Eroica

Most people associate war with suffering as no war is devoid of untold misery.It is for this reason most works of art are created with a serious approach in order to understand human suffering which has taken place during the times of war. However, there are some exceptions too. These works have approached war in a lighter vein as the idea in these works has been to reveal the strange mechanisms of human mind. Polish director Andrzej Munk's classic film 'Eroica' is one such work of art wherein war is treated from a comical point of view. His film does its best to provide good laughter through its two sketches which depict Polish people who were caught in war when Nazi Germany attacked Poland. In the first sketch, 'Scherzo Alla Polacca', heroism is completely avoided by an innocent army man who decides that he would like to live at all costs. This episode is funny as it shows how a common man is ready to pay any price in order to stay alive including pardoning his wife who was involved in an affair with an army general. The second sketch, "Ostinato Lugubre" doesn't have any trace of slapstick humor but is able to garner some laughter by depicting amusing antics of a group of captured Polish army officers who hanker continually after cigarettes and food. This episode is more serious in nature due to its depiction of two deaths. However, some viewers might have a good laugh at the vain efforts made by these officers to get hold of glory when there is nothing to be had. Eroica seems to suggest that heroism might be a virtue for many but there are many who don't want to make a mess of their lives by pursuing it in vain. However, the danger is that the voices of this silent majority is not heard. It is hoped that after watching 'Eroica', viewers would change their perceptions about this silent minority.

I personally think you have to be Polish or have studied a great deal of Polish history during World War II and, perhaps, the cultural history of Poland to understand everything in this film. But, it is a set of brilliant dark commentaries on men in time of war. In our first film, Scherzo alla Polacca, a man runs away from his duty during the Warsaw Uprising. He has been a selfish man and does not adapt well to sacrifice, but he reluctantly makes an attempt to do something for the cause without much real effect. This is dark comedy at its best and pokes fun at Hungarians as well as poking fun at opportunists during wartime.

Our second film, Ostinato Lugubre, tells the story of a group of Polish Officers encamped in a German Prisoner of War camp and details the everyday life of the men as they deal with their feelings, lack of privacy and their affection for one man who escaped. Did he really escape? This is the plot point that holds this story together so well. We witness brilliant acting and a deeply moving script.

This is considered one of Munk's great masterpieces and deserves a chance to be released on video. This was part of a festival at the National Gallery of Art in Washington.

I thought I knew a little something about twentieth-century Polish history, but while watching a screening of the 1957 classic film "Eroica" at Chicago's Facets film archive, I could barely keep up with the complicated ideas swirling around the role of Poland in World War II and its relationship to its neighboring countries, especially communist Russia, Nazi Germany, and Hungary. Directed by Andrzej Munk, "Eroica" has been called "a truly great film and one of the key works of postwar Polish cinema..., a fine example of the Polish myth of romantic heroism."

Alluding to Beethoven's "Eroica" symphony, the film's first movement is a look at the Warsaw Uprising through the eyes of a drunken black marketeer; in the second movement, Polish prisoners in a German camp determine that the heroism of their comrade is a farce. Without a knowledge of what this film is satirizing, it is difficult to understand the dark, very dark, humor in this cynical movie about corruption. Watching the film is like having a two-part nightmare. One of the POWs tells a camp newcomer when he complains about the meager food provisions: "Powdered milk, powdered eggs, powdered coffee, powdered people," a reference to the Nazi extermination camps that littered German-occupied Poland during World War II.

There is as much dark humor about ordinary people as there is about politicians, but my favorite line in the whole film, perhaps because it rings true in the current American political climate: "I don't trust businessmen; their preservation instinct is high."

"Eroica," wrote Pauline Kael, "is a true black comedy and one of the few modern movies that has something relevant to say about the modern world." Fortunately, Facets' owner, the late Milos Stehlik, was on hand after the film to help the audience understand how it "takes down socialist realism mythology" and really fueled the disenchantment with communism that led to the great literature, art, and films that many Polish intellectuals created in rebellion and into the Solidarity movement and the 1989 overthrow of communism in Poland.

By the end of the movie, however, I was left wondering why it seemed so cynical about the human condition as to see no redemption in those people who do show heroism, bravery, and love under the worst possible conditions. Isn't the very making of this film a contradiction of its maker's cynicism? Nevertheless, Eroica is essential viewing for cinema buffs who want to understand the dark road that cinema traveled after the Second World War.