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IMDbPro

Don Kikhot

  • 1957
  • PG
  • 1h 50min
CALIFICACIÓN DE IMDb
7.3/10
994
TU CALIFICACIÓN
Nikolay Cherkasov and Yuriy Tolubeev in Don Kikhot (1957)
Drama

Agrega una trama en tu idiomaSenor Quexana has read so many books on chivalry that he believes that he is the knight Don Quixote de la Mancha. So Don Quixote sets off on his horse, accompanied by his squire Sancho Panza... Leer todoSenor Quexana has read so many books on chivalry that he believes that he is the knight Don Quixote de la Mancha. So Don Quixote sets off on his horse, accompanied by his squire Sancho Panza on a mule, to perform valiant deeds. They mistakenly save the Lady Altisidora who is so a... Leer todoSenor Quexana has read so many books on chivalry that he believes that he is the knight Don Quixote de la Mancha. So Don Quixote sets off on his horse, accompanied by his squire Sancho Panza on a mule, to perform valiant deeds. They mistakenly save the Lady Altisidora who is so amused that she invites them to visit the Duke to provide some merriment at court. Among ot... Leer todo

  • Dirección
    • Grigoriy Kozintsev
  • Guionistas
    • Miguel de Cervantes y Saavedra
    • Evgeniy Shvarts
  • Elenco
    • Nikolay Cherkasov
    • Yuriy Tolubeev
    • Serafima Birman
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.3/10
    994
    TU CALIFICACIÓN
    • Dirección
      • Grigoriy Kozintsev
    • Guionistas
      • Miguel de Cervantes y Saavedra
      • Evgeniy Shvarts
    • Elenco
      • Nikolay Cherkasov
      • Yuriy Tolubeev
      • Serafima Birman
    • 6Opiniones de los usuarios
    • 9Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado y 1 nominación en total

    Fotos90

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    + 85
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    Elenco principal34

    Editar
    Nikolay Cherkasov
    Nikolay Cherkasov
    • Don Quixote de la Mancha
    • (as N. Cherkasov)
    • …
    Yuriy Tolubeev
    Yuriy Tolubeev
    • Sancho Panza
    • (as Yu. Tolubeyev)
    Serafima Birman
    Serafima Birman
    • Ekonomka
    • (as S. Birman)
    Svetlana Grigoreva
    • plemyannitsa Don Quijota
    Vladimir Maksimov
    • Svyashchennik
    • (as V. Maksimov)
    Viktor Kolpakov
    Viktor Kolpakov
    • Tsyryulnik
    • (as V. Kolpakov)
    Lyudmila Kasyanova
    Lyudmila Kasyanova
    • Aldonsa - Dulcinea del Toboso
    • (as L. Kasyanova)
    Tamilla Agamirova
    Tamilla Agamirova
    • Altisidora
    • (as T. Agamirova)
    Georgiy Vitsin
    Georgiy Vitsin
    • Sanson Carrasco
    • (as G. Vitsin)
    Bruno Frejndlikh
    Bruno Frejndlikh
    • Gertsog
    • (as V. Freindlich)
    Lidiya Vertinskaya
    • Gertsoginya
    • (as LL. Vertinskaya)
    Galina Volchek
    Galina Volchek
    • Maritornes
    • (as G. Volchek)
    Olga Viklandt
    Olga Viklandt
    • Krestyanka
    • (as O. Vikland)
    Aleksandr Benyaminov
    Aleksandr Benyaminov
    • Pastukh
    • (as A. Beniaminov)
    S. Tsomayev
    • Andres - pastushonok
    Nina Anisimova
      Svetlana Batalova
        Igor Belskiy
          • Dirección
            • Grigoriy Kozintsev
          • Guionistas
            • Miguel de Cervantes y Saavedra
            • Evgeniy Shvarts
          • Todo el elenco y el equipo
          • Producción, taquilla y más en IMDbPro

          Opiniones de usuarios6

          7.3994
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          Opiniones destacadas

          9brogmiller

          Inspiring fear in the villains and hope in the abused.

          In his prologue to 'Don Quixote', one of the greatest works of the human mind, Miguel de Cervantes y Saavedra wrote: 'You may suppose it engendered in some dismal prison'. He was indeed imprisoned on several occasions due to financial mismanagement whilst his fame brought him neither wealth nor comfort and he was buried simply and without fanfare.

          His masterpiece has inspired an opera, a symphonic tone poem and been filmed on numerous occasions from 1902 onwards.

          One of the most polished is that of G. W. Pabst featuring the mighty Russian bass Fédor Chaliapin although the film lacks warmth. The version, for this viewer at any rate, that reigns supreme is this one directed by Grigori Kozintsev, beautifully shot in the Crimea with magnificently true performances by Nikolai Cherkasov and Yuri Tolubeev as the Knight of Rueful Countenance and Sancho Panza.

          Kozintsev's visual sense is stunning and by concentrating on the major episodes has successfully condensed 74 chapters into 110 minutes whilst capturing Cervantes' pathos, humour and humanity.

          He would go on to direct exceptional adaptations of 'Hamlet' and 'King Lear', the former made in 1964 to mark the 500th anniversary of Shakespeare's birth. It is uncanny that Shakespeare and Cervantes both died on 23rd April 1616.

          There are currently only five reviews of this piece which is lamentable, even more so as IMDb members seem more interested in the quasi-musical directed by Arthur Hiller, the aborted production of Terry Gilliam and Orson Welles' film that never was. Beyond belief.
          10jimi99

          definitive quixote on film

          This Russian film of the late 50's is the definitive cinematic version of Cervantes' masterpiece, featuring the great star Nikolai Cherkasov in the lead. It is available on VHS and should be sought out by all true film buffs.
          10lyubitelfilmov

          The sad masterpiece of Soviet cinema or the best film adaptation about the Knight of the Sad Image

          Adventure. The film adaptation of the novel of the same name by the Spanish writer Miguel Cervantes, which the author of this review read with great interest, therefore he became interested in this film adaptation, and since he is familiar with the book source, he will evaluate the film adaptation with the book. But not only is this picture famous for its release year and country of origin, but also for the fact that the role of Don Quixote is played here by a real chameleon of Soviet cinema and the best actor on planet Earth, Nikolai Konstantinovich Cherkasov (this was one of his last roles both on screen and in life), so pass by the author of this review. I couldn't. And here is a brief opinion - The best film adaptation about the Knight of the Sad Image. There are no flaws in the picture, so you should focus on the merits of this masterpiece of Soviet cinema, and therefore you should finish this important introduction.

          So, here they are: 1. The scenario - picture, as the name suggests, will tell and show us the adventures of Don Quixote, who, after reading chivalric novels, decided to become a knight errant himself, and his faithful squire Sancho Panza, who complements his master well, commenting caustically on the events taking place, and he often finds himself beaten along with his master, since they don't care about knights errant, like Trump cares about greatness, that is, in no way! Despite the fact that it is impossible to reflect all the events of the novel in the picture, so the creators focused on only a few important events (rearranging some of them altogether), which greatly influenced the fate of our characters. The ending is practically the same as the book ending. But in general, the picture gives the most vivid picture of Don Quixote. One can even say more - Soviet cinematographers even ennobled the book Don Quixote, giving him an even greater touch of tragedy than Cervantes himself did.

          2. The personality of Don Quixote - in this picture, his tragedy was enhanced, because not only representatives of the aristocracy, but also ordinary people laugh at his ideals, for both of them our Don Quixote is just crazy. Although nothing compares to the joke in the duke's castle on Don Quixote and Sancho Panza. Although there are more details in the book, in the picture it was done briefly and very cruelly towards the characters. Of course, the social commentary (very typical of Soviet cinema) has not gone away, but it is very relevant and appropriate. At the same time, madness was removed from Don Quixote, but he had this character trait. There is no remorse in the finale, only regret for missed opportunities. Many reasonable dialogues and monologues from the book have been removed, it is especially sad that Don Quixote's instruction to Sancho Panza was removed before assuming the governorship.

          3. Reworking the key events of the novel - we were shown several key events, some were mentioned in the conversation, and some were simply not even mentioned. The scene with the mill takes place after the duke's castle, but it should be at the beginning, the events with the convicts had far-reaching consequences, there is no final repentance of Don Quixote, the Bachelor did not confess his deception to Don Quixote, and there are many things not. It's just that this is a film adaptation of the novel, but not verbatim, so you should definitely read the original source, but the film adaptation is beautiful, although not quite perfect.

          4. Costumes and decorations - the Crimea was the setting, because its climate resembles hot Spain, and the costumes are just great. You'll immediately recognize the fashion of the late sixteenth and early seventeenth centuries.

          A little bit about the main characters: 1. Don Quixote, performed by Nikolai Cherkasov, is a kind hidalgo who fancies himself the last knight errant and performs feats for which he often gets bumps and mutilations. The last romantic of a bygone era. These words perfectly characterize both Don Quixote and Nikolai Konstantinovich himself, who brilliantly got used to the image of the hero. It just needs to be seen. Bravo! And a long standing ovation to the great actor!

          2. Sancho Panza, played by Yuri Tolubeyev- is Don Quixote's cheerful squire, a sharp-witted peasant who hisses with sayings like a cornucopia. It complements the image of Don Quixote in many ways. He has been beaten more than once and has been rewarded for his service more than once. Yuri Vladimirovich also fit perfectly into the role of Sancho. Bravo! And a long standing ovation to the actor Besides them, Bruno Freundlich, Lidia Vertinskaya, Galina Volchek, Georgy Vitsin and many others played here. All of them have earned recognition for this work.

          This film, without fooling around, is the best film adaptation of the immortal novel about the last romantic knight errant Don Quixote of La Mancha, directed by the talented Soviet director Grigory Kozintsev, based on the script by the famous Soviet playwright Evgeny Schwartz, and played by the legends of Soviet cinema. It's sad that almost no one knows about this film adaptation, and with this review, the author would like to remind you about it and once again advise you to read the immortal novel (which is a million times better than the book about Schweik). This is not just a book - it is a vivid statement about the chivalric era, which had long since disappeared into history by the time of Miguel Cervantes' life, but this does not mean that it should be forgotten.

          A 10 out of 10 rating and a recommendation for viewing!
          4XxEthanHuntxX

          Dissapointed

          The morality and concept of the story is well likeable, though I haven't read the book, Grigoriy Kozintsev's adaption is not enough engaging to captivate my interest the whole way through. Towards the end the movie has lost it charm and is not enjoyable to watch anymore. It becomes repetitive and feels to long for its ideal self.

          While they have captures the atmosphere and the overall the aesthetic very well. Filmed in the Crimea region, where the hilly landscape not only comes close to the Spanish arid regions, but makes them even wider, even more epic.

          Nikolai Cherkasov gives the old Knight Don Quixote a frail, spindly look, a man despite the ridicule and violence that sweeps against him, retains his dignity. Meanwhile, with Sancho Panza, played by Yuri Tolubeyev, as his chubby companion, makes his part crystal clear. He is the voice of reality, the contrast to the sprawling fantasy of Don Quixote.
          8donelan-1

          Mature film by a great director

          Kozintsev was one of the great Russian directors, whose career started in the silent era. His star, Nikolai Cherkasov, played a hero who used brains as well as brawn in Eisenstein's Alexander Nevsky, and a politician who becomes almost demoniacally subtle and unscrupulous in Ivan the Terrible. As Don Quixote, he plays the would-be knight-errant with such quiet dignity that his delusions begin to seem preferable to the reality around him. Sancho Panza, as solid and earthy as his master is gaunt and unworldly, shows up the nobles who amuse themselves by playing along with Don Quixote's delusions as even more deluded and out of touch with reality. One can't help seeing a reference to Soviet society, perhaps too subtle for the censors to catch. This film, as well as Kozintsev's Hamlet and King Lear, are overdue for release on DVD in the United States.

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          Argumento

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          ¿Sabías que…?

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          • Trivia
            Debut of actress Galina Volchek.
          • Créditos curiosos
            When each opening credit appears, it is wiped away by the animated sail of a windmill, in a somewhat similar manner to the opening credits to "Man of La Mancha" (1972).
          • Conexiones
            Featured in O Velho do Restelo (2014)

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          Preguntas Frecuentes

          • How long is Don Kikhot?
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          Detalles

          Editar
          • Fecha de lanzamiento
            • 23 de mayo de 1957 (Unión Soviética)
          • País de origen
            • Unión Soviética
          • Sitio oficial
            • arabuloku.com
          • Idioma
            • Ruso
          • También se conoce como
            • Don Quixote
          • Locaciones de filmación
            • Crimea, Ucrania
          • Productora
            • Lenfilm Studio
          • Ver más créditos de la compañía en IMDbPro

          Especificaciones técnicas

          Editar
          • Tiempo de ejecución
            1 hora 50 minutos
          • Color
            • Color
          • Mezcla de sonido
            • Mono
          • Relación de aspecto
            • 2.35 : 1

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