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Baby Face Nelson is directed by Don Siegel and co-written by Daniel Mainwaring, Robert Adler and Irving Shulman. It stars Mickey Rooney, Carolyn Jones, Cedric Hardwicke, Leo Gordon, Anthony Caruso and Jack Elam. Story is based on the notorious criminal who became public enemy number one in the first half of the 1930s.

Gangsters have always been a profitable source for film makers, with many of them proving to be the basis of classic cinema. The story of Baby Face Nelson is ideal for cinematic treatment.

Don Siegel's 57 movie is tight and taut, yet still briskly paced, and in the main as per the characterisation of Nelson, it's pitched right by Siegel and Mickey Rooney. Nelson is seen as a pocket rocket of inferiority complexes, a deluded bully held in the grip of jealousies. He's a trigger-happy punk with anger issues, while Siegel is professional enough to ensure the little thug is not glamorised (the film opens with a written statement pouring praise on the FBI). The recreation of the period is grand, those cars, those guns, the latter of which get a good amount of screen time as Siegel gives us gun play aplenty. While visually (Hal Mohr on cinematography duty) it's lighted for shadows and period starkness. There's even a pitch black noir ending to round it off.

The flaws? Rooney never fully convinces in the role of Nelson, where perhaps he is a mere victim of following in the footsteps of greater characterisations in the genre? Or maybe it's just a case of being familiar with him in more airy roles? But with Hardwicke doing fine work as a boozy lecher, Jones appealingly knowing and sexy as Nelson's moll, and Elam and Elisha Cook Jr bolstering the support ranks, film is in capable acting hands. Narrative is a bit scratchy, not quite a complete whole, more a case of a number of great scenes inserted here and there, but it doesn't hurt the picture too much. Overall it gets in and does its job in next to no time, never out staying its welcome, it overcomes its faults and entertains the genre fan with ebullience. 7/10

Mickey Rooney stretched the limits of his talents and continued to live down the image of all American Andy Hardy in this blood and guts portrayal of Baby Face Nelson. In the title role Rooney dominates this film and that's no small achievement for him as he is supported by a really good bunch of character players, especially for a small independent United Artists film. This part was certainly a better fit for him than that other true life short man he played Lorenz Hart.

One of the nastiest of the famous public enemies of the Thirties, Lester Gillis aka Baby Face Nelson had some real issues. A nasty temper and some inferiority feelings about his short size are what makes him what he is. Give him a Thompson submachine gun and he cuts all down to size.

Reading the Wikipedia article and knowing what I know about him, Rooney really captured his character well. His fans should love what he did in this. Only the cheapness in production values prevents me from giving Baby Face Nelson a higher rating.

In the late 1950s and early 60s, 1930s gangsters were the rage. In addition to the TV show "The Untouchables", there were a lot of films that practically made heroes out of Dillinger, Ma Barker and other unsavory jerks of the era. One thing these depictions all had in common...they bore little semblance to the actual criminals! Why? Because their real life exploits weren't all that exciting...so they spiced it up by fictionalizing their lives--much like films of the 1930s and 40s did with cowboys like Billy the Kid and Jesse James. So, if you are looking for a history lesson or documentary about Baby Face Nelson, you should not bother with this movie.

If you don't mind that it's almost complete fiction, the film is modestly entertaining. Mickey Rooney's portrayal of the man is much like Jimmy Cagney's portrayal of Cody Jarrett in "White Heat"...completely over the top and more a caricature than realistic portrayal of anyone. This isn't so much a complaint...this is entertaining but it's hard to imagine anyone this antisocial and nasty being a successful gangster or working with any gang. This version of Nelson shoots people right and left, hates EVERYONE and is just plain nuts. The only problem with all this is that there is no room for anyone else in the film...even Dillinger! These other characters are one-dimensional and uninteresting. Overall, a dopey but enjoyable film. It has many faults but still makes for fun viewing if you have very, very modest expectations.

Mickey Rooney gives an energetic ,scary and persuasive performance in this crisp and edgy don Siegal movie.The businesslike script by Irving Shulman and Daniel Mainwaring traces the rise of Nelson from apprentice gunman to Rocca(Ted de Corsia),through his meetings with Dillinger(Leo Gordon), his incarceration and subsequent escape aided by girlfriend Sue(Carolyn Jones)and his rise to the status of Public Enemy Number 1 Little is said about the background to the story-prohibition is scarcely touched on -or about Nelson's personal motivation .Instead it records -even ,disquietingly ,celebrates his achievements and behaviour.

The support cast gives Rooney solid backup and special kudos go to Sir Cedric Hardwicke ,Jack Elam and Emile Meyer It looks cheap and low budget but this actually helps the impact of this slick ,anti-social pulp movie

a decade not over-endowed with great movies this has to be one of the most under-rated and underplayed. Don Siegle even stops Rooney from over-acting. No mean feat. The result is a chilling portrayal that has to rate with Rooney's best. In terms of genre this must rate in the top ten of gangster movies. Why has it never been seen on TV? Good knows they dig deep enough sometimes dredging up the most turgid pap especially for day-time TV. Rooney's portrayal of the murderous psychopath could possibly only have been bettered by Cagney at his best. The dialogue is suitably hard-nosed and cynical. By the time they get to 1933 and the end of prohibition Rooney (Nelson) takes a drink in their hide-out and a colleague remarks 'Hey haven't you heard? It's legal now' to which Rooney replies 'No kiddin. Kinda takes the fun outa drinking it'. Watch it if you get the chance.