La bestia de otro planeta

I saw this gem in 1957 at the Vineland Drive In, La Puente, California (which still exists! Saw Hellboy there last night.) The creature was so believable it scared me into peeking from beneath a blanket. I was eleven. I was hooked. Sci-Fi rules. Harryhausen's work is amazing and reason enough to seek it out. I was thrilled to discover it is available on DVD, and disappointed that some TV stations cut the elephant/creature fight scene for fear of upsetting animal rights folks. I will definitely find that DVD - and thanks to someone for noting the Full screen version is best, the "Wide-screen" is actually cropped top and bottom. I wanna see it all!

I have to admit I was drawn to this because it was set in Sicily, but they really never got far from Rome.

It is a significant film for the fact that special effects were done by Ray Harryhausen, who has a cameo in the film (watch for the man feeding the elephant at the zoo.).

William Hopper, who played Perry Mason's assistant Paul Drake, will be a familiar face for those who grew up during the 50's and 60's. Joan Taylor was also on TV a lot during those years. They both have a rich sci-fi history in films like Earth vs. the Flying Saucers, "Men Into Space", and Conquest of Space.

The little Godzilla-like monster from Venus is the focus of the film as they try to find and capture it. Of course, Hooper knows all about the creature when facing it. Such plot holes would raise howls of derision today, but it was common in the films of the 50's.

An enjoyable reach into the past with a film that entertains more than a lot of the DTV we see today.

This movie is a prime example of the work of one of the masters of stop-motion animation, a form of art that is rapidly being supplanted by CGI. Ray Harryhausen was the ultimate master of this technique, having trained under the likes of Willis O'Brian. His work is still the inspiration for many of the special effects wizards today. Granted, the movies of the 1950's do seem stilted and silly, but quite frankly, the worst of them are probably still superior to most of the direct-to-video drek produced today, and likely better than most of the films produced by major studios. I was raised on films such as 20 Million Miles to Earth and have no problem letting my child watch films like this. I cannot say the same for most of what is released today. 20 Million Miles to Earth is a unique, fun film. It, like others of its kind, comes from a different era, when people were not as jaded and world-savvy as they are today. Save the critical eye for the more cynical, overproduced films of today. Enjoy it for what it is.

This is a simple enough film. Rocket returning from Venus crashes near Sicily and a foetal thing grows to become a giant lizardy humanoid type thing. The acting is ordinary and the script predictable.

What makes it better than average for a 1950s monster movie is the Ray Harryhausen animated Venusian, called a Ymir here. Photographed in atmospheric black and white, its progress from small caged creature to being loose and dangerous on the streets of Rome and fighting an elephant is engrossing. You can't help rooting for the Ymir, attacked along the way by dogs and soldiers. The Ymir becomes a character like Frankenstein's creation or the Creature from the Black Lagoon. Excellent work by Harryhausen, and far more interesting than the CGI dinosaurs from Spielberg's over praised (and underwhelming) Jurassic Park trilogy.

I think the best thing about this movie is that it's fast-moving. The filmmakers don't waste a lot of time with unnecessary dialog or a sappy romance. They get right to it and stay on track for almost all of the 82 minutes.

Thus, if you like somewhat-hokey 1950s science-fiction movies dealing with space or monsters, or in this case both of them, you should enjoy this little film. Most of it involves trying to cope with a specimen from Venus which quickly grows into a Godzilla-like monster (but smaller).

It seems a space ship had gone to Venus, but crashed on the way home. Only good-guy William Hopper, who used to help Perry Mason win courtroom cases on TV about this same time, survives the crash. The ship lands in a big body of water off Italy. The specimen, about the size of a trout, washes onshore where a little boy finds it and then shows it to his scientist-uncle. Within hours, it seems, the "thing" begins to break out of its ice encasing and - presto! - we have a small little Godzilla. Hours later, it's about the size of a small man. Very soon it's several times the size of a man.

Here's the good and bad news on the special-effects, which are crucial to a film like this. With Hall of Fame FX man Ray Harryhausen, you know you're going to get the best of what you can expect from a film 50 years ago. Compared to most films of its ilk during the '50s, this is good stuff and the creature looks and moves in a pretty realistic manner. The only "goof" is that in some scenes, such as the one in the barn, the monster looks about three feet high in some shots, and 20 feet in others. The scale gets thrown out of whack a few times and then several times later in the film. Thus, you never really know how big this lizard-creature is. Overall, however, it's still done extremely well for its time period.

There is a scene, too, where the alien creature fights an elephant! Once again, for something 50 years old, they did an excellent job re-creating what that fight might look like. It was well done....and how often do you see a monster fighting an elephant?? Pretty cool stuff. By the way, I watched the colorized version and the monster was green.

The acting is passable, too. Hopper, as "Col. Robert Calder," knows what's he doing, as do most others in here. Some of the actors are familiar faces from '50s and '60s television. The female interest - which is played down - has Joan Taylor as "Marisa Leonardo." She's a bit bland but not bad-looking. She reminded me of Phyllis Coates, from the first season of "The Adventures Of Superman."

All in all, if you're looking for a campy and fun, along with fast-moving classic-era sci-fi flick, this is highly recommended. You won't be bored.