Sombras tenebrosas

To its fans, Dark Shadows was and remains the best fantasy television series ever produced for an American network. Its status as the best resulted from the chance interaction of a team of brilliant actors, writers, directors and producers who together made magic every afternoon at 4 pm out of what were often very unpromising materials. As the comment from a new teenaged viewer on this page shows, the show's appeal continues to draw in a new audience 30 years after its original broadcast.

Barnabas Collins, the pivotal character of the "vulnerable vampire," has become a part of postmodern folklore. The influence of Barnabas as a character and a concept has been widely seen, from Anne Rice's vampire novels to such recent cult series as Forever Knight and Buffy the Vampire Slayer. The central drama of Dark Shadows--a doctor in unrequited love with her vampire patient, whom she was trying to cure--was intriguingly reprised in the Canadian series Forever Knight, with Geraint Wyn-Davies and Catherine Disher taking on the roles originally played by Jonathan Frid and Grayson Hall.

Dark Shadows boasted perhaps the most impressive cast (in terms of sheer ability) ever assembled for an American daytime series. Actress Joan Bennett who played the matriarch provided a link with the world of film noir and Forties Gothic cinema upon which the style and mood of the series so clearly played. Jonathan Frid, Thayer David, the extraordinary Grayson Hall (probably the first instance of an Oscar nominated thesp taking a role in a soap opera), Nancy Barrett, Louis Edmonds, and John Karlen, all of whom had distinguished themselves both on and off Broadway, routinely turned in sterling performances with a minimum of rehearsal time. The show's initial realism gave way after a year or so to the "Dark Shadows school of acting"--a highly theatrical, dramatically stylised manner of putting the mood of a scene across with stunning effect. Among the newcomers who shone most strongly were Lara Parker (who enacted another variant of vindictive unrequited love as the witch Angelique), Alexandra Moltke as perennially clueless governess Victoria Winters, Don Briscoe as doomed werewolf Chris Jennings, and David Selby as roguish cousin Quentin Collins. One striking feature of the production was the use of multiple time periods and, ultimately, parallel time streams which allowed the actors to portray a wide variety of roles (Nancy Barrett and Thayer David each ended up playing some half a dozen sharply differentiated characters).

The New York production setting favored the occasional introduction of such veteran character actors as Anita Bolster, Cavada Humphrey, Abe Vigoda, and others in cameo spots. Young actors just starting out such as Harvey Keitel, David Groh, Kate Jackson, Virginia Vestoff, and Marsha Mason found brief or steady work on the series. Vestoff did a tour de force as the ruthless Samantha Collins at the same time (1970) as she was performing nightly in the hit musical 1776.

Derided by some, misunderstood by many, beloved by its legions of fans, Dark Shadows will never die!

I was a big fan of this gothic horror soap opera as a young lad, and was delighted to find out that MPI had released the episodes on DVD.

If I were to complain, I would have to say that it is a bit disappointing that the DVD's start rather late in the series (episode 210 to be exact), with the appearance of Barnabas Collins. This is fitting, however, since he brought the show such popularity, but it is a bit remiss that MPI didn't include the prior episodes on DVD.

That being said though, the show still is great, with terrific acting. Considering the fact that the actors filmed the episodes live, so a flub or two can be overlooked. It makes actors today seem a bit untalented, because they are allowed 20 takes (which we have to see in the end .. like in Home Improvements).

But actors like Jonathan Frid, John Karlen, David Selby, etc. make this show truly memorable (and made me join the DVD club, where I am now the proud owner of my own Barnabas Collins bobblehead) :)

I never did watch the remake of the Dark Shadows series when it came out, because I personally thought that no one could replace Jonathan Frid as Barnabas Collins. However, I might have to see it just to satisfy my own personal curiousity.

This is one of my all time favorites and I am glad that it is now on DVD.

Warning: Soap operas are habit-forming, and this is about the most addictive one ever filmed. Dark Shadows, the daytime serial which ran in the 1960s broke new ground to say the least. A vampire (Barnabas Collins) is released after a 170 year imprisonment to wreak havoc on his old stomping grounds. There's witchcraft, ghosts, romance, unrequited love, bodies buried in the cellar, duels to the death, werewolves....Any one of these elements is enough to build a story on. Put them all together and you've started a new religion. No wonder DS had such a dedicated cult following. Now it's back, released on DVD and unless I'm badly mistaken a whole new generation is out there getting hooked on this crazy show. The old B&W episodes are fun to watch and the restored color programs look better than ever.

This show is well worth restoring. One reason; never before or since have so many gorgeous actresses been gathered together in one place. For us guys that alone makes it worth a look. Lara Parker is stunningly beautiful as Angelique. Kathryn Leigh Scott (Maggie Evans) came to the series from Hugh Hefner's Playboy Club. Need I say more? Nancy Barrett (Carolyn) is a blonde bombshell in her own right. And we certainly can't leave out Alexandra Moltke (Victoria Winters) who on a good day tops them all. No wonder the plain-looking Julia Hoffman (Grayson Hall) couldn't score with Barnabas. She had no chance against competition like that. And like any soap there are plenty of handsome hunks for the ladies to admire. David Selby, Roger Davis, Joel Crothers, and of course Jonathan Frid (Barnabas) to name a few.

Dark Shadows is remembered as being campy with lots of bloopers. You see overhead microphones, malfunctioning props, actors flubbing their lines. But this just adds to the fun. It was more like a stage play than a TV series. As a daily show with so many special effects they were in uncharted waters. They did well considering the technology available at the time. On a limited budget they even had to borrow equipment from other sets on occasion. As the star, Jonathan Frid was carrying a tremendous workload. He rarely got enough sleep so he was bound to flub now and then. Some days even without makeup he probably looked like one of the undead.

For those of us over 40 seeing these shows again is like going to a reunion. The DVD set includes interviews with the surviving and now much older actors, a sad reminder of how much time has passed. But life goes on and vampire tales are hot stuff right now. Youngsters who are seeing all this for the first time will laugh at the bloopers. But they'll keep coming back for more. Some of the bloopers are not really bloopers at all. They're just life the way it really happens. We all flub our lines and drop things in our daily lives. And when Quentin yanks that sword off the wall, unintentionally sending a few other items crashing to the floor, well that could just as easily have been part of the script. Indeed, it might have made the scene more intense. Dark Shadows is the most far-fetched soap opera ever made. But at the same time it's the most believable because the characters stammer, stumble, and bang their heads on low hanging objects just like we do. That's why we love them. And that's why we'll always love this show.

Like many people I used to rush home from grammar school to see this Gothic soap opera. I distinctly remember being petrified of the werewolf and running out of the room when Barnabas bit somebody.

Seeing it now it's still sort of creepy. It moves very slow (of course) and the black & white seasons are extremely dull with really pathetic special effects and threadbare settings. But when the series switched to color and started to really be popular (in 1967) it really got going. The special effects improved, the settings and costumes got more elaborate and the plot lines went barreling out of control. Also they had a good cast who played all their roles seriously. That's good, because if they had camped it up or winked at the audience it would have fallen apart.

A good, fun horror soap. It's a good thing it's available on video and DVD now.

The series has so many memorable plot lines and had a superb cast that did a tremendous job on such a low budget. Re-takes were virtually non-existent so most of the bloopers were broadcast adding to the entertainment value of the series. The interplay between the actors was probably the best that I have ever seen in any television series. This series spawned two theatrical movies, a Broadway play and a revival series in 1991. Additionally, almost 29 years later conventions draw more fans than any other series ever made (except Star Trek) and having seen just about every episode I can understand why.