The 27th Day

One of those 1950s sci-fi movies that plays out as a kind of morality play. Five people from all over the planet are taken on a UFO and provided with a mega-weapon as a kind of experiment to find out if mankind will destroy itself in a month. When they're returned, each adopts a different method to cope with their newfound powers. Inevitably this soon adopts a Cold War bent and builds to a climax with incredible - not to mention eyebrow-raising - implications. This reminded me of a TWILIGHT ZONE story.

THE 27th DAY replaces the cliched threat of aliens blasting us lasers with the chilling fact that a handful of earth people have the power to destroy the world. Of course, one is an upright American citizen, the ohter is a robotic Russian soldier, etc, etc. It gives a wonderful view of how these people would be feared, treated and simply how they would react. My only squabble with the film is that the filmmakers didn't hide their low budget well enough. An example there is a scene where movie characters address the United Nations. The close up of the characters is done in a well lit studio, the cutaways of the UN assembly are handheld and grainy.

Gene Barry and Valarie French are wonderful leads. Look for Roger Corman regulars Paul Birch (NOT OF THIS EARTH) and Mel Welles (Gravis Mushnick from LITTLE SHOP OF HORRORS) in cameos.

1957's "The 27th Day' remains a seldom seen Columbia effort made on an obviously low budget without much in the way of special effects. Five people from different nations are chosen at random by a being from another world who identifies himself only as The Alien (Arnold Moss), his world dying but seeking to colonize the earth to survive. As their species abhors violence they need reassurance that mankind can put a stop to their self destructive tendencies, and to that end each of the five is given a small container with three capsules each, capable of wiping out all human life within a 3000 mile radius (the bombardment of radiation has no effect on plants or animals). Granting them the power of life and death, The Alien releases his captives unharmed, the five all facing difficult challenges ahead for they have only 27 days to use these tiny weapons before they are automatically deactivated. The Chinese girl, plucked from a burning village and without hope, takes her own life thus rendering her capsules useless. The Russian soldier is tortured by his superiors to reveal his secrets, the Soviet leader (Stefan Schnabel) eager to force the West to withdraw from Europe and Asia or face obliteration. German professor Klaus Bechner (George Voskovec) flies to Los Angeles for an important conference, only to hear a devastating worldwide broadcast by The Alien revealing the names of all five people in possession of the deadly capsules, injured by a speeding car and having his capsules confiscated by the United States government during his convalescence. Residing in Los Angeles is hot shot reporter Jonathan Clark (Gene Barry), swiftly going into hiding at a nearby race track after reuniting with English Rose Eve Wingate (Valerie French), the only recipient who immediately threw her capsules away into the ocean. Learning that an innocent man thought to be Clark was killed by a panicked mob, the pair decide to give themselves up to find a solution with Prof. Bechner's invaluable assistance, only 12 days left. The viewer is put in the position of wondering what to do in such a situation, and in the hands of comedy specialist William Asher things remain on a commendably serious level (Asher graduated from features to television, at the helm for BEWITCHED, starring his then-wife Elizabeth Montgomery). The ending is a bit too convenient to be credible but at this point adult sci fi was relatively rare, a welcome change from the more juvenile antics of something like "The Giant Claw." Good roles for reliable players like Paul Birch as the Admiral, Mel Welles as a Russian Marshal, and Paul Frees (seen as well as heard) as a newscaster, but Arnold Moss steals the film. A ubiquitous presence on television who did relatively few features, Moss is instantly recognizable by his Shakespearean voice, best remembered as Anton Karidian in STAR TREK's "The Conscience of the King."

An alien ship picks up five different people from the five super powers of the world. There he gives each a device that only they can open. Each device contains three vials that have the power to annihilate every human being on Earth. The aliens are a dying race from a dying planet, and even though they can and will not destroy mankind on earth, they will speed up the process of seeing whether mankind will destroy itself. How long is the experiment of seeing whether these five will survive and live without opening the vials? 27 days. This is a thought-provoking film about the nature of man more than anything. The underlying point behind the film is that mankind needs to rise from its child-like state of fighting and killing itself over seemingly petty issues. The aliens act merely as referees watching and waiting to see if the Soviet Union will destroy North America or vice versa. Now, the film definitely has an anti-communist slant(not that there is anything wrong with that)but admonishes all negativity, power hunger, and perniciousness in humankind worldwide. Director Will Asher does a fine job setting up the pace of the story and creating tension. The script, even though very weak in some areas, is quite interesting and full of thoughtful insights. Gene Barry plays the American representative and is good as a cynic. The rest of the cast is also very good with George Voskovec as a German scientist and Stephan Schnabel as a Soviet general standing out. Arnold Moss is the alien and he certainly makes his screen presence memorable. A good film. After watching I kept wondering what I would do if given the same circumstances, and I must confess I am so very happy that that burden lies not on my shoulders! Take some time to see The 27th Day and enjoy!

Five Earthlings from different countries (including Gene Barry of "War of the Worlds" and lovely English actress Valerie French) are kidnapped by a Klaatu-like alien who gives each of them a palm-sized transparent case containing three silver capsules. The capsules have the power to make millions of humans vanish, without harming animals or causing destruction.

The alien's race desperately needs the planet Earth, but they are morally opposed to conquering it, so they give the war-pron Earthlings the ability to finish themselves off without devastating the planet in a nuclear war.

Don't expect any special effects except for two brief clips from "Earth versus the Flying Saucers", one space scene from "The Day the Earth Stood Still", and a small-scale test of the alien weapon. But the interior of the spacecraft is nicely done. This is an intelligent and uplifting movie, done on a small budget, although it's a bit too talky and actionless for some taste. John Mantley wrote both the screenplay and the original novel. In the novel the capsules had a somewhat more far-reaching (and disturbing) effect on humans than they do in the film. [Originally co-billed with "20 Million Miles to Earth"]