Have Gun - Will Travel

What a remarkable half hour of allegory and metaphor. Starting with the premise that our protagonist is a fellow who others don't like - he's a gunfighter. And that he charges a lot - $1,000 - and that he is cool - wears black and uses a business card - and he does good deeds for others.

And he doesn't like to use his gun to solve problems.

This vehicle is used over and over again to good effect. He solves interesting problems that span a large part of the country and a large array of people - blacks, chinese, mexicans, bums, crooks and good guys.

Writers include Roddenberry.

Good stuff, mostly.

The plot and the character, Paladin (which is not actually the gunfighter's name; he takes the moniker after being challenged by a character named Smoke) were ahead of the times for 1957. Paladin is a multilingual gentleman of letters who sees no need for macho bravado, is a champion of human rights (regardless of race or nationality) and who proves that real men can be literate, eloquent, and even wear a satin robe.

Having viewed the Columbia House re-release of twenty-one episodes of "Have Gun", it amazes me how much Paladin is a renaissance man. Paladin laughs up his sleeve as his adversaries fumble in comic absurdity, trying to prove just how masculine they are. Psychology, not a pistol, often is the weapon of choice. Even so, after twenty-two minutes of clever strategy and elocution, the fist and the forty-four are often called upon to end the story, lest we run out of time.

No small surprise that "Have Gun" provided writer Gene Roddenberry with a creative garden to develop ideas for another series (deemed by the omniscient sages of networkdom to be "too cerebral"), "Star Trek".

Intelligent, principled, competent, courageous, educated and suave. A bit ruthless perhaps, but a hero. Such was Palladin, who could quote Shakespeare as well as he used his perfectly balance Cavalry model 1873 Colt Single Action Revolver. This was the perfect counterpoint to Maverick's irony. For a school boy who also loved Shakespeare, Palladin became a justification. If a Western hero could be literate, then a literate boy was OK. Richard Boone was excellent, as we all know and yet... I wonder if John Dehner (who played Palladin on radio and who could not take the role on television because of contractual difficulties) had played the role, what would that have been like? Dehner vs Boone... speculation only but Dehner's greater sophistication against Boone's rugged masculinity. Both the radio and TV versions of Palladin were excellent. There has been little or nothing like it since.

As the proud owner of both the first and second seasons of "Have Gun - Will Travel", I am continually impressed with the quality and complexities of this "forgotten" treasure. Created during an age of western storytelling that was inundated with cardboard, do-gooders that were so clean they squeaked when they walked, Paladin stands out as an effective genre bridge between the over idealistic cowboy typified in John Wayne and the anti-hero "The Man With No Name" Clint Eastwood. "Have Gun - Will Travel" is a series that remembers the key to great storytelling is a believable character being true to himself at all times. Paladin is a combination rogue who works within the system, Robin Hood, and a crusader for the downtrodden. Quick with both a gun and a sarcastic wit, this professional problem solver is as at home in a drawing room as he is around a campfire. While this may sound hokey if you are as cynical as I am, I can assure you it is not. Besides casting the perfect actor for the role, the late Richard Boone, the creators used a talented group of writers {including Gene "Wagontrain to the Stars" Roddenberry} who used every second of screen time to move you through story lines that were frequently only westerns in their setting. I particularly enjoy the fact that you are never given more than an occasional hint as to Paladin's back-story. While this may frustrate some viewers, I find the air of mystery that it lends to the character adds to his complexity. For anyone that truly enjoys well crafted escapism or simply wonders if new life can be brought to an already overworked concept, you could not find a finer example of the true artistic potential of cinema's "bastard" child than "Have Gun - Will Travel".

Richard Boone was a thoughtful and serious actor, and so must have felt a great satisfaction in playing a 'thoughtful gunman' in the Old West.

Although Paladin often professed the desire to settle every situation without gunplay if possible, his rivals in most shows didn't afford him that opportunity. It's a rare show that Paladin didn't have to shoot someone ... sometimes a few someones.

Despite many story corners having to be cut to fit these stories into a 30-minute format, each story is interesting and compelling, virtually always with a twist that keeps them from being some of the many Western clichés.

Now that the series has been resurrected on Encore Westerns, generations who had no opportunity to appreciate this fine series in years past can now discover it for themselves. This is yet another example of how many television shows from the 50s and early 60s were far superior to most of what is filmed now.