Ataque de los monstruos

Roger Corman's Attack of the Crab Monsters is just one of many cheapo monster movies from the 50s to blame nuclear fallout for messing up nature, and features lots of the elements one might quite rightly expect from the genre—a team of brave US scientists (including the obligatory pretty female doctor), wooden acting, unconvincing locations, and crummy effects. However, it also manages to present a few unique ideas that elevate it above many of the standard 'mutated monster on the loose' creature features of the era.

The critters that grow to massive proportions in this film are land crabs that have been exposed to radiation from A-bomb tests, but rather than simply being scaled-up versions of regular crustaceans, these guys possess an atomic structure consisting of liquid in a permanent form, making them extremely hard to destroy; they also have the ability to assimilate their victims, absorb their knowledge, and lure further victims to their death by talking to them telepathically. Pretty far-fetched I know, but very creepy, the crabs eerie, echoey, disembodied voices being surprisingly effective.

Of course, given the movie's low low budget, the monsters themselves are pretty rubbish—awkwardly moving lumps of papier-mâché with gangly legs dangling uncontrollably, coat-hanger antennae, and massive human-like eyes that look really daft—but I wouldn't have it any other way: a badly designed, poorly constructed monster is half the charm of a B-movie like this.

6.5 out of 10, rounded up to 7 for a couple of surprisingly nasty moments (a decapitated body and a severed hand—in black and white, but still pretty gruesome) and the somewhat unnecessary but enjoyable underwater swim by Pamela Duncan.

Whether Roger Corman likes it or not this is one of the movies he will always be remembered for. Radiation gets the blame again and spawns mutant crabs who can walk forward (something no real crab can do), talk, and absorb the brains of the people they eat. These ambitious soft shelled terrors want to conquer the world and digest the brains of several scientists to gain the know-how to do that. Believe me, a giant crab with a PHd. is a dangerous thing! Corman's usual stock company does very well here. Mel Welles and Leslie Bradley sport believeable accents, Richard Garland and Pamela Duncan (both of whom would be in THE UNDEAD the same year) are a fine couple, Russell Johnson is great and Beech Dickerson is the comedy relief. If we can believe Ed Nelson, he is the one who was under the giant crab and he also dimly recalled Jack Nicholson hanging around the location pestering Roger for something to do so maybe Jack was helping move the crab around too. Gore is non existant (it was 1957 for cryin' out loud!) except for a decapitation at the start of the film (interestingly (symbolically?) the victim is Charles Griffith who wrote the screenplay). Can I get serious for a moment now? Would someone get in touch with Roger and get him to round up the cast members who are still alive and release this on DVD with an audio commentary track? There IS a market for this movie out there and a 45th anniversary edition would, in my opinion, sell very well. Roger . . .er . . .Mr. Corman, if perchance you should read this, get in touch with me.

Ah, Roger Corman, the purveyor of the finely tuned art of ten-dollar-to-shoot-and-distribute sci-fi movies. This, Attack of the Crab Monsters, is part of the minor boom in the B-movie world of the GIANT THING THAT WILL KILL YOU craze, where anything that could be done to capitalize on the threat of *the* bomb (remember, kids, by the way, duck and cover!) could be marketable for a short time, as long as not much real solid thought or questions were raised. Charles Griffith's script posits a group of scientists- off to seek out another expedition that went missing, on some small island out in the middle of A-Bomb-nowhere's-ville, and encounter a super-atomic species of land-crab that get possessed by those that they kill. They (or rather one at a time as Corman's budget had only enough for one crab at a time to shoot) project telepathically the 'souls' of those they kill, and can only be controlled by, gasp, electromagnetic fields!

So, once you get past the fact that there's not a shred of intellectual engagement here, that there's an opening title scrawl that comes out of a video game directing 'You' to be apart of the crab team and that the voice of the crabs are like the voice of God, and that the crab itself happens to have Asian eyes, it's fun crap. Crap, of course, not to be taken likely, as you and your friends can make a very fine MST3K right in your living room for no additional charge! On that level, it's classic stuff, and seeing one guy get his hand chopped off by a random rock, lots and lots of long takes of two of the scientists in deep-sea diving gear looking around for s***, is good for a gas. And the action is a real hoot, in that no-budget 50s tradition that combines miniatures that are really the production designer's toy-towns made by their kids and stock footage of LOTS of A-Bomb explosions, plus the crumbling field or two. Did I mention you can see the strings puppeting the crab? Will these directors never learn?

Having read many of the previous User comments, I'm glad that I am not alone in having enjoyed this interesting little film. FIRST and foremost to remember ... ROGER CORMAN! That's ALL you need to know! MR. CORMAN was the KING of Drive-In "B" Films during the 1950's and absolutely no KUBRICK, CAMERON, or SPIELBERG could compare with his success or impact in film history. His films were FUN, HARMLESS and MEMORABLE! They weren't Box Office bonanzas, blockbusters or star-laden, but he simply gave you the most BANG for your BUCK (which was probably sometimes his budget!) in entertainment. Not one of his films was a standout, true CLASSIC of Cinema Art, but by gum... I'll bet you can remember EVERY damned ONE of his many films, who starred in each one, and each thinly disguised storyline. "ATTACK OF THE CRAB MONSTERS" was a wonderful bit of schlock theater and I enjoyed every innocent minute of it (read the other reviews for details). His great Monster Movie Posters lined the hallways of many a cinema, and not one of them told the truth, but the truth was ... they were fun to watch! Remember - if you can't see the STRINGS on the Flying Saucers, or the ZIPPER on the CREATURES back ... it ain't worth the time.

Any movie that passes off a 1950s' home in the Hollywood Hills as a research center located atop a shrinking Pacific atoll, a well-foliaged hillside as a fresh landslide, Griffith Park's Bronson Caves as a passage to the sea, a dyed-blonde Mel Welles as a "French" scientist, and a rolling and flopping papier-mache model with humanesque eyes as a terrifying monster crab is MY kind of movie! Artistically, probably one of Corman's worst, this still is great FUN. Like many other "bad" horror movies of the fifties, I can watch it over again and again! Unfortunately, though, the only print that seems to be available--either on VHS or DVD--is not a very good one. Enjoy! (NOTE: An earlier reviewer indicated that Beverly Garland is in this film; she is not.)