth, Ronald Reagan as Grover Cleveland Alexander, or Dan Daily as Dizzy Dean. Routine throwing and catching resembles something you used to see a "nerd" do at school recess. And this movie quirk wasn't present in baseball films only.

I've always wondered just who this movie is about: Jimmy Piersall or his father? The scene in which the psychiatrist confronts Mr. Piersall at the sanitarium is painful and very sad. I've also always wondered just what Piersall's thoughts must have been when this movie hit the screens: for his was still active in the major leagues. How many teams did Jimmy Piersall play for? How many fist fights? And his announcing career? Full of controversy. Maybe it would have all happened without John Piersall, but it is doubtful. Next time a boy wishes his father was more into sports, remind him of John Piersall.

Exhibit 'A' for all fathers living vicariously through the sports achievements of their sons.

Dennis Caracciolo

The story of bipolar sufferer and baseball legend Jim Pearsall (Anthony Perkins) from small boy to his hospitalisation and painful journey to recovery and his subsequent return to the Red Sox. It focuses on his relationship with his overbearing father (Karl Malden) who lives vicariously through his son and is never satisfied with his achievements.

Whilst Perkins does display the skittishness that he displays a few years later in Psycho, this film demonstrates that there is more to him than that as he gives a quite believable, mesmeric performance throughout - from gentle husband (touching scene in bedroom), intimate but crushing exchanges with Malden and when he completely loses it after getting a home run. Well supported by the ever excellent Malden who somehow manages to stay just the right side of bad guy here and shows, despite his obsession with baseball that he still loves his son.

Astonishing how obsessive some people can get when it comes to their favourite sports. Thankfully in Europe baseball is hardly known, which allows us to get beyond appearances and enjoy one of the most honest, emotionally raw acting ever recorded on film. This is one of Anthony Perkins' best performances ever - the fact that it was only his third movie makes it even more amazing, but obviously Academy voters in that year had too much baseball in their minds to appreciate such a wonderful, unique actor. The first time I saw this film I was a 9 year old with some father issues. This film was a huge shock and got me interested in psychotherapy at a very early age. Many scenes stayed embedded in my mind for years: Tony in the baseball field alone at night, his breakdown in the field, his fear of his father when he has an accident, all his exchanges with his father.... It's not just a tremendous acting turn, though. It's a beautiful, mature, realistic movie, the kind they used to make at that time in Hollywood (influenced by TV drama and Italian neo-realism) and they seemed to have forgotten how to make in this Lords of the Star Wars of Narnia age of childish entertainment. It could be used as an exhibit in the case for the regression to childhood of the American consciousness. I've read Tab Hunter's enormously entertaining book - which I recommend to any lover of Hollywood's golden age - and even he admits he couldn't have made a better job than Tony did. Once in a while the right part goes to the actor who deserves it most. Fear Strikes Out is a true classic and Anthony Perkins' acting is a masterclass of the first order, with as much fire and urgency as anything by Brando and Dean. In fact, as a film director, I'm showing this film to the young leading man in my next movie as reference and inspiration. Wish me luck!

Decent version of the baseball player, Jimmy Piersall, who had some problems. Although I'm sure it's been noted that Anthony Perkins seems out of place performing athletics, he certainly gives an intense and heartfelt performance as the young man. Very admirable. Equally good is Mr. Karl Malden as his deluded old man.

A 7 out of 10 and well worth a look. There are some electric scenes in this and Piersall's schizo passion is a sight to see. Less of a sports film than a tale of father and son misunderstanding that seems all too common. The 50's were a very peculiar era and this film fits right in.