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IMDbPro

La cabalgata de Chaplin

Título original: The Chaplin Revue
  • 1959
  • G
  • 2h 8min
CALIFICACIÓN DE IMDb
7.7/10
1.7 k
TU CALIFICACIÓN
Charles Chaplin in La cabalgata de Chaplin (1959)
Comedy

Agrega una trama en tu idiomaThree Charlie Chaplin short films edited together with new connective tissue.Three Charlie Chaplin short films edited together with new connective tissue.Three Charlie Chaplin short films edited together with new connective tissue.

  • Dirección
    • Charles Chaplin
  • Guionista
    • Charles Chaplin
  • Elenco
    • Charles Chaplin
    • Edna Purviance
    • Albert Austin
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.7/10
    1.7 k
    TU CALIFICACIÓN
    • Dirección
      • Charles Chaplin
    • Guionista
      • Charles Chaplin
    • Elenco
      • Charles Chaplin
      • Edna Purviance
      • Albert Austin
    • 8Opiniones de los usuarios
    • 6Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos658

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    Elenco principal44

    Editar
    Charles Chaplin
    Charles Chaplin
    • Narrator
    • (voz)
    Edna Purviance
    Edna Purviance
    • The Girl
    • (material de archivo)
    Albert Austin
    Albert Austin
    • Crook (segment "A Dog's Life")
    • (material de archivo)
    • …
    Henry Bergman
    Henry Bergman
    • Dance-hall Lady (segment "A Dog's Life")
    • (material de archivo)
    • …
    Kitty Bradbury
    • Girl's Mother (segment "The Pilgrim")
    • (material de archivo)
    Syd Chaplin
    Syd Chaplin
    • Lunchwagon Owner (segment "A Dog's Life")
    • (material de archivo)
    • (as Sydney Chaplin)
    • …
    Tom Murray
    Tom Murray
    • Sheriff (segment "The Pilgrim")
    • (material de archivo)
    Charles Reisner
    Charles Reisner
    • Employment Agency Clerk
    • (material de archivo)
    • (as Chuck Reisner)
    • …
    Dean Riesner
    Dean Riesner
    • Little Boy (segment "The Pilgrim")
    • (material de archivo)
    • (as Dinky Reisner)
    Mack Swain
    Mack Swain
    • Large Deacon (segment "The Pilgrim")
    • (material de archivo)
    Loyal Underwood
    Loyal Underwood
    • Small German Officer (segment "Shoulder Arms")
    • (material de archivo)
    • …
    Mai Wells
    Mai Wells
    • Little Boy's Mother (segment "The Pilgrim")
    • (material de archivo)
    • (as ?)
    Jack Wilson
    • CrownMan at the Bar (segment "A Dog's Life")
    • (material de archivo)
    • …
    Tom Wilson
    Tom Wilson
    • Policeman (segment "A Dog's Life")
    • (material de archivo)
    • …
    Phyllis Allen
    • Congregation Member (segment "The Pilgrim")
    • (material de archivo)
    • (sin créditos)
    Dave Anderson
    Dave Anderson
    • The Bartender (segment "A Dog's Life")
    • (material de archivo)
    • (sin créditos)
    Bert Appling
    • Unemployed Man (segment "A Dog's Life")
    • (material de archivo)
    • (sin créditos)
    Monta Bell
    Monta Bell
    • Policeman (segment "The Pilgrim")
    • (material de archivo)
    • (sin créditos)
    • Dirección
      • Charles Chaplin
    • Guionista
      • Charles Chaplin
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios8

    7.71.6K
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    Opiniones destacadas

    Snow Leopard

    A Great Opportunity to See Three Classic Comedies

    The "Chaplin Revue" is a re-edited version of three of Chaplin's classic silent comedies, spliced around some brief but interesting comments by Chaplin himself. It is a great opportunity to see three of his classic short features that are otherwise hard to find. They have a slightly different feel from the original versions, in that the pace is a bit slower, and there is new music. But it's still the same Charlie Chaplin slapstick plus worthwhile observations on humanity.

    "Shoulder Arms" is the best of the three, ranking among the finest of all of Chaplin's pictures, and is a nearly flawless feature. The other two are very good as well. "A Dog's Life" features a very nice balance between slapstick humor and sympathetic characters, and "The Pilgrim" features some of Chaplin's favorite themes of identity mix-ups and interplay between different social classes.

    The "Revue" is well worth seeing, either for Chaplin fans or for anyone looking for an introduction to some of his shorter, less famous works.
    5mjneu59

    three classic comedies nearly ruined in retrospect

    Three of Charlie Chaplin's classic short features – 'A Dog's Life', 'Shoulder Arms', and 'The Pilgrim' – are packaged here into an essential collection, but with a serious flaw: when he compiled the review in 1958 Chaplin hung a cloud around the silver lining of his own timeless pantomime technique by carelessly 'updating' each selection for contemporary audiences with crude step-printing and indiscriminate music scoring. The tampering severely crippled his comic rhythm, but with a little mental arithmetic it's still possible to laugh loud and long. The weakest of the three films is the enormously popular World War One spoof 'Shoulder Arms', which enlisted the Little Tramp as a cheerleader for the war effort, but the other two are minor masterpieces of comic invention, highlighted by more than one classic, much imitated routine. The pathos that would later enrich Chaplin's later features is all but absent, leaving only pure, unadulterated comedy.
    9TheLittleSongbird

    Classic revue

    Am a big fan of Charlie Chaplin, have been for over a decade now. Many films and shorts of his are very good to masterpiece, and like many others consider him a comedy genius and one of film's most important and influential directors.

    The short films that form 'The Chaplin Revue' ('A Dog's Life', 'The Pilgrim' and 'Shoulder Arms'), made when Chaplin had found his groove and building upon it, showed a noticeable step up in quality though from his Keystone period, where he was still evolving and in the infancy of his long career. The Essanay and Mutual periods were something of Chaplin's adolescence period where his style had been found and starting to settle. Something that can be seen in all three shorts forming 'The Chaplin Revue', hard to decide which is my personal favourite of three of his best short films and three of the best efforts of his relatively early career.

    The stories are more discernible than before and are never dull, though sometimes a bit too busy and manic.

    On the other hand, 'The Chaplin Revue' looks pretty good, not incredible but it was obvious that Chaplin was taking more time with his work and not churning out countless shorts in the same year of very variable success like he did with Keystone. Appreciate the importance of his Keystone period and there is some good stuff he did there, but the more mature and careful quality seen here and later on is obvious here in 'The Chaplin Revue'.

    While not one of his most hilarious or touching, all three, especially 'Shoulder Arms' are still very funny with some clever, entertaining and well-timed slapstick and has substance and pathos in particularly 'A Dog's Life'. 'The Chaplin Revue' moves quickly and there is no dullness in sight.

    Chaplin directs more than competently, if not quite cinematic genius standard yet in this period. He also, as usual, gives amusing and expressive performances and at clear ease with the physicality and substance of the roles. The supporting cast acquit themselves well in all three.

    Overall, great as a representation of what Chaplin's appeal was. 9/10 Bethany Cox
    9planktonrules

    wonderful overview of the types of shorts made by Chaplin

    Most of Chaplin's most famous films are his full-length features. And, I assume most people have at most seen only a few clips of him from his pre-feature days when he starred in dozens and dozens of comedy shorts. This is really a shame, as some wonderful shorts are pretty much waiting to be discovered by the world in the 21st century.

    If someone watches this film they have an excellent chance to see some of Chaplin's better shorts because Chaplin himself chose these three shorts and strung them together with a bit of narration to make this 1959 feature film. This is great for several reasons. First, in Chaplin's earliest films from 1914-1915, his character of the Little Tramp is still in its earliest incarnations or is absent altogether. Plus, even when he is there, he was often mean-spirited and self-centered--something very alien from the Little Tramp we have grown to love. Second, because the shorts that were chosen were in great condition, if you watch this film you won't need to worry about watching scratchy film with gaps and lousy musical accompaniment that doesn't fit the action (a common problem).

    So, for a great look at Chaplin's shorts at their finest, give this film a chance. It's sure to provide you some excellent laughs.
    CHARLIE-89

    Chaplin re-cuts and re-issues three gems from the past!

    THE CHAPLIN REVUE is one of those films that seems like a curse to some and a blessing to others. For people just looking for some classic Chaplin, circa 1918-1923, this is the place. But for hardcore Chaplin fans this film seems somewhat of a let-down. Chaplin took three comedy classics of his-A DOG'S LIFE, SHOULDER ARMS, and THE PILGRIM-and tampered with them to create a new revue film. He stretch-printed them, which was supposed to slow them down to sound speed, but only succeeded in marring the pace, which is the thing that made these slapstick shorts so magical in the first place. Then again, this film offers these three masterpieces to a whole new generation of viewers, who, if they haven't seen the originals, will be just as pleased by this sampling of Chaplin at his comic best.

    Más como esto

    The Pilgrim
    7.2
    The Pilgrim
    A Dog's Life
    7.6
    A Dog's Life
    Shoulder Arms
    7.3
    Shoulder Arms
    Un rey en Nueva York
    7.0
    Un rey en Nueva York
    Monsieur Verdoux, el moderno Barba Azul
    7.8
    Monsieur Verdoux, el moderno Barba Azul
    Candilejas
    8.0
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    Una condesa de Hong Kong
    6.1
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    The Chaplin Cavalcade
    7.4
    The Chaplin Cavalcade
    The Idle Class
    7.2
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    Un día de juerga
    6.6
    Un día de juerga
    Sunnyside
    6.6
    Sunnyside
    The Adding Machine
    6.0
    The Adding Machine

    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      To achieve the feel of a modern print, Charles Chaplin stretch-printed the footage, which slowed it down to sound speed so music could be added properly.
    • Citas

      Narrator: There were no atomic bombs or guided missiles. Then it was only cannon, bayonets and poisoned gas. Ha ha. Those were the good old days.

    • Versiones alternativas
      Reissued in a version minus A DOG'S LIFE. Also, the A DOG'S LIFE segment was later reissued by itself. The DVD version includes extra scenes that Chaplin decided to cut on the films' re-release. It also contains the original scores as composed by Chaplin for the film. The scores were recorded in mono on the origianal soundtracks by the Westrex Recording System, but the original stereo tapes were used in the mastering of the soundtrack, recorded on Dolby Digital.
    • Conexiones
      Edited from A Dog's Life (1918)
    • Bandas sonoras
      I'm Bound for Texas
      Words by Charles Chaplin

      Music by Charles Chaplin

      Sung by Matt Monro

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    Preguntas Frecuentes13

    • How long is The Chaplin Revue?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 21 de mayo de 1964 (México)
    • País de origen
      • Reino Unido
    • Sitio oficial
      • Instagram
    • Idioma
      • Inglés
    • También se conoce como
      • The Chaplin Review
    • Productora
      • Roy Export Company
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

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    • Total a nivel mundial
      • USD 9,249
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      2 horas 8 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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