Zorro

This show was a real treat, both on ABC from 1957 to 1959, and on the Disney Channel, with its blend of adventure and comedy. Excellent cast!

I am sorry that the series did not film further episodes, because it was superb. I saw it as a kid in syndication in 1965-66, and then again in 2002 on the Disney Channel.

"Zorro" had to have been the "Batman" of the late 1950s. Indeed, in the comic version of "Batman" it is Zorro whom Bruce Wayne considers his role model. After living in Texas and the Southwest, I can appreciate the series even more. I just wish Disney would bring it back, and that someone would revive the series. It was so interesting!

Considering my age, I watched the series quite late. Having heard a lot about these series from my older sisters and friends, I decided to watch them all. I bought the whole series on DVD (total of 78 X 30 min and 4 X 60 min) in summer 2006 and watched the whole 83 hours in around a month.

Having watched 3 other Zorro versions, I do agree that Guy Williams version is the best along with the other two pivotal characters of Bernardo and Sgt Garcia being unique. Considering the fact that I am in 2006 and still enjoining these series, I tried to imagine how enjoyable these series were for the peoples of 50's!!!

What if an actor was tall, dark, and handsome? And what if the actor had learned to act in bit parts in movies with actors like Tyrone Power, Victor Mature, and Raymond Massey? And what if the actor could handle a sword???

It all adds up to Walt Disney's ZORRO!!!--STARRING GUY WILLIAMS!!! Guy Williams as both Zorro and alter ego Don Diego De La Vega is better than all the actors who played the role before and after him, taller than Tyrone Power, better looking than Douglas Fairbanks, and taller, better looking, and better with a sword than Antonio Banderas!

Walt Disney controlled every aspect of this 1950s black and white tv show--the black and white photography is the show's greatest weakness, and the new colorized versions on the Disney Channel are much better--and the result is an interesting departure from the standard 1950s westerns, with humor, adventure, and terrific sets and casting. Henry Calvin is sensational as Williams' chief foil, Sargent Garcia, and Gene Sheldon is very good as Williams' mute servant Bernardo. But it's Guy Williams, with his beautiful hair, his handsome face, his height, his well proportioned physique, and something about the way he walks, the way he talks, and some strange quality that he had--see Guy in CAPTAIN SINBAD!!!--some ability to convey to his audience, "Everything's going to be all right!!!"--that made Walt Disney's ZORRO the best ZORRO of all!

THERE WILL NEVER BE ANOTHER GUY WILLIAMS!!!

It is 1820 and a ship approaches the coast of Spanish California with young Don Diego de la Vega returning to his father's hacienda in the pueblo of Los Angeles. Recalled home after 3 years at University in Spain, Diego learns from the Capitan that the trouble his father hinted at in his letters is due to the political oppression of the new Commandante, Capitan Monastario. Realizing that he cannot hope to fight the soldiers as himself, Diego decides that "if one cannot wear the skin of the lion, put on that of the fox." By day he will appear to be a lazy, bookish, pacifist dandy. By night he will don the black clothes, a cape, and a mask and become the "Friend of the People", El Zorro, the Fox.

Although "Zorro" aired in the early days of television in B&W, it retains a fresh, modern quality, especially in the colorized version. In one half-hour show we get plot, action, comedy, drama, music, and even Spanish dancing. Everything was done under the guidance of Walt Disney and director Norman Foster with attention to detail, high production values, and Spanish flavor. The cast was wonderful, especially Henry Calvin as Sgt. Garcia, Gene Sheldon as the "deaf"-mute servant, Bernardo, George L. Lewis as Don Alejandro, Don Diamond as Cpl. Reyes, and co-star Britt Lomond as the evil Capitan Monastario. The author and inventor of Zorro, Johnston McCulley felt that the pages of his books had come to life in this show. Guy Williams, in the dual role of Diego/Zorro will never be surpassed as either. He remains for a generation of Babyboomers the real Zorro.

"Zorro" airs nightly on the Disney Channel. The 78 episodes are shown alternately all in B&W and then again in the colorized version. Even today it remains my favorite program on television.

"Zorro" was a character created in the image of others of the 19th century who had worn a disguise, played a dual role, championed justice for people against those who would deprive them of it or rob them through excessive taxes and deny them justice under courts. Johnston McCulley's character returned home in 1820, after attending a university in Spain, to find the land being ruled by a tyrannical commandante. Instead of committing suicide through a premature rebellion, Don Diego instead masquerades as a foppish coward by day--like the Scarlet Pimpernel--and by night becomes El Zorro, the black-clad fox. He is no altruist; his purpose is to steal back what the tyrant's soldiers have stolen, to save those condemned falsely and to instill a spirit of revolution against their oppressor in his people. McCulley apparently liked the television version much better than the film that had starred Tyrone Power; I too prefer it to that film as author and actor, and to the later versions. Producer Norman Foster and Walt Disney labored to make the production, albeit an adventure series, a quality offering, much as the British "Robin Hood" of Hannah Weinstein became a classic for the same reasons. As Diego de la Vega, Guy Williams, actually Hispanic, was a charismatic, attractive and capable "B" leading man in the role of a lifetime; he had the capability of playing comedy as well as drama and was made to seem a superb fencer. Henry Calvin played the slow-witted but practical Sergeant Garcia, Gene Sheldon was his mute servant and helper Bernardo, who also played the banjo. George J. Lewis, also Hispanic, was attractive as Don Alejandro, Diego's father; the part of Captain Monastario was played with some power by Britt Lomond; many other semi-regulars populated the series including Don Diamond, Jan Arvan, Jolene Brand, Nestor Paiva, Romney Brent, John Litel, Vinton Hayworth, Eduard Franz and Eugenia Paul. Others often seen in the series included regular guests Suzanne Lloyd Charles Korvin, Carlos Romero, Jay Novello and Michael Pate. Directors for the series included Charles Lamont, Harmon Jones, William Witney, John Meredyth Lucas, Norman Foster, Lewis R. Foster, Hollingsworth Morse, Charles Barton and Robert Stevenson. Among sixteen writers who contributed to the series' several; formats were Gene L. Coon, Roy Edward Disney, Anthony Ellis, Jackson Gillis, Lewis R. Foster, Norman Foster and N. B. Stone, Jr. George Avil supplied good B/W cinematography; Production Designer was Marvin Aubrey Davis aided by Set Decoratos Hal Gausman and Emile Kuri; Chuck Keehne supplied the attractive period costumes. Fred Cavens performed the vital job of fencing master. The theme song became as famous as the series did. This same show might have been done as drama; but as an adventure with sincerity, emotional honesty and good production values, it would be hard to better. The series appeared only from 1957 to 1959.